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  • “Mother Memoir” Story Submission Guidelines 2014

    Lynn Cook Henriksen writes:

    When “TellTale Souls Writing the Mother Memoir…” was setup on the Amazon site, they characterized it as Volume I. I felt someone was trying to tell me Volume II would need follow, so now’s the time to start writing the story only you can write and send it to me for possible inclusion. Volume II will be mainly filled with TellTale Souls’ bio-vignettes, not as a guide to writing, since I covered that well throughout the Five Acts making up Volume I.

    For the publication of your non-fiction, telling-tale on the TellTale Souls/The Story Woman blog or possible inclusion in a future memoir collection, please follow these guidelines.

    Look over the The Story Woman Blog  carefully and you will gain insight into what we would like to see in your story (your bio-vignette). Need help?

    Tell Tale Souls.1Consider reading  TellTale Souls Writing the Mother Memoir: How to Tap Memory and Write Your Story Capturing Character & Spirit for a creative exploration, including over 40 story examples, to get your juices flowing on your path to writing your Mother Memoir.

    Here is the seminal question for you to answer, “If you could tell just one small story that would capture your mother’s character and keep her spirit alive into the future, what would it be?” Become a TellTale Soul in answer to that question by writing your short, true story about a woman who greatly influenced your life—could be your mother, grandmother, aunt, or anyone to whom you felt like a daughter or a son.

    Stories are accepted by TellTale Souls of all ages.

    Story Specifications:

    • Original, non-fiction (and not previously published)
    • Use plain, 12-point font
    • Story, bio-vignette, length is around 800 to 1800 words
    • Include a brief Author Note about what it meant to you to write this story about a mother figure (that will be added after each story)
    • Important to add your e-mail address and phone number again in the body of your email, so that I can easily communicate with you
    • Optional: Include a picture pertaining to your story in pdf or jpeg format
    • Send each story only one time

    Henriksen photoPlease email your Mother Memoir to Lynn Henriksen: lynn(at)telltalesouls.com

    To learn more about Lynn Cook Henriksen please visit her website and her blog.

    Thank you!

  • Due Dates — Making Friends with Deadlines by Michelle Wing

    Guest Blogger Michelle Wing writes:

    I have always been rather envious of writers who say they sit down at their desks each day at, say, 9 a.m., and write for three or four hours. In other words, writers who have a pattern and a discipline to their output. That is simply not how I am wired. I can’t do anything that way – exercise regimens, meals, study sessions – nope, I fail at every attempt to adhere to a strict schedule.

    Instead of berating myself over this, I have learned to look at what does work for me. What are my ideal conditions for writing productivity?

    I thrive under deadlines. Having spent over 15 years of my life working as a journalist, I am very familiar with the feeling of having to get a story out – now – just under the wire. It is its own particular type of adrenalin rush. Journalistic copy is often fairly straightforward – a news story, maybe a longer more elaborate feature, a column. But always, that common thread of having a short time frame to get the work done.

    I still have a couple of similar gigs now. I write a monthly literary column which appears in four local newspapers, and I also do a Q&A interview on stage craft for a local theater company, as part of the program handed out to patrons at the show. These writing assignments are easy for me to manage, because I simply calendar them. I know when I have to be brainstorming for ideas, when interviews must be scheduled, and when the final copy is due. No problem.

    So what about my more creative work? How do I make space for it in my otherwise very busy life? The best way I have found is to treat my prose and poetry the same way. Find deadlines. One option is to look for submission opportunities. I choose a reasonable number, and put them on my calendar or my white board. A call for pieces for an anthology, due on June 1. A contest for creative nonfiction, due on June 30. A local group asking for contributions to a poetry chapbook, due in August. I may decide along the way not to go with all of these, but at least they get me started at my computer.

