Just Write

What a good editor can do for you

Thoughts from Elizabeth Austin. “A good editor gives feedback that feels less like judgment and more like a conversation—less ‘here’s what’s wrong’ and more ‘here’s where we can dig deeper.’ There is something incredibly satisfying, almost magical, in those small, right-aligned edits that a good editor suggests. A word change here, a rephrase there, and suddenly the piece feels tighter, braver. One editor suggested I cut an entire paragraph detailing a painful memory I thought was essential to the piece. ‘The story feels stronger without this part,’ she said, and once I’d made the cut, I realized the rest of the piece came into sharper focus, allowing the heart of the essay to shine through.” About a difficult piece she wrote: “Going into these pieces alone would have felt impossible. I needed someone at the mouth of that cave, someone who could shine a light and pull me back if…

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Imagine

An inspiring message from Gurdeep Pandher The human mind tends to focus on painful memories while letting positive ones fade. These distressing memories become our heaviest burden, causing ongoing emotional pain. How much of our past can we carry with us through life’s journey? This is a profound question that affects everyone in different ways. The past resides within our memories like a vast collection of stories, each one leaving its unique impression upon our consciousness. These memories manifest in various forms — from the radiantly joyful moments that warm our hearts, to the mundane yet comfortable memories of everyday life, to the deeply sorrowful experiences, and finally to those truly tormenting recollections that seem to pierce our very soul. When we carry these memories forward naturally, allowing them to exist without judgment, it should theoretically be manageable. However, human nature often leads us down a different path. We tend…

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One word, one concept at a time

Brevity’s Blog, “Worth the Climb: Self-Editing Secrets That Actually Work” by Allison K. Williams reveals creative ideas for revision as well as first draft ideas. I particularly like Allison’s suggestion about “converting similes to metaphors when possible—saying something is something else is more powerful than saying it’s like something else.” Complementing Allison’s recommendations is advice given to Anita Gail Jones, author of The Peach Seed about her use of “the.” Anita found where she overused “the,” there were other problems. Her evaluation of “the” led to stronger writing and improved her story telling. This advice reinforces Allison’s concept of focusing on one thing at a time when revising.  Another gem from Anita, “Beats: A unit of emotional measurement between people.” Harder to find than the single word “the,” but so important in creating a compelling narrative. Thank you to Susan and Patricia for helping me to remember what Anita said at her keynote address at Sebastopol’s Lit Crawl, May 2025.

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See The Scene

Kasey Butcher Santana describes a scene about her “outdoor classroom.” “My science teacher uses a ruler and twine to mark a square-foot box in the damp blanket of leaves covering the ‘outdoor classroom.’ My task today is to observe this small patch. Part of a log has fallen within the boundaries, and I note the moss that grows on it and the bugs that seek shelter under its flaking bark. We return once a month to note how this woodland square changes with the seasons and maybe even write a poem. I do not remember completing this assignment, but I recall the crisp smell of forest floor, the slip of mud beneath my shoes, and the surprise of a roly-poly beneath the log.” Excerpted from How a Box in the Woods Taught Me to Write About Nature by Kasey Butcher Santana on the April 2, 2025 Brevity Blog. Can you…

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Literary Transference

Inspiration to Just Write by Maureen Stanton: “Most readers know that sensation when immersed in a book of being transported from their couches or chairs into another world, where a film unspools in the mind’s eye. The engines that power this transport are the smallest components of craft: sensory details. Concrete sensory details paint a story so compelling and vivid that as readers, through the awesome power of our imaginations, see, hear, smell and feel the story. This process is a bilateral exchange that I think of as literary transference: the story enters the reader’s mind, and thus the reader enters the story, as if through a magic portal. It is during this transference process when mere black and white words—hieroglyphs–are alchemized into the images, smells, sounds, and sensations that transport readers deeply into stories. This exchange yields more than the pleasure of being whisked into another realm; it allows us to flex our powers…

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Forwards and Backwards . . . Prompt #827

I bet you do this and perhaps don’t know it has an official name, or many names . . . Words that create new words when spelled backward are called: heteropalindromes, semordnilaps, semi-palindromes, half-palindromes, reversgrams, mynoretehs, reversible anagrams, word reversals, or anadromes. The term “semordnilap” is a playful invention. Though the term is relatively modern, the concept has been used for centuries. Lewis Carroll is known for creating “Semordnilap” (the reverse of Palindrome).   Examples of semordnilaps are found in the works of James Joyce, particularly “Finnegans Wake” (1939). Joyce was known for his experimental use of language, and “Finnegans Wake” is filled with complex puns, wordplay, and linguistic tricks. Although the book primarily focuses on palindromes and complex word formations, it also features instances where words and phrases take on new meanings when reversed or rearranged. Joyce’s innovative approach to language helped cement semordnilaps as a legitimate and intriguing form…

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Get through trauma

“One of the best things you can do for yourself to get through a traumatic life or childhood or single incident is to not bury it but talk or write about it until you acquire the skills to manage it or put it to rest.” — Janet P. How to write about a difficult subject without adding trauma. Just Write! #iamawriter #iamwriting #justwrite

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Scent: Powerfully Evocative

Rainy Day Chocolate “The seasonal ingredient that might be the most powerfully evocative is scent. Physiologically speaking, the central location for identifying aromas lives in the front of our brains in the olfactory bulb. This structure is closely tied to the limbic system, a command center for our emotions and long-term memory. That explains why scent is so closely allied with thought.” — Stephen Orr, Editor in Chief of Better Homes & Gardens magazine (December 2023). Choose a prompt related to sensory detail and Just Write! Smell, Taste, Hear, Touch    Imagery and Sensory Detail ala Adair Lara  Sensory Detail

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Nathan Bransford asks . . .

Nathan Bransford recently posted the question, “Has your ambition changed in the past few years?” on his Blog. Hmmm . . . My answer: My goal, since 2003, has been to encourage writers, especially people who want to write but think they can’t. The older I get, the more I am inspired to keep doing what I’ve been doing: Posting inspiration to Just Write! And so, here we are, on The Write Spot Blog asking: Has your ambition changed in the past few years? You can click on Nathan’s Blog post and comment there. Or: Since I no longer have a comments section on my blog (because I couldn’t keep up with deleting spammers), you can answer the question on Marlene Cullen’s Write Spot Facebook Page. Just Write! #justwrite  #iamawriteer   #iamwriting