Author: mcullen

  • Who knows more about you than you? Prompt #44

    Imagine a room full of people, they are looking at a speaker behind a podium. They want to know more about the topic. In a way, they want to be entertained, even though it’s a somber occasion.  They are talking about you . . . in the past tense.

    Who knows more about you than you?  Who best to talk about the essence of you, than you?  For today’s prompt, write about you. Provide enough information so the reader or the person in that room has a view of your life.  Write about high points, achievements, life markers. Write about what is important to you.

    You can make a list in chronological order of events that have shaped you.

    You can look up various years and discover what historical events took place in particular years. Write what your life was like during those historical events. Did they affect you?

    Today’s prompt:  Write about you. We can call it Life Changing Events or The Chronicles of [insert your name here].  Or we can call it your eulogy.

    remember old timey

     

  • Got a short-short? WriterAdvice wants your story.

    WriterAdvice seeks flash fiction, memoir, and creative non-fiction running 750 words or less. Enlighten, dazzle, and delight us. Finalists receive responses from all judges. First prize is $200.

    Submit to the 9th WriterAdvice Flash Prose Contest by April 18, 2014. Complete details at www.writeradvice.com.

     

    !cid_5B86196A-44C5-4B34-805E-083B7A5FCE2C@hsd1_ca_comcast_net

  • Transforming Depression Into My Writer’s Muse — by Teresa LeYung-Ryan

    Transforming Depression Into My Writer’s Muse — by Teresa LeYung-Ryan

    What do I have to be depressed about?

    I am blessed with friends, writing colleagues, housemates, spouse, family members, coworkers, a half-time day job, health insurance, my intellectual properties . . .  and what friends call a sense of humor.  But I don’t feel like laughing in my condition, maybe later. I may have inherited the depression gene (or genes) from my loving mother.

    While I sympathized with my mother’s illness (my novel Love Made of Heart was inspired by her), it would take experiencing the illness myself before I could gain empathy.

    Poor health of the physical nature (especially with overt symptoms) alerts us to seek help; poor health of the mental nature (especially the first occurrence) usually has no clear signals.

    Depression snuck up on me, in my forties. The symptoms didn’t look like my mom’s. I had not lost interest in food. I thought I just needed more sleep (and later, even more sleep) when menopause came to stay.

    Memories of my personal life during those years are foggy; evidence of their existence and my growth are the people still in my life and the books I still use.

    If not for three other miracles — the half-time day job (where people needed my showing up to produce my share of the work) and my clients (authors who needed my identifying the core themes and archetypes in their stories) and my falling in love with blogging (where I have full control as to what and how often I publish) — I might have slept into another world.

    Reading and writing have saved my life, more than once.

    Two other groups of writers needed my help (which meant I needed to show up).  Authors who had invested years crafting their books were being turned down by agents and acquisition editors at publishing houses; these authors were judged not by the quality of their intellectual properties but by modest size or lack of platform; who wouldn’t get depressed!  Authors who wanted to self-publish needed help in growing their fans.  I root for underdogs; thus the birth of my workbook Build Your Writer’s Platform & Fanbase In 22 Days.  (video)

    Honestly, even without the rejections, there are other matters that trigger depression – sensational news headlines; lack of rain; climate control; genetically modified organism “GMO” foods; knowing that friends are battling physical and mental illnesses.

    Illness is a harsh antagonist, but, who is the protagonist of my life anyway?  I am.  I learn from all the other archetypes in my life.  I need to help myself!

    Even though I slip into depression (or depression slips into me), the only way I know how to deal with that menace is to show up for me and my writing.

    The theme of “mental illness” shows up in all my work.  Two years ago, I began writing “Talking to My Dead Mom” monologues. Last year, I began writing my first memoir.  And that is quite exciting for me.

    My prayer for everyone is this:  May your muse show up for you when you show up for yourself in whatever endeavor you pursue.

    For a list of resources, please visit my blog page and scroll down for Helpful Websites & Resources & Guides for Mental Health / Mental Illness / Depression.

    Thank you, dear Marlene Cullen, for asking me to be your guest-blogger this week.

