{"id":12038,"date":"2022-08-25T07:39:00","date_gmt":"2022-08-25T14:39:00","guid":{"rendered":"https:\/\/thewritespot.us\/marlenecullenblog\/?p=12038"},"modified":"2022-08-25T18:29:48","modified_gmt":"2022-08-26T01:29:48","slug":"3-things-ive-learned-about-storytelling-and-life-from-performing-narrative-nonfiction","status":"publish","type":"post","link":"https:\/\/thewritespot.us\/marlenecullenblog\/3-things-ive-learned-about-storytelling-and-life-from-performing-narrative-nonfiction\/","title":{"rendered":"3 Things I\u2019ve Learned About Storytelling (and Life) from Performing Narrative Nonfiction"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full is-resized is-style-rounded\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thewritespot.us\/marlenecullenblog\/wp-content\/uploads\/2022\/08\/Anastasia-Zadeik.jpg\" alt=\"\" class=\"wp-image-12040\" width=\"283\" height=\"272\" srcset=\"https:\/\/thewritespot.us\/marlenecullenblog\/wp-content\/uploads\/2022\/08\/Anastasia-Zadeik.jpg 402w, https:\/\/thewritespot.us\/marlenecullenblog\/wp-content\/uploads\/2022\/08\/Anastasia-Zadeik-300x289.jpg 300w\" sizes=\"auto, (max-width: 283px) 100vw, 283px\" \/><\/figure>\n\n\n\n<p>Guest Blogger Anastasia Zadeik writes:<\/p>\n\n\n\n<p>The bar is hushed. I stand at the podium, bright lights partially obscuring the crowd. I see a blur of faces and blank spaces, hear ice clinking in a glass somewhere to my right and murmurs from the back of the room where drinks are being ordered and served. I am about to start speaking when I remember a tip I was given by my first performance coach, Jon.<\/p>\n\n\n\n<p>\u201cBefore you begin,\u201d he said, \u201ctake a deep breath and remind yourself to . . . slow . . . down.\u201d<\/p>\n\n\n\n<p>This, I have found, is good advice and, as Oscar Wilde famously said, \u201cThe only thing to do with good advice is to pass it on\u201d so\u2026<\/p>\n\n\n\n<p><strong>1. Before you start a story (or anything new)\u2014take a deep breath and remind yourself to slow down<\/strong>.<\/p>\n\n\n\n<p><a href=\"https:\/\/janefriedman.lt.acemlna.com\/Prod\/link-tracker?redirectUrl=aHR0cHMlM0ElMkYlMkZ5b3V0dS5iZSUyRnh3V1hKM25GeWxZJTNGdXRtX3NvdXJjZSUzREFjdGl2ZUNhbXBhaWduJTI2dXRtX21lZGl1bSUzRGVtYWlsJTI2dXRtX2NvbnRlbnQlM0RSU1MlMjUzQUlURU0lMjUzQVRJVExFJTI2dXRtX2NhbXBhaWduJTNERGFpbHklMkJCbG9n&amp;sig=GMNjXso2PbzvmmKCGika89uSz3PsbVUG1Cf4BiDjcgJk&amp;iat=1657627534&amp;a=%7C%7C476719687%7C%7C&amp;account=janefriedman%2Eactivehosted%2Ecom&amp;email=3AlcyC52DR2Wo1XRnUTcpgLPkW1efsNDmrdD24%2FSjmA%3D&amp;s=ab1c596f5850bf5daf1e1ab0f8909f4f&amp;i=330A348A9A7574\" target=\"_blank\" rel=\"noreferrer noopener\">I begin to read the narrative nonfiction piece<\/a>&nbsp;printed on the pages in front of me. It starts with some background about my dad, how he was a Latin, Hebrew, and Greek teacher, a Shakespeare scholar, and docent at the Art Institute of Chicago. Then the story places him in the hospital at age 81. He is about to go in for emergency surgery when he calls to me to share what might be his last bit of fatherly wisdom. I slow down in the reading, pause for a few seconds, and then explain that, instead of the profundity I expected given his extraordinary intelligence and the dire circumstances, I heard my dad say, \u201cThere are some Bob Chin gift cards in my wallet. Make sure you use them with your brothers and sisters.\u201d<\/p>\n\n\n\n<p>The crowd laughs.<\/p>\n\n\n\n<p>I look up to see the blur of faces and spaces and lift my gaze to just above the heads, following advice from the minister at the church where my father\u2019s funeral was held\u2014a piece of advice I received when I was about to deliver the eulogy I\u2019d written for my dad when, months after the Bob Chin gift card incident, we lost him to complications from that emergency surgery.<\/p>\n\n\n\n<p>\u201cLook just over their heads until you feel comfortable,\u201d the minister told me. \u201cThey will think you are engaging directly with them. Only when you begin to feel at ease should you lower your gaze to their faces, and then engage with an open, amiable face or two around the room.\u201d<\/p>\n\n\n\n<p><strong>2. Give the impression you are engaging directly until you can actually engage directly (in other words, fake it til you make it) and then look for the people who appear open and amiable.<\/strong><\/p>\n\n\n\n<p>I lower my eyes to the page again and share how my dad never walked again after that surgery, how he suffered from ODTAA syndrome, \u201cOne Damn Thing After Another,\u201d and the grief and loss my siblings and I felt when he died. I share how we went on a scavenger hunt of his favorite paintings at the Art Institute together as if trying to find him somehow, and our fear that we weren\u2019t ready to be the older, wiser, generation. My voice drops and wavers slightly as I allow myself to feel those feelings again. I hear an audience member sniffle.