If you’re looking for a murder mystery with a clever wooly sleuth, then “Three Bags Full: A Sheep Detective Story” by Leonie Swann is for you! I haven’t read many mysteries, but I do love a good animal story, so this book caught my attention. Who wouldn’t be interested in a story about a flock of sheep determined to solve the mystery of their shepherd’s death? How, you may ask, does a flock of sheep solve a mystery? Well, these aren’t just any sheep. George, their shepherd, read to them every day, so they’ve been exposed to philosophical literature, mysteries, and romance novels. With the intrepid Miss Maple in the lead, the gang escapes their pasture to do a little detective work in the village while trying to go unnoticed by the village butcher. They gaze up at cloud sheep – what becomes of a sheep when they die—as they…
Author: mcullen
Marlene Cullen is enthusiastic about encouraging people to write, even those who think they can’t write. Her series of books, The Write Spot anthologies, features writing that entertains as well as inspires writing. Every story, vignette, and poem in The Write Spot books include writing prompts motivating readers to become writers.
Marlene hosts The Write Spot Blog, a treasure chest of inspirational gems for writers.
Fulfilling her passion for writing and sharing with others, Marlene has created unique writing environments such as Jumpstart Writing Workshops, where participants often experience transformational changes. Her workshops provide essential elements for successful writing.
Marlene is the founder of Writers Forum of Petaluma, a monthly literary event featuring presenters talking about the craft and business of writing.
Marlene's awarding winning short stories and essays have been published in literary journals, anthologies, and newspapers, including Tiny Lights, Building Bridges, More Bridges, Redwood Writers anthologies, and The Write Spot anthologies.
She is a member of the California Writer's Club.
Lies, humiliation, secrets . . . Prompt #604
Memoir is similar to many elements of fiction: Careful scene setting, pacing, tension, conflict. Seduce the reader with a confiding tone. Reveal secrets. The best secrets are those that the author reveals or learns about self in the process, “Ah, did I really think that?” Readers are interested in your conflicts. It’s important to modulate good times and bad times. “The best memoirs explore and reveal conflict in a way that illuminates and startles.” —Kat Meads Consider the scope of your memoir. It’s not necessary to start from when you were born and work your way up. Don’t try to write about everything. Take one aspect. The year you were in Paris, for example. If you go with a chronological way of telling, share just the important events that shaped you. The idea is to look objectively at your life to write a richer subjective memoir. Part of writing memoir…
Seeing the scene from character’s point of view . . . Prompt #603
“The goal of description is to create a well-designed set that provides the perfect background for your characters—a setting that stays in the background without overwhelming the scene or interrupting the story.” —Moira Allen In real life, we explore our surroundings through our actions and experience them through our senses. Create a structure for your characters to do the same. Craft your descriptions so details unfold as your character moves through the scene. Know which details your character would notice right away and which details will register more slowly. Suppose, for example, your heroine is a secretary of humble origins and has just entered the mansion of a millionaire. Let her notice how soft the rich Persian carpet feels underfoot, how it muffles her footfalls, how she is tempted to remove her shoes. Don’t mention how soft the sofa is until she sinks into it. Let her smell the leather…
When I write, my self disappears.
“When I write, my self disappears.” —Natalie Goldberg
I knew I wanted to write . . .
Natalie Goldberg The Art Of Writing Practice: “By my early twenties, I knew I wanted to write and I knew I couldn’t learn to do it through traditional writing classes. I had to begin with what I knew, something no one could tell me I was wrong about. And so, I studied my mind. As I wrote, I would discover things about my mind, how it would move, wander, settle. I began teaching writing from the inside out. Usually, writing teachers tell us what good writing is, but not how to get to it . . . in 1986 [when “Writing Down The Bones” was published] people were starving to write, but they didn’t know how, because the way writing was taught didn’t work for them. I think the idea of writing as a practice freed them up. It meant that they could trust their minds, that they were allowed…
Poetry
Founded in Chicago by Harriet Monroe in 1912, Poetry is the oldest monthly devoted to verse in the English-speaking world. Poetry wants “Unique poems that are surprising” and Poetry welcomes book reviews and other poetry-related prose. Explore Poems Featured Bloggers Submit #amwriting #justwrite #poetry
Barbara’s Braid
Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page. Today’s Sparks is a pantoum. Barbara’s Braid By Karen Ely Weaving strands of amber honey Over, under, around and through Silky locks of shimmer sunlight Plaited patterns, three by two Over, under, around, and through Brush strokes cultivate the threads Plaited patterns three by two A tapestry of golds and reds Brush strokes cultivate the threads Silky locks of shimmer sunlight Plaited patterns, three by two Weaving strands of amber honey Karen Handyside Ely was born and raised in Petaluma, California. She delights in difficult crossword puzzles, the Santa Rosa Symphony, and traveling with her husband, James. Karen has been published in The Write Spot to Jumpstart Your Writing: Discoveries, The Write Spot: Reflections, The Write Spot: Possibilities, The Write Spot: Writing as a Path to Healing, and The Write Spot: Musings and Ravings From a…
A time you fumbled. Prompt #602
The prompt: Write about a time you fumbled or stumbled or faltered. Or: Write about a kindness you have done or would have like to have done. Here’s the backstory: December 2016 Occasion: Nobel Prize ceremony, Stockholm, Switzerland. Patti Smith delivered an emotional rendition of Bob Dylan‘s “A Hard Rain’s A-Gonna Fall” at the Nobel Prize ceremony in Stockholm, Sweden, December 2016. She sang for a few minutes, faltered, stopped singing, and said, “I’m sorry. I’m so nervous.” Then she continued in her beautiful, transportive way. We’ve all been there, haven’t we? Awkwardly faltering. But usually, we don’t want to admit what we perceive as a weakness. January 2017 I’ve had a lot to think about these past few days. Extreme highs: Watching granddaughter perform as rat and a camel in her church Christmas pageant and as a soldier in the Nutcracker. Celebrated with son, his wife, and her family as his…
Ascension Garden
Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page. Ascension Garden By Stacy Murison The first time, you drive by yourself. You have some idea you are going there, but are still surprised that you know the way, without her, through the turning and turning driveways. Left, left, left, left. Park near the rusted dripping spigot. The wind blows, unseasonably warm for November. You bring the candy bar, her favorite, the one from the specialty chocolate shop, the one with the dark chocolate and light green ribbon of mint. You try to eat yours, but instead, stare at hers, unopened, where you imagine the headstone will go and sob without sound while the wind French-braids your hair just as she would have, and that’s how you know she is here. She is still pushing cicada shells off white birch trunks with her toes, dancing around…
River Teeth, A Journal of Nonfiction Narrative
River Teeth is a biannual journal combining the best of creative nonfiction, including narrative reportage, essays and memoir, with critical essays that examine the emerging genre and that explore the impact of nonfiction narrative on the lives of its writers, subjects, and readers. River Teeth: An Introduction by David James Duncan When an ancient streamside tree finally falls into its bordering river, it drowns as would a human, and begins to disintegrate with surprising speed. On the Northwest streams I know best, the breakdown of even a five-or six-hundred-year-old tree takes only a few decades. Tough as logs are, the grinding of sand, water and ice are relentless; the wood turns punk, grows waterlogged, breaks into filaments, then gray mush; the mush becomes mud, washes downriver, comes to rest in side channels which fill and gradually close; new trees sprout from the fertile muck. There are, however, parts of every…