    Sincerely,  Teresa LeYung-Ryan

    Teresa LeYung-Ryan author photo by Sasa Southard

    Teresa LeYung-Ryan author photo by Sasa Southard

    Teresa LeYung-Ryan is 22-Day Coach Teresa; author of Love Made of Heart: a Mother’s Mental Illness Forges Forgiveness in Daughter Ruby (novel used in college courses),  Build Your Writer’s Platform & Fanbase In 22 Days: Attract Agents, Editors, Publishers, Readers, and Media Attention NOW (workbook for all genres), “Talking to My Dead Mom” monologues, and Coach Teresa’s Blog.

     

  • How to go for the gold.

    What percentage of being an Olympic champion would you attribute to hard work versus natural talent?

    Kristi Yamaguchi answers:

    “I think it’s drive over talent for sure. I was not the quickest learner. When I was 7, my mom said, ‘You need to work harder because everyone else is learning faster than you.’ Skating taught me to have a work ethic—in order to improve, you have to put the time in.” Quote from Parade magazine, January 19, 2014.

    Same with writing, right?  You know the drill . . . butt in chair.  Warm up with a freewrite, using a prompt. Then keep going. Just write.

     

  • What trolley did you get on? Prompt #43

    When using prompts for writing, you can answer from your personal experience, or from your fictional or real character’s point of view. Feel free to let your imagination meander.

    If you only know where the trolley you got on would take you . . .  What trolley did you get on, and where did it take you? What other trolleys were running then? What if you had taken one of them?  Not had kids, had kids, chose to live on the Atlantic instead of Pacific, gave up art or gave up law, married him/her or didn’t. Tell us about your trolley.

    Prompt:  What trolley did you get on?

  • Are there rules for essay writing?

    Pat Olsen has written an excellent article about writing personal essay in the December 2013 issue of The Writer magazine. Highlights:

    “. . . when I am so obsessed about an idea that I can’t wait to put pen to paper, the essay almost writes itself. That’s not so say I don’t struggle over every word, or that I’m done after the first draft . . . Some of the best advice I’ve received is that it’s not only what you choose to include in an essay that’s important, but it’s also what you choose to omit.”  She gives an example and then goes on to ask:

    “Are there actual rules for essay writing? If so, not all writers agree on them.” After consulting essayists, here’s what she discovered:

     Kate Walter:  “‘An essay should have a universal theme . . . No matter how unusual a story may seem,’ she says, ‘there should be a broader theme that every reader can identify with.”

     Andrea King Collier:  “‘Voice is everything,’ she notes. ‘Two people can write an essay on the loss of a parent, and it is the voice and the approach/lens of the writer that can make one sing over the other.’”

     Bob Brody: “Start with an anecdote, a scene or an observation, Brody advises. Go back in time or stay in the present. Have a single big moment or a series of big moments.”

     Amy Paturel:  “The best essays, she says, are about a transformation. ‘Between the beginning and the end of your essay, there has to be some sort of epiphany or awakening . . . ”

     Andrea Cooper:  “. . . take a break from your essay. ‘I studied once with memoirist Patricia Hampl, who encouraged us to think of revision literally,’ she says. “It’s re-vision, re-seeing.’”

    Lots of good information in this article about writing personal essay.

     Nina Amir posts writing prompts on her blog.  Her January 31, 2014 post, about personal essays, includes Writing Prompt #9, Brainstorm Personal Essay topics.

    Nina writes, “Personal essays tend to focus on one particular event and how it affected you or your life. They often have universal themes that makes it possible for readers to relate to personal stories.”

     

     

  • I stand on the edge of . . . Prompt #42

    When using the freewrite style of writing . . . write freely with no worries about the end result. The editor that sits on your shoulder, the inner critic. . . out the door.  Give ’em the boot. Not invited to this party.

    It’s not about the writing . . . it’s about the process.

    The process of letting go. Trust yourself. Go with your imagination. Go with what’s on your mind.

    Today’s writing prompt: I stand on the edge of . . .

  • Phantom Drift accepting submissions.

    Phantom Drift accepting submissions Jan. 1 – March 31.

    Fiction: Looking for fabulist flash fiction and short stories: stories that favor the unusual over the usual; stories that create a milieu where anything can happen.

    Poetry: Prefer poetry composed in the new fabulist tradition: that shatters or valuably distorts reality, whether this means surrealism, magical realism, fantastique, or bizarrerie.