    One of the reasons I enjoy working with deadlines, and having specific projects in mind, is that I am a percolator. Especially with poetry, much of my writing is done when I am not sitting in front of the blank page. It happens when I am walking, or reading someone else’s verse, or when I am sitting at a coffee shop waiting for a friend to arrive. My poems brew. By the time I sit down to write, entire lines are already formed. But I can get lazy, and not stick with an image or a poem. Knowing that I have a deadline coming up, I will encourage this process to pick up the pace a bit. Remember, I will whisper as I wake up in the morning. We have a poem we’re working on. Keep your ears open.

    This can be used just as effectively on much bigger projects. When Ruth Thompson of Saddle Road Press first approached me about writing a book of poetry, it felt completely overwhelming. How could I get a handle on something that huge? It turned out to be very basic. We set a deadline – final manuscript due by Jan. 1, 2014. As soon as I had that goal in mind, all the rest fell into place. I found I was able to do the work, pace myself, make the time, get it done. All I needed was that firm deadline.

    Goals Are DreamsSo now, when asked how many hours a day I sit at my desk, I don’t feel ashamed to say that sometimes, I don’t sit there at all. Because it doesn’t matter. The dates are on my calendar; the work is in process; and I am a writer, whether or not I am at the keyboard.

    Michelle Wing_02-sm

    9780991395200_cov RC 05.inddMichelle Wing is a poet (Body on the Wall, May 2014) and writer of creative nonfiction who blogs about writing. For more information, see her website.

  • Listen to the world around you — Jörgen Elofsson

    “If you want to write about a ‘broken heart,’ it’s good to know what a broken heart feels like. I also believe you need to take the time and not rush things, keep it playful . . . and listen to the world around [you].” — Jörgen Elofsson, songwriter for Kelly Clarkson, excerpt from the May 2014 issue of The Writer Magazine.

    Jorgen Elofsson
    Photo: Jorgen

  • Write about a character and music. Prompt #67

    Today’s prompt is inspired from the May 2014 issue of The Writer magazine.

    Write about a character (real or fictional) surrounded by music. What instruments? What songs? Describe the soundtrack to the character’s story. How does music affect his or her actions, and what role does it play in the narrative?

    More from this issue:

    “Write the way people actually talk. You can use imagery and be poetic, of course, but the best lyrics sound like something people might actually say.” — Murray Horwitz, co-writer of the musical Ain’t Misbehavin’

    Writer.May 2014

  • How do you handle rejection?

    First, don’t take rejection personally. When you submit your writing for inclusion in an anthology, magazine. . . to an editor, publisher, agent. . . and you receive a “no, thanks” letter, or worse, you never hear back . . . don’t take it personally.

    It may or may not be the quality of writing, but it’s definitely not a rejection of you personally.

    My Submission Philosophy

    You won’t receive rejection notices unless you submit your writing.

    And if you submit your writing . . . you will probably receive a rejection note, or two, or more.

    Welcome to The Club

    welcomeI wrote a story about pesky gophers around 2007. Shopped it around. Submitted to a little contest. Won second place. I was thrilled. But really, this was a miniscule contest. Probably two entries.

    So I shopped it some more. Got accepted. But the editor said since it was seasonal, I should submit the following spring (nine months away). I dutifully waited and re-submitted.

    “Alas,” she said (or maybe she didn’t. Maybe that’s the storyteller in me).

    “We can’t accept this since you don’t live in our geographical area.”

    Hmmm. . . She couldn’t tell me that with the original submission (and acceptance, I might add and will add).

    Submissions, semi-acceptances and rejections are quirky.

    Time went by. I sulked, got mad and stomped around a bit.

    A few years later, I was over my annoyance and once again submitted. This time my gopher story was accepted!

    “My Way With Gophers” will be published later this year in Redwood Writers 2014 Anthology.

    Moral of this story: If the writing is polished and perfected to your best ability — my gopher story was revised about 113 times and the title changed 67 times — go ahead and submit, because you never know. You might get lucky.

