Infuse Your Writing With Earth Imagery . . . Prompt #448

Excerpt from Poetic Medicine, by John Fox, “Giving Yourself Permission to be Wild and Magnificent” Earth offers us powerful images and metaphors with which to tell