    Non-fiction: Looking for essays on New Fabulism (or the range of imaginative literature generally referred to as slipstream, new weird, magic realism, fabulist and cross-genre fantastic literature difficult to categorize).

    Art: Looking for fabulist art for cover and for b/w interior. We are not looking for realist or abstract art. Please acquaint yourself with surrealists and artists of the fantastic. Artwork may be based on myths or dreams or purely imagined, but must complement the range of literature we seek

  • Guest blogger Victoria Zackheim, “If we want to live full and creative lives . . . “

    Guest Blogger Victoria Zackheim writes:

    How many of us are beset by that nagging voice that tells us we’re not good enough, not thin enough, not smart, tall, educated, talented enough? I don’t know about you, but I face this every day. It used to run my life . . . now it’s a tiny slice of annoyance that I can easily push away. It took years—decades, to be honest—but those demons are silenced. When they try to reappear, they’re quickly vanquished. Not dead and gone, but shoved aside where they can do no harm.

    It wasn’t always like that . . . and for many women, and those of us who spend our lives not only writing, but putting our words into the world for everyone to read . . . and judge . . . fear is often the rule, whereas a sense of security is the exception.

    Girls are too often told to behave, not to rock the boat, but if we want to live full and creative lives, we must take risks. I have a friend with ten novels published, including at least one on the NY Times bestseller list, and she still worries herself sick with every publication. I have another friend who’s got nearly thirty million books in print, yet she battles the same self doubt suffered by first-time authors. Why do we do this to ourselves?

    It’s about trust. Trusting ourselves. Trusting the universe to treat us kindly. Trusting our friends and family to be there for us, sharing the celebration when all goes well, sharing the pain when it doesn’t. And we have to trust time, that finite thing that can be friend or foe.  A support system is golden.  For me, it’s what keeps me breathing, writing, and taking risks. When I hit 60, I was NOT happy with my body of work, so I decided to act on every creative thought that crossed my brain. I promised myself to view a no-go idea not as a failure, but as an idea that had no legs. And I created a new definition of “failure”: the idea we’re too afraid to pursue,

    The result? Since I made that promise to myself, I’ve sold six books, have two plays in development, signed an option with Identity Films for my first feature screenplay, wrote a documentary that ran nationwide on PBS, and am teaching writing workshops for UCLA online, and at writers’ conferences here, as well as in Canada, France and Mexico.

    You are never too old to follow your dreams. You want to write a memoir, but you’re convinced that your mother’s ghost will haunt you? Make it a novel! Got an idea for a play, short story, anthology . . . just do it!

    Whatever you read in the beauty magazines, whatever the television commercials promise, you ARE getting older . . . and it’s a good thing. Every day gives you one more shot of maturity, confidence, and fodder for your writing . . .or for living a fuller and more satisfying life. As for me . . . I can’t wait to see what my seventies bring!

     Victoria Zackheim is the author of the novel, The Bone Weaver, and editor of six anthologies, the most recent being FAITH: Believers, Agnostics, and Atheists Confront the Big Questions (working title, Simon & Schuster/Beyond Words, March 2015 publication). Her screenplay, Maidstone, a feature film, is in development with Identity Films. Her plays The Other Woman and Entangled are in development, with the latter having its staged reading at San Francisco’s Z Space Theater in April. Victoria writes documentary films for On the Road Productions. Their latest, Where Birds Never Sang, appeared nationwide  on PBS. She teaches Personal Essay in the UCLA Extension Writers’ Program and is a 2010 San Francisco Library Laureate.

  • The only way to get better at something is to do it.

    Ray Engan, winner of the 2013 Toastmaster International Speech contest for District 57 (Northern California) says, “Everybody in this world has a story to tell and they should share their stories.”

    Engan believes we learn how to overcome adversity when we share our stories.  Engan had to overcome his fear of public speaking.  One of the people he met in Toastmasters, Darren La Croix, said something that inspired Engan, “The only way to get better at something is to do it.”

    So, what are you waiting for?  Write that story that’s been simmering on the back burner. Just write!

    Ray Engan is a humorist, sales trainer and executive speech coach whose lively stories can be heard every month at West Side Stories Petaluma.

    Ray will be giving a seminar to add humor to presentations and your life in Petaluma, CA.  Details soon on his website.