    And you might as well Just Write . . .  and Submit.  check mark.1

  • Which is more valuable, inspiration or discipline? Prompt #66

    Today’s prompt is inspired from Susan Bono’s July 15, 2005 Searchlights and Signal Flares, from Tiny Lights online, A Journal of Personal Narrative — an oldie and goodie I have saved all these years!

    To read what writers  Rebecca Lawton, Charlene Bunas, Jodi Hottel, Betty Winslow, Susan Winters and Susan Bono, have to say on this prompt, click here.

    tiny lights

    Prompt: Which is more valuable, inspiration or discipline?

  • Voices of Lincoln Poetry Contest

    Voices of Lincoln 10th Annual Poetry Contest has five categories:

    *Once Upon A Time

    *Ten Years From Now

    *It’s A Miracle

    *A Journey Worth Taking

    *People Are Funny

    You may submit a maximum of three poems, no more than one in each of three of the five contest categories.

    Everyone is encouraged to enter the contest. You do not have to live in Lincoln to be eligible.

    All poems must be received no later than Saturday, July 26, 2014.

    Mail entries (with the entry form) to:

    Voices of Lincoln Poetry Contest
    c/o Alan Lowe, Coordinator
    1235 Picket Fence Lane
    Lincoln, CA 95648

    If you need additional information or an entry form, please email or phone Alan Lowe at (916-408-1274). slolowe -at- icloud.com

    You can access Entry Form by clicking here.  Scroll down to entry form: highlight, copy, print just the entry form.

    Lincoln Poetry contest.1

    Good Luck!

  • Guest blogger Carol Cassara serves grammar on plates . . .

    . . . and offers prizes.

    This contest has ended. Thanks for everyone who participated.

    Excerpted from Carol’s January 16, 2014  Blog Post .

    Carol’s Grammar Plates

    I’m not a perfect grammarian but I do have most of the basics down. And so should anyone who calls him- or her–self a writer, or you lose credibility. For this complete blog post (where the plate photos are clearer), please go to Carol Cassara’s blog post, Grammar Served On A Plate.

    I’m not a perfect grammarian, but I do have most of the basics down. And so should anyone who calls him- or her–self a writer. – See more at: http://carolcassara.com/?s=grammar+on+a+plate#sthash.VHOqzU5K.dpuf
    I’m not a perfect grammarian, but I do have most of the basics down. And so should anyone who calls him- or her–self a writer. – See more at: http://carolcassara.com/?s=grammar+on+a+plate#sthash.VHOqzU5K.dpuf
    No one wants to use the word “me” any  more. I don’t know why that is – See more at: http://carolcassara.com/?s=grammar+on+a+plate#sthash.VHOqzU5K.dpuf
  • Sometimes writing badly leads to something better.

    Do you ever have writer’s block?

    Writer's Block

    Anna Quindlen was asked this question. She answers:

    Some days I fear writing dreadfully, but I do it anyway. I’ve discovered that sometimes writing badly can eventually lead to something better. Not writing at all leads to nothing. — April 20, 2014 Parade magazine.

     

    The Writer’s Block, 786 Ideas To Jump-Start Your Imagination by Jason Relulak.

     

  • Tell just one small story . . .Prompt #65

    If you could tell just one small story that would capture your mother’s character and keep her spirit alive into the future, what would it be? — Lynn Cook Henriksen, Writing The Mother Memoir

    Mother.child bw.1

    Variations on theme of The Mother Memoir: The Mother Figure

    Write the single story you could tell about the person who is your mother figure.

    Write one vignette about a woman in your life.

     

    Lynn Henriksen keeps spirits alive at Telltales Souls:

    “I’m always looking for good stories for TellTale Souls for Volume Two.” Click here for submission guidelines.

    Lynn will post your story on her blog. Email your story to Lynn Henriksen at:  lynn(at)telltalesouls.com.

    Prompt:  Tell just one small story about your mother or mother figure.