Category: Sparks

Memorable writing that sparks imagination.

  • Divine Candy

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Divine Candy

    By Sandra de Helen

    On Route 66, Dead Man’s Curve
    our house with an outhouse on seven acres
    with no running water,
    no candy store in sight.
     

    We ate the eggs our chickens lay,
    beans, potatoes, and greens
    Mom picked in the woods.
    No sweets except on holidays.
     

    Grandma baked pies,
    Aunt Mame made candy:
    Chocolate fudge, peanut butter bars,
    and her heavenly divinity.
     

    Billowy clouds of white sugar,
    studded with walnuts Mame herself
    picked out with her prized nutcracker set.
     

    Black walnuts the family gathered together
    to gather from alongside gravel roads
    of the nearby countryside.
     

    Once each year every small family
    within our larger family
    were gifted a decorated box
    of Aunt Mame’s treasured sweets.
     

    We rationed them, made them last
    by savoring each bite with the mindfulness
    we’ve long since forgotten.
     

    Only my sister and I are left to recall
    our Aunt Mame and her gifts.
    No one thought to ask for her recipe,
    and no family member makes divinity.
     

    Sandra de Helen lives and writes in Portland, Oregon. She is author of the Shirley Combs/Dr. Mary Watson mystery series, set in Portland; Till Darkness Comes, a thriller set in Kansas City, Missouri; and four collections of lesbian poetry published by Launch Point Press.

    Sandra is a member of the Golden Crown Literary Society, Dramatists Guild, Honor Roll! and International Centre for Women Playwrights.

    Follow her on Twitter @dehelen

    Follow her on Instagram @dehelen

    Check out her Facebook page.

  • Instructions for See’s Candy: A Love Song Learned from My Mother

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Instructions for See’s Candy: A Love Song Learned from My Mother

    By Susy Pareto

    “Life is a box of chocolates. Here’s how you do it,” she said without another word.

    Pick up a piece.
             chocolate filling
             marzipan
             truffle
             brickle
    Pause to note the smooth, warm texture between thumb and finger. 

    Now, bring it to your mouth,
    And slowly,
               steadily,
                          bite down.

    Teeth cut through the buttery darkness
    Like cutting blades on a garden clipper
    The sweetness seeps out like sap
               covers the tongue
               coats the palate
               transforms the sides into
                        cool
                        creamy chocolate-y cocoa-y
                        truffle-y nougat-y praline-y
                        other-worldly
                        let-me-lie-down and dreamil-y

    Eyes closed.
    Nothing exists but mouth,
    And tongue,
                twirling, swirling, luring
    All thoughts into one luscious lump of pleasure.
                  Chocolate.

    And I want you again, and again, and again 

    A lifelong love affair, long after she’s gone.

    Susy Pareto writes, gardens and lives in Petaluma, California. A former translator, she spent many years in Europe and holds a BA in Design and an MA in Linguistics. Her favorite pieces are as yet unpublished.

  • Inspiration

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Inspiration

    By Brenda Bellinger

    Toward the end of his life, my father, who used to enjoy painting, would often say he couldn’t “get in the mood” or “just lost interest.” His easel stood waiting, a blank canvas in place and a table of brushes and paints nearby.

    Sometimes, writing can feel that way, as though you’re engaged in a stare down with a blank screen. Which of you is going to win? You can wait to be inspired (it might be a while), you can use a writing prompt or you can just let your thoughts spill onto the page in a stream-of-consciousness fashion and see what shape they take.

    The thing about inspiration is that it’s bound to strike at an inopportune moment like when you’re in the shower or you’re driving or you’re in that liminal space between barely awake and soundly asleep. Just in case the stars align, and it happens to strike when I’m ready and waiting for it, I always carry a small notebook and pen with me.

    We recently joined our son and his family for a day at Angel Island in the middle of San Francisco Bay. The weather was perfect and the ride over on the ferry smooth. They had reserved a campground for the evening and loaded some of their camping gear on a two-seater bicycle. Our almost six-year-old granddaughter alternated between riding on the bike and walking alongside. We were walking together enjoying our view of the bay when she said something about a blade of grass “swishing” in the breeze. She froze in her tracks, bicycle helmet still on her head and said “Nana, I need to stop right here and write a poem.”

    I loved how we all moved over to the side of the path and allowed this to happen. She found a place in the grass and sat down next to her mom. I handed her my notebook and pen and for just a moment, the entire world seemed to pause as a small poem about a butterfly emerged from the pure chrysalis of a child’s mind.

    Brenda Bellinger’s work has appeared in Small Farmer’s Journal, Mom Egg Review, Persimmon Tree, THEMA, the California Writers Club Literary Review and in various anthologies, including The Write Spot: Reflections, and The Write Spot: Musings and Ravings From a Pandemic Year (available at your local bookseller and at Amazon).

