Guest Bloggers

Self-editing and Wordsmithing

Guest Blogger Linda Jay writes about self-editing and wordsmithing: I’ve noticed a topic popping up more and more in books, workshops and seminars, even those offered by Writer’s Digest. Targeted mostly toward indie authors (perhaps you’re in that category), these books, workshops and seminars encourage writers to self-edit their own work before they self-publish. Now, self-editing is fine. Going through your manuscript’s rough drafts several times over a period of weeks searching for errors and omissions, perhaps even reading the text aloud to catch awkward phrasing or redundancies or overcomplicated construction, is certainly not going to hurt—and possibly might even improve—your writing. But let’s face it, there’s only so much self-editing an author can do. Frankly, you as the author are too close to the subject matter to be objective, even if you take a break from the material and come back to it later. In my opinion—and I’m not…

Guest Bloggers

The Silence of the L’s

Guest Blogger Jane Merryman writes about the silence of the L’s:             In the Danish language nearly 32 percent of the letters are silent. In French the number approaches 28 percent—I would have thought much more than that. About 16 percent of the letters in English words are silent. Think about it: would, could, should. And half. That l shows up in the strangest places. And then there’s wall—why do we need two l‘s there?             I attended junior high and high school at a Catholic school for girls in Menlo Park, California. The nuns were Americans, but the religious order was French and operated schools around the world. All students, from kindergarten through twelfth grade, attended a French class every single day. By the time I graduated from high school I had advanced even into the dense forest of subjunctives. (That was when I learned English also has subjunctives,…

Just Write

Make characters real and likable.

Play around with different ways to describe characters in stories. Here are examples of how to make characters real and likable and how to capture readers’ interest. What We Keep by Elizabeth Berg “My mother was dressed in her beautiful yellow summer robe, the tie cinched evenly into a bow at the exact center of her waist, but her auburn hair was sticking up in the back, an occasional occurrence that I always hated seeing, since in my mind it suggested a kind of incompetence. It was an unruly cowlick, nearly impossible to tame — I knew this, having an identical cowlick of my own — but I did not forgive its presence on my mother. It did not go with the rest of her looks: her deep blue eyes, her thin, sculptured nose, her high cheekbones, her white, white skin — all signs, I was certain, of some distant…

Places to submit

Zoetrope All-Story

About: Zoetrope: All-Story is a staff of two, assisted by a small team of brilliant and generous volunteers, who are collectively dedicated to reading and responding to the 12,000 submissions All-Story receives annually. To aid in this commitment, writers should submit only one story at a time and no more than two stories a year. Submit: Before submitting, non-subscribers should read several issues of the magazine to determine if their works fit with All-Story. Electronic versions of the magazine are available to read, in part, at the website; and print versions are available for purchase by single-issue order and subscription.  http://www.all-story.com/ Zoetrope: All-Story considers unsolicited submissions of short stories and one-act plays no longer than 7,000 words. Simultaneous submissions are accepted. First serial rights and a one-year film option are required. All-Story does not accept submissions via e-mail. Mail manuscripts to: Zoetrope: All-Story Attn: Fiction Editor 916 Kearny St. San…

Guest Bloggers

The Power of Storytelling—Now Proven

Guest Blogger Frances Lefkowitz writes: The life of a freelance writer is full of the uncertain (“where will my next assignment come from?”) and the mundane (“did I spell that source’s name right?”), coupled with high deadline pressure and middling compensation. But every once in a while, I get to track down fascinating regular people and ask them to tell me stories. That’s what I did for a recent article for Good Housekeeping on the power of storytelling. The assignment was to write about the new evidence that storytelling has benefits for the health and wellness of individuals, families, and communities, and I had to read my fair share of academic research journals and talk to my fair share of M.D.s and Ph.Ds. But I also got to sit back, relax, and listen to tall tales. The best, most enduring stories, it turns out, are those that contain both hardship…