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<\/figure><\/div>\n\n\n\nCAGIBI<\/a>\u00a0is versatile in its purpose and mission to readers and writers.\u00a0The\u00a0journal\u00a0centers on literature in which character conflict, ultimately story, is\u00a0tied to\u00a0place.\u00a0<\/p>\n\n\n\n Nicole R. Zimmerman<\/a> succeeded with what CAGIBI looks for in a story. Read \u201cAutumn Inferno<\/a>\u201d by Nicole R. Zimmerman, an example of exceptional, extraordinary writing, an unforgettable story told in an illuminating format.<\/p>\n\n\n\n Cagibi<\/strong>, qu\u2019est ce que c\u2019est?<\/em> What is a cagibi<\/em>?<\/p>\n\n\n\n American phonetic transcription: \/k\u00e4\u2019j\u0113b\u0113\/<\/p>\n\n\n\n A cagibi, from the spoken French, is versatile in its purpose: it may be a shed, a cubbyhole, a cupboard.<\/p>\n\n\n\n It is a space to store tools or personal items for safekeeping: shovels, love letters, suitcases, pails, heirlooms, tchotchkes.<\/p>\n\n\n\n It is a space too low for grown-ups but perfect for children to hide and play.<\/p>\n\n\n\n It is that snug space under the stairs just large enough to fit a small writing desk.<\/p>\n\n\n\n It is a space that isn\u2019t quite a room, usually windowless, but also door-less, a space that is at once intimate and yet open to the world.<\/p>\n\n\n\n It is any shelter, no matter how tiny, that allows for big imaginings to take shape.<\/p>\n\n\n\n CAGIBI is invested in sharing the universal human experiences to be found in works of prose and poetry set within places unfamiliar to readers; thus, our expressed interest in international\u2014or world\u2014literature, and works in translation. <\/p>\n\n\n\n Journal in Print and Online<\/strong><\/p>\n\n\n\n CAGIBI<\/strong>\u2019s journal is bundled online in quarterly issues, with one print issue each year.<\/p>\n\n\n\n Cagibi publishes an annual print issue.<\/p>\n\n\n\n