    Her first novel, Taking Root, a young adult story of betrayal and courage, is available through most local bookstores and on Amazon.

    Note from Marlene: Brenda’s Blog is a collection of thoughtful and entertaining reflections on what matters.

    “Inspiration,” was originally posted as “Carpe Momentum” on Brenda’s Blog, February 22, 2022.

    #amwriting #justwrite #iamawriter

  • The Smell of Old, Ancient Time

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    The Smell of Old, Ancient Time

    By Mary E. O’Brien

    Old smells like perfume

    That’s past its life cycle

    The scent you get when you are

    Hoping for exquisite but discover stale.

     

    Old is stale sheets that have absorbed

    The fevers and worries

    And peaceful slumbers of

    The maximum number of humans.


     Old time has absorbed into its pores

    A thousand smiles, given in vain

    To cheer or to greet,

    Unreturned.


     Old time is a black satin circle,

    Etched with circular lines that contain,

    Miraculously, violins piercing the sorry soul

    Or wandering heart.


     Old, ancient time is beige sand

    Cradling the bones of saints and gladiators

    Clinging to crevices to keep their shame and secrets in the grave

    Which we all have a right to.


     Old, ancient time smells like a baby’s hair.

    The very start of time carries the

    Baby’s suckling breath

    Carries the breath of a babe from dawn to dusk of mankind.

    Mary E. O’Brien is a Retired Trophy Wife (RTW) from the Pacific Northwest. She has volunteered for the Court Appointed Special Advocate program, founded local therapeutic hospital humor programs, and supported various other non-profits and do-goodery.  

    Enjoying the artistry of music, the music of words, the words of healing, and the healing of art, Mary is spending her pandemic hibernation immersing herself in art journaling, watercolor and writing.  

    She lives in Idaho with her tolerant husband near her comedic grandchildren, and is loved by an elderly, sugared golden retriever. 

    #amwriting #justwrite #iamawriter

  • A Day in Rome

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    A Day in Rome

    By Rebecca Olivia Jones

    We arrive by taxi at our pensione in Rome. The taxi driver had been blowing his nose but he was helpful with the luggage.

    We check in at the front kiosk of what had been a convent. A couple of nuns assign us a room with two single beds. We are informed of a continental breakfast in the kitchen 6:00 am-8:00 am and the rules that include making your bed each day and leaving the building by 9:00. Be back before 10:00 pm when the front door is locked.

    The pensione is located up the street from the Forum, across the cobblestone street from an ancient church with a Gothic bell tower and near a tiny restaurante that makes fresh pasta.

    For two days we hike the hills and ruins of Rome and taste divine piatti and gelato.

    The third day, my nose, lungs, and throat blow up with a bad cold. We are flying back home to California the following day, so it is decided that I break the rules and stay in my tiny bed.

    My partner supplies me with rough tissues, medicinal tasting cough drops, and apple juice and leaves for his day of adventure.

    I lie with the large window open and aurally tour our little street of Rome. I hear all kinds of shoes clip and clop on the cobblestones.

    I listen to languages that seem to include Italian dialects, Australian English, French, German and Japanese, even dog bark.

    Around noon I sniff garlic and onions and tart tomato. I visualize the sizzle of sautéed delicate white pesce and tangy radicchio.

    I am too sick to long for a glass of vino rosso but a mug of soothing peppermint tea with honey would be nice.

    I am drowsy when the tonal power of a pipe organ resounds from the church across the street. It continues with the harmonies of a Bach prelude, then a delicate Vivaldi cantata and goes on to classic renditions of hymns, some familiar to me.

    I am lifted off my feverish mattress by the vibrations of the glorious music.

    I am ready to enter heaven.

    As the concert concludes, two nuns walk into my room, as surprised with my presence as I am of theirs. Through universal sign language, “no” and “si,” they ask if they can get me anything.

    I croak “grazie” and decline, embarrassed at being caught still “a casa.”

    They kindly leave me alone. (I am relieved my partner had made his bed.)

    Soon, he brings me a takeout bowl of salty minestrone and chewy panne rustica. He fills the room with excited energy, blows me a kiss and takes off for parts unknown. Finally, my belly and heart full, I drift off to sleep.

    A warm breeze dries my forehead. The sounds of wandering tourists fade.

    The memory of my divine private organ concert in Rome remains.

    Rebecca Olivia Jones is a playwright, singer, dancer, composer, choreographer, director, always a poet. In 2021, Rebecca collected her poetry and lyrics, accompanied by beautiful photography into a memoir, “Beachsight,” available on blurb.com.

    Rebecca has a B.A. in Creative Writing from New College of California. Also, a mother, grandmother, sister, and a seeker, she lives in San Rafael with her long-time boyfriend and their cat; teaching singing lessons via zoom; enjoying hiking, gardening, cooking, reading, and writing. She is an advocate for the Alzheimer’s Association.

