From the Hard Life to the Writing Life by Jay Baron Nicorvo Put into written words your understanding, and misunderstandings, of the world. — Jay Baron Nicorvo, Jan/Feb 2014 issue of Poets & Writers magazine. “The Miracle of Mentors: From the Hard Life to the Writing Life,” by Jay Baron Nicorvo.
Category: Just Write
I’d like you to meet Pat Schneider.
I am fortunate to have experienced the wonderful and intrepid Pat Schneider, founder of Amherst Writers and Artists (AWA) . . . both in her books and in writing workshops. Pat was born in 1934, lived in tenement housing with her brother and single mother where there was seldom food in the cupboards, let alone on the table. When she was ten, Pat and her brother went to live in an orphanage. Those early experiences deeply influenced her writing, and fueled her passion for those who have been denied voice through poverty and other misfortunes. Through the help of a caring teacher, Pat was awarded a scholarship and was able to attend college, where she met her future husband. And so a life of writing began for this remarkable woman who lives and loves passionately. Here’s a story about Pat, from her website: I was a young poet, published in…
What is the point of your essay?
“Personal essays represent what you think, what you feel . . . your effort to communicate those thoughts and feelings to others . . . What is the point of your essay? Don’t belabor the point too much; let the point grow out of the experience of the essay. It might be true, in fact, that you didn’t even have a point to make when you started writing your essay. Go ahead and write it and see if a point develops.” — Essay.Grammar.com
We read and write personal essays for the same reasons. — Barbara Abercrombie
“We read personal essays to understand our lives, to find humor, to discover a new way of looking at the world. We write them for the same reasons. the short personal essay (about 500 to 1200 words) is your journey through a specific experience, whether commonplace or one of life’s milestones, and ranges from the personal to something more universal, something your readers can connect with.” — Barbara Abercrombie, “On Writing Personal Essays,” The Writer, January 2003.
Are there rules for essay writing?
Pat Olsen has written an excellent article about writing personal essay in the December 2013 issue of The Writer magazine. Highlights: “. . . when I am so obsessed about an idea that I can’t wait to put pen to paper, the essay almost writes itself. That’s not so say I don’t struggle over every word, or that I’m done after the first draft . . . Some of the best advice I’ve received is that it’s not only what you choose to include in an essay that’s important, but it’s also what you choose to omit.” She gives an example and then goes on to ask: “Are there actual rules for essay writing? If so, not all writers agree on them.” After consulting essayists, here’s what she discovered: Kate Walter: “‘An essay should have a universal theme . . . No matter how unusual a story may seem,’ she…
Writing is like being a salesperson . .
Elizabeth Berg, Escaping Into The Open, The Art of Writing True on Persuasiveness, page 32. Excerpt: In some ways, writing is like being a salesperson. you are in the business of convincing someone to buy something, as in, believe something. Try to develop your skills of persuasion so that your villain, say, is really felt as a villain. In doing that, think about the small things—everything really is in the details. For example, it’s not so much the description of the murderer killing someone that demonstrates his evil nature, it’s the flatness in his eyes as he does it; it’s the way he goes and gets an ice cream immediately afterward. Similarly, a man offering a diamond bracelet to a woman shows love; but that same person smiling tenderly when he wipes the smear of catsup off her face shows more. Your turn. Write a scene showing the bad guy…
Take a risk and go long.
In the January 2014 issue of Writer’s Digest magazine, Elizabeth Sims writes about “Miscalculations and Missteps.” One is, “take a risk and go long.” “The value of a relatively long description is that it draws your readers deeper into the scene. The worry is that you’ll bore them. But if you do a good job you’ll engross them. Really getting into a description is one of the most fun things you can do as an author. Here’s the trick: Get going on a description with the attitude of discovering, not informing. In this zone, you’re not writing to tell readers stuff you already know—rather, you are writing to discover and experience the scene right alongside them.” Sims continues with “Go below the surface.” “A gateway to describing a person, place or thing in depth is to assign mood or emotion to him/her/it. . . . The Bay Bridge was somber…
POV is like a photographer’s lens
POV – choosing a point of view is one of the first things to decide when writing your story. In “Fiction in Focus,” January 2014 issue of Writer’s Digest magazine, Tanya Egan Gibson compares pov with how photographers frame their subjects. She writes, “frame your story, focusing readers’ attention and leading them through the storytelling picture you’ve created, scene by scene.” Gibson writes that using pov as a lens allows you to you to go deep in describing your characters and their actions, making your manuscript stronger. For example, “the way a character sees the world tells the reader a great deal about them. If your protagonist sees rainbows, puppies and waterfalls as gloomy, menacing and boring, your reader will come to the conclusion that the character is depressed, without you having to come out and say so. This follows the old adage of showing, rather than telling.” You have…
“I began these pages for myself . . .” Anne Morrow Lindbergh
Excerpt from Gift From the Sea by Anne Morrow Lindbergh. I began these pages for myself in order to think out my own particular pattern of living, my own individual balance of life, work and human relationships. And since I think best with a pencil in my hand, I started naturally to write. I had the feeling, when the thoughts first clarified on paper, that my experience was very different from other people’s. (Are we all under this illusion?) My situation had, in certain ways, more freedom than that of most people, and in certain other ways, much less. . . . And so gradually, these chapters, fed by conversations, arguments and revelations from men and women of all groups, became more than my individual story, until I decided in the end to give them back to the people who had shared and stimulated many of these thoughts. Here, then,…
You can build a career as an author . . . — David Sedaris
You can build a career as an author by playing to your strengths, following your true passion, going at your own pace and never shying away from your unique voice. — David Sedaris Writers Digest Magazine, October 2013