<\/p>\n\n\n\n<p>I wait a moment, let the sadness settle, and then I begin to share how my siblings and I did indeed use my dad\u2019s gift cards, how Bob Chin\u2019s was a crab shack that served alcohol and how we proceeded to get drunk and tell bittersweet stories, how my brothers ended up fake-wrestling on the floor of the funeral home, and how the hotel clerk thought I was planning a bachelorette party when I called to inquire about the capacity of the hotel\u2019s hot tub and whether we could bring our own booze into a conference room. I lift my eyes, now fully engaging with the blurry faces, and hear laughter again.<\/p>\n\n\n\n<p>Then, slowing my voice again, I finish with the last piece of advice my father actually gave me, the words of wisdom and love he wanted to pass on to his grandchildren. The laughter fades into silence and I hear another sniffle, and another.<\/p>\n\n\n\n<p>And I am reminded of something my second performance coach, Eber, told me. \u201cIf you can make them laugh or cry, it\u2019s a good story. If you can make \u2018em laugh&nbsp;and&nbsp;cry, it\u2019s a great story. And if you can make \u2018em laugh, cry, laugh, and cry again, then it\u2019s an amazing story. Be authentic and make them feel it.\u201d<\/p>\n\n\n\n<p><strong>3. Be authentic<\/strong><\/p>\n\n\n\n<p>Trust me, this does not contradict #2 because this is all about the delivery of your message. Let your emotions come through. Make them feel your passion, your dedication, your fear, your joy, your belief. Make the most of every moment. Grab \u2019em with what you know and what you feel and don\u2019t let them go until the<br>very<br>last<br>word.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/anastasiazadeik.com\/about%2Fmedia\" data-type=\"URL\" data-id=\"https:\/\/anastasiazadeik.com\/about%2Fmedia\" target=\"_blank\" rel=\"noreferrer noopener\">Anastasia Zadeik<\/a><\/strong> is a writer, editor, and narrative nonfiction performer. She lives in San Diego, CA, where she serves as Director of Operations for the <a href=\"https:\/\/sandiegowritersfestival.com\/\" data-type=\"URL\" data-id=\"https:\/\/sandiegowritersfestival.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">San Diego Writers Festival<\/a> and as a mentor and board member for the literary nonprofit <a href=\"https:\/\/www.sosayweallonline.com\/\" data-type=\"URL\" data-id=\"https:\/\/www.sosayweallonline.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">So Say We All<\/a>.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.amazon.com\/Anastasia-Zadeik\/e\/B09DL7T8C9?ref=sr_ntt_srch_lnk_1&amp;qid=1661394010&amp;sr=8-1\" data-type=\"URL\" data-id=\"https:\/\/www.amazon.com\/Anastasia-Zadeik\/e\/B09DL7T8C9?ref=sr_ntt_srch_lnk_1&amp;qid=1661394010&amp;sr=8-1\" target=\"_blank\" rel=\"noreferrer noopener\">Blurred Fates<\/a> is her first novel.<\/p>\n\n\n\n<p> When she isn&#8217;t reading or writing, you will find her hiking, practicing yoga, playing tennis, swimming, or hanging out with her husband and their empty-nest rescue dog, Charlie.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/janefriedman.activehosted.com\/index.php?action=social&amp;chash=fe73f687e5bc5280214e0486b273a5f9.348&amp;s=ab1c596f5850bf5daf1e1ab0f8909f4f\" data-type=\"URL\" data-id=\"https:\/\/janefriedman.activehosted.com\/index.php?action=social&amp;chash=fe73f687e5bc5280214e0486b273a5f9.348&amp;s=ab1c596f5850bf5daf1e1ab0f8909f4f\" target=\"_blank\">&#8220;3 Things I\u2019ve Learned About Storytelling (and Life) from Performing Narrative Nonfiction<\/a>&#8221; first appeared in Jane Friedman&#8217;s July 12, 2022 Blog.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Guest Blogger Anastasia Zadeik writes: The bar is hushed. I stand at the podium, bright lights partially obscuring the crowd. I see a blur of faces and blank spaces, hear ice clinking in a glass somewhere to my right and murmurs from the back of the room where drinks are being ordered and served. I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[104],"tags":[1842,1845,614,1841,1843,1844,1501],"class_list":["post-12038","post","type-post","status-publish","format-standard","hentry","category-guest-bloggers","tag-anastasia-zadeik","tag-blurred-fates","tag-jane-friedman","tag-narrative-nonfiction","tag-san-diego-writers-festival","tag-so-say-we-all","tag-storytelling"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p43Dj8-38a","_links":{"self":[{"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/posts\/12038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/comments?post=12038"}],"version-history":[{"count":5,"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/posts\/12038\/revisions"}],"predecessor-version":[{"id":12044,"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/posts\/12038\/revisions\/12044"}],"wp:attachment":[{"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/media?parent=12038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/categories?post=12038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thewritespot.us\/marlenecullenblog\/wp-json\/wp\/v2\/tags?post=12038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}