Thoughts from Elizabeth Austin. “A good editor gives feedback that feels less like judgment and more like a conversation—less ‘here’s what’s wrong’ and more ‘here’s where we can dig deeper.’ There is something incredibly satisfying, almost magical, in those small, right-aligned edits that a good editor suggests. A word change here, a rephrase there, and suddenly the piece feels tighter, braver. One editor suggested I cut an entire paragraph detailing a painful memory I thought was essential to the piece. ‘The story feels stronger without this part,’ she said, and once I’d made the cut, I realized the rest of the piece came into sharper focus, allowing the heart of the essay to shine through.” About a difficult piece she wrote: “Going into these pieces alone would have felt impossible. I needed someone at the mouth of that cave, someone who could shine a light and pull me back if…
Tag: Brevity Blog
One word, one concept at a time
Brevity’s Blog, “Worth the Climb: Self-Editing Secrets That Actually Work” by Allison K. Williams reveals creative ideas for revision as well as first draft ideas. I particularly like Allison’s suggestion about “converting similes to metaphors when possible—saying something is something else is more powerful than saying it’s like something else.” Complementing Allison’s recommendations is advice given to Anita Gail Jones, author of The Peach Seed about her use of “the.” Anita found where she overused “the,” there were other problems. Her evaluation of “the” led to stronger writing and improved her story telling. This advice reinforces Allison’s concept of focusing on one thing at a time when revising. Another gem from Anita, “Beats: A unit of emotional measurement between people.” Harder to find than the single word “the,” but so important in creating a compelling narrative. Thank you to Susan and Patricia for helping me to remember what Anita said at her keynote address at Sebastopol’s Lit Crawl, May 2025.
Literary Transference
Inspiration to Just Write by Maureen Stanton: “Most readers know that sensation when immersed in a book of being transported from their couches or chairs into another world, where a film unspools in the mind’s eye. The engines that power this transport are the smallest components of craft: sensory details. Concrete sensory details paint a story so compelling and vivid that as readers, through the awesome power of our imaginations, see, hear, smell and feel the story. This process is a bilateral exchange that I think of as literary transference: the story enters the reader’s mind, and thus the reader enters the story, as if through a magic portal. It is during this transference process when mere black and white words—hieroglyphs–are alchemized into the images, smells, sounds, and sensations that transport readers deeply into stories. This exchange yields more than the pleasure of being whisked into another realm; it allows us to flex our powers…
Know When to Quit
I’m a fan of Brevity Blog. Here’s a favorite: “Quitting Time: Why You Need to Let Go of That Writing Project” by Allison K. Williams. “As writers, we’re sold on the value of perseverance. Just do another draft. Just keep working. Send another query, another submission. One day you’ll break through. Sit down and finish. Now. Today. This week. In fifteen-minute increments while waiting for carpool, or in one wild coffee-fueled weekend. I think I can, I think I can. I can get to the end of this sentence. This paragraph. This page. This essay. This book. But there’s value in quitting, too. Click “Quitting Time” to read the rest of Allison’s Blog Post.
Memory is a river, not a block of cement
“Alternate versions of past events are common, because it is human nature, especially where childhood memories are concerned, to move ourselves—over time—to the center of a story. We are hardwired to see the world through our own points of view, and increasingly so with the passage of time. Memory is a river, not a block of cement.” — “But My Sister Remembers It Differently: On Working with Contested Memories,” by Dinty Moore, Aug. 15, 2024 Brevity Blog.
I Don’t Know . . .
Note from Marlene: I am very excited to share Jennifer’s post with you. Since my passion is how to write about difficult subjects without adding trauma, I am especially grateful to Jennifer for addressing this topic. Jennifer’s eloquent writing on what she doesn’t know about her father is outstanding and an example of how you can write about “what you don’t know.” Guest Blogger Jennifer Leigh Selig: When I lead memoir writing retreats, I like to kickstart the mornings with writing prompts. One of the tricks of my trade is a manilla envelope stuffed with images I’ve printed out of vintage and iconic toys and games from across the decades. It’s a ritual I cherish—spreading these images out on the long conference room tables, imagining my students’ delight as they light upon a special toy or game that brings back fond memories, and then watching them begin to furiously write….
The Seasons of Being A Writer
Guest Blogger Megan Aronson writes about the seasons and cycles of life and being a writer. “I’ve been lost and reclusive of late as I deal with the most recent iteration of my grief-growth cycle,” my friend Candace Cahill, author of Goodbye Again, wrote in an online writing group I belong to. “Learning—the hard way, mostly—new things about myself and the challenges still ahead.” My eyes hovered over her words as her thoughts echoed my own. I wasn’t the only one who’d stopped at the words “grief-growth cycle.” Soon the comments were flooded with replies like, “Grief-growth cycle. I feel that. Never thought of it that way before.” In two sentences, Candace had fully encapsulated the collective experience of being a writer. Continually turning ourselves inside out on the page and off, we each instantly recognized the “grief-growth cycle” as the intersection of life affecting our writing, and writing affecting our…
I write to understand . . .
“So, while I still write for understanding, for truth, for clarification, to tell a story, to help people, to help myself and even for fun—I also write for communication, for discussion, for connection. In a world that can feel fragmented and lonely, I write to bring myself closer to others.” —Diane Forman, “Why I Write,” Brevity’s NonFiction Blog, October 31, 2022 More on “Why Write?” Why Do You Write? Why I Write Just Write!
Don’t Rush It
“Don’t Rush It” by Morgan Baker I don’t like being late – to classes I teach or the airport to catch a plane. My anxiety meter goes haywire if I haven’t given myself the time to organize before school or when I’m packing to go away. Will I need my swimsuit? What about those shoes? I allow extra time wherever I go, which means I’m usually early. My stepfather once told my daughter as he drove her to a summer job, “You’re on time if you’re ten minutes early.” I’ve taken that to heart. When my daughter and I went to a wedding in Montana a few years ago, we were excited about the event, and to see the big sky landscape we had heard so much about. I didn’t want to feel rushed or anxious, so I allowed for plenty of extra time to get through security and find our gate….
Becoming a Writer in the Third Chapter of Life
Guest Post by Carole Duff All changes, even the most longed for, have their melancholy; for what we leave behind us is part of ourselves; we must die to one life before we can enter another. —Anatole France Western culture divides life into three stages: birth/student, work/family, and retirement/death. My husband and I, moving into our retirement years and building a new house, borrowed the Hindu concept of four stages, adding a time of spiritual growth and reconnection between retirement and death. The third stage of life, Vanaprastha, the name we chose for our mountain home, means retreat to the forest. Not retirement but time to learn, reflect, and grow. Time to take the internal journey and heal past wounds from loss, rejection, and inexplicable disruptions. Time to explore, discover, seek meaning, share wisdom, and serve others. Time to become our truer selves. As it turned out, I became a writer….