Make a list of five physical / tangible things you want to own or have.
In your wildest dreams, what are five material things you want?
Prompt Two
Make a brief list of five changes you would like to make.
Could be emotional, health, financial, or personal.
Be specific. For example:
Emotional: Change attitude or feelings that don’t serve you. Is there something you are having a hard time letting go? List that, or those, if there are more than one.
Rather than good health: Lose weight, change eating habits, drink more water, etc.
Rather than exercise: Be specific about types of movement, etc.
Rather than the broad category of “financial,” consider: Freedom from present money worries, wanting future financial security, etc.
In your wildest dreams, what are five personal things you want?
Prompt Three From Facebook post by Interesting World, April 24, 2025:
Sometimes, the real reason for something isn’t the first one . . . it’s the fifth.
Sakichi Toyoda, founder of Toyota, had a habit.
Whenever something didn’t make sense, he’d pull out a simple tool — not from a toolbox, but from his mind:
The “5 Whys” rule.
It’s exactly what it sounds like. You ask “Why?” — not once, but five times.
Note from Marlene: A fur coat is somewhat of a silly example, but you will get the idea.
Sakichi Toyoda:
Let’s say you want a fur coat.
Ask yourself:
• Why do I want a fur coat?
Because I want to impress people.
• Why do I want to impress people?
Because I want attention.
• Why do I want attention?
Because I feel insecure.
• Why do I feel insecure?
Because I feel stuck — like I’m not growing.
• Why am I not growing?
Because I’m doing something I don’t love.
And suddenly, the coat has nothing to do with warmth or style. It’s about purpose. About identity.
And that fifth “why”? That’s the one that tells the truth.
That’s where you are hiding. And sometimes, that’s where healing begins.
Sakichi Toyoda gave the world more than just cars.
He gave us a method to peel away the layers — until we finally see ourselves clearly.
So next time you’re unsure — don’t just stop at the surface.
Quick pacing hooks readers, deepens the drama, creates and increases tension. How to pick up the pace: 1. Start story in the middle of the dramatic action, not before the drama commences. 2. Keep description brief. This doesn’t mean using no description, but choose one or two telling, brief details. 3. Combine scenes. If one scene deepens character by showing a couple at dinner and a few scenes later they have a fight, let them have the fight at dinner. 4. Rely on dialogue. A lot of the story can be carried by spoken conversation. Readers seldom skip dialogue. 5. Keep backstory to a minimum. The more we learn about characters through what they do now, in story time, the less you’ll need flashbacks, memories and exposition about their histories. All of these slow the pace. 6. Squeeze out every unnecessary word. This is the best way of all to increase pace. There are times you want a longer version for atmosphere, but be choosy. Wordiness kills pace and bores readers.
Paraphrased from Writer’s Digest magazine, January 2006, “Pick Up the Pace.”
Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.
BEE-ING
By Su Shafer
I have become a stone.
A gemstone. Labradorite
Or Moonstone maybe.
No – an Orca Agate
From the Earth, with an affinity with water.
I am a stationary object.
My unruly legs have taught me
The power of stillness,
How motionlessness invites presence
In each moment.
Today I watched a bee visit
All the flowers in my patio planter.
Her tender attention to each one
The pollen pantaloons on her legs
The song of her wings,
Humming as she went from floret to floret
Trailing in the air behind her as she flew off.
Her busy work reminds me
There are no small lives.
I think of her and her sisters
Bustling about in the hive,
Content in their purposefulness.
Unlike my quiet house
There is no stillness in a hive
Even when they pause for a brief repast
Of bee bread and honey.
Su Shafer is a creative crafter, fabricating bits of writing in poetry and short stories, and other bits into characters that appear in paintings or sit on various bookshelves and coffee tables. She lives in a cottage on the Olympic Peninsula of Washington, where the tea kettle is always whistling and the biscuits freshly baked. One never knows who might stop by to share a rainy afternoon. And all are welcome!