  • Gratitude

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Gratitude

    By Kathryn Petruccelli

    Spring in a cold place. Which means everything is so heartbreakingly tender—tulips lifting their dusky prom skirts, dandelions twinkling in their green sky.

    I’ve lived here a little while, this rural New England town, its six months of winter, a place accustomed to waiting for beauty to appear. I’ve left somewhere I loved to move far away in service to a restless heart, the bonus draw of family. In the time since, I’ve witnessed a father-in-law dissolve from brain cancer, a second-born survive the bypass machine, tiny heart sewn back together.

    Walking through the park with the baby, I call a friend back home to catch her up, or to remember who I am, or to plead with her to come visit and if she can’t, at least to understand. The wheels of the stroller make that delicious sound they make as they roll over gravel. Cherry blossoms are open, magnolias, their ancient blush. It’s good to hear her voice—magical, even—then, I falter.

    “What? What is it?” she wants to know.

    “No, nothing,” I say. “I mean, it’s not that bad here,” I try, watching the robins, chests plump as plums at the edge of the lake, side-eyed, cocking their heads askew to see the ground in front of them. 

    Kathryn Petruccelli is obsessed with place, language, and the ocean. Her work has appeared in the Southern Review, RattlePoet LoreTinderboxWest TrestlePlant-Human Quarterly, and elsewhere. She teaches online writing workshops from western Massachusetts, from which she also gardens and pines for California’s central coast. More at poetroar.com.

    Published in River Teeth, 2/21/2022

    River Teeth is a biannual journal combining the best of creative nonfiction, including narrative reportage, essays and memoir, with critical essays that examine the emerging genre and that explore the impact of nonfiction narrative on the lives of its writers, subjects, and readers.

  • Gimme Shelter

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Gimme Shelter

    By William Frank Hulse III 

    When we’re watching a movie from the comfort of our recliners, relaxed and mellow, my bride will become frustrated when the hero does something physically impossible.

    For me it’s the magic of movies. I don’t believe it for a second, but the scenes are fun and allow me to freestyle through the adventure.

    Since I almost always immerse myself in a character, I want to enjoy moments of charmed innocence, believing everything I see and hear and feel.

     It has a gauzy sheer that stays in place, even when the curtains go up. It helps give the events an element of reality that only lasts until the closing credits roll. When Nancy gets uptight about the science friction, I remind her, “Suspend your disbelief.”

    I enjoy being drawn into the story. It is surely escapist, in the best sense of the word. It distracts me from the realities that loom on the horizon or are present and accounted for, clamoring for my attention – begging me to worry or fret. Not fair!

    I cannot solve all of the world’s problems; I can barely keep my own from bubbling over and scalding me with their persistent demands on my attention. And, I’m healthy! What a terrible price life inflicts if I can’t escape its anxieties for a time. But I can do better than escape. I can withdraw from the fray and enjoy sanctuary.

    It’s not like the escapist and vicarious enjoyment of some wild movie or book. It’s that still, quiet haven where I can preen – clear out the dust and grime and parasites and align my feathers so that I can fly again – better yet, soar again.

    There is a completely blue sky this morning. Try as I may, I can’t find that shade of blue in my box of crayons but when I close my eyes, it is shining brightly in my mind’s eye.

    And that sun, oh, that sun, is shining even brighter.

    I will soar again and warm my soul – but I’ll remember not to fly too close to the sun. My crayons might melt.

    I wonder what color would emerge from 48 crayons. That will keep me guessing and smiling at that wonderment. It’s not something I see into my immediate future, but I do plan to get a jar of bubbles and watch that tiny miracle unfold and then make tiny pops to end their flight.

    There now, isn’t that better. A moment of examination and another of reflection to set the stage and allow me to wend my way on this soul’s passage, right here and right now. Namaste…

    William Frank Hulse III is a native Oklahoman, born and raised in the Indian Cowboy Oilman community of Pawhuska. He began his college career at Central State College in Edmond but enlisted in the U.S. Army in 1968. While serving in the military Frank completed his undergraduate degree with the University of Maryland. Upon his return to civilian life in 1975, Frank was employed by Phillips Petroleum Company for almost 30 years. Since retiring he plays guitar and writes.

    Note From Marlene: You are welcome to comment on this story on my Writers Forum Facebook Page.

  • You’ve Got It, Child

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    You’ve Got It, Child

    By Elizabeth Kirkpatrick-Vrenios

    I am full of gratitude for the restless sea, sky butter-milked with clouds, the gentle love of a girl named Shih Tzu. What can I do to reach out from this bliss to the needy world?

    I have given you all you need.

    What am I supposed to feel right now?

    Feel what you will, it is all important or not.

    What can I do to move over the hurdle of this chaos?

    There is no chaos, only change.  You may not be around for the end, only enjoy what is the now.

    Sometimes I cannot reseed the patches of my life.

    Do not carve your initials in the tree or scrape your name in the dust, your footsteps do not matter.  No one will care. All will be taken away, but much will be given to you.

    How can I light the way?

    Light the wicks on the wax ravens and enjoy the flight.

    Sometimes I cannot bring myself to take down the pictures of the dead I carry inside.

    To remember is a part of me, but to not let go is a death of a different kind.

    Why do the poisons of the air, the earth, the sea, the flames of the forest disturb who I am as a human? Why do guns, bombs, destruction jar my inner self – shaking me to a place I cannot reach?

    Because you are my child, my miracle, my right hand, the one who cares for the earth, the sea and all who dwell within. Be still and listen to what you are to do.  

    Why does an image of an angel descending toward a miracle that never comes, haunt me?

    Because you are waiting for a miracle which is already here.

    What if I forgave those who destroy us and take over who I am and leave me a vanishing shadow in the dust?

    That is right child, what if, what if?

    Sometimes I want to gather up my shattered glass and stars with both hands and cradle them safely home.

    I think you’ve got it, Child.

    Elizabeth Kirkpatrick-Vrenios‘ award winning chapbook, Special Delivery, was published in 2016, and her second, Empty the Ocean with a Thimble by Word Tech Communications.  

    Twice nominated for a pushcart prize, she has poems published in various anthologies and journals including Stories of Music, The Poeming Pigeon, Love Notes from Humanity, Stories of Music, American Journal of PoetryCumberland River Review, The Feminine Collective, The Kentucky Review, Unsplendid, Edison Literary reviewPassager, and NILVX.

    She is a Professor Emerita from American University, artistic director of the Redwoods Opera in Mendocino, California, a member of international Who’s Who of Musicians, and has spent much of her life performing as a singing artist across Europe and the United States. 

  • Fortunes I Did Not Get In Cookies

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Fortunes I Did Not Get In Cookies

    By DSBriggs

    A wise man marries a wiser woman.

    You will get good news; and you will recognize it.

    If you miss your bus, start walking.

    A book returned is a friendship kept.

    Get a dog, it will save you.

    Blood is thicker than water but only Vampires should care.

    Delight in today; for tomorrow is no guarantee.

    Buy a car for its usefulness; not for its beauty.

    The One that got away is not the One for You.

    A blind man cannot see beyond his fingers.

    Asking for help is a sign of strength but ignoring it can be a weakness.

    A half full glass can be emptied and refilled.

    A wise animal is better than a noisy friend.

    Luck is knowing when to walk away.

    Keep a pencil around for it never needs booting up.

    And one I did get; if your table moves, move with it.

    DSBriggs lives and writes in northern California. Her muse lately has been a roommate with soulful brown eyes, four long legs, and a very loud bark, Moose.

    Donna has been fortunate to be published in Marlene Cullen’s The Write Spot Series including: Discoveries, Possibilities and Writing As A Path To Healing, available at your local bookseller. Also available in both print form and as ereaders at Amazon.

    Writing with Marlene and the other Jumpstarters has been one of the most fortunate activities of my life.

  • Nothing to Write About

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Nothing to Write About

    By Maeve Riley

    Day 30, May 6

    The nearly full moon is rising over the mountains across from our house. It’s blinding to look at and negates any need for a headlamp. Luca paces around, damp from the river, hoping for a second dinner. Marley is content under a blanket on the green velvet couch; he’s seen plenty of full moons in his time.

    I stand outside in shorts that I bought ten years ago at the mall in Merced when I was in college. They are a deep red with black stripes and have the Hogwarts emblem printed all over. I am barefoot, my feet somehow still dirty from the garden even though I just showered. I also have on a pink and purple sweater that I bought at a thrift store in Santa Barbara because it reminded me of a sunset.

    The night is warm and smells sweet of locust trees. I stare at the moon and for a little while longer after Jake goes back inside. Eventually I go inside and gather my shoes and my phone and its charger before I head over to the studio to try to write something for this One Hundred Day Project I’m in the midst of.

    “I’ve got nothing to write about!”

    I think, in the same way that I’ll look at my closet and despair over nothing to wear, gaze into a full fridge and lament about how there’s nothing to eat.

    I like this project because it forces me to look into the creases of my life. I shake out the couch cushions and peer into my memories. I look for the less obvious moments. I only have so many obvious tales to tell. The really big things, I’m beginning to realize, fruit over time. I’m grateful for life’s artful ways of teaching lessons when I don’t realize that I’m supposed to be learning.

    Maeve Riley is an artist, reader, writer, and an enthusiast of the natural world. She is fascinated by life and people and their lives; it is her favorite subject to write about. She lives in Western Sonoma County with her partner and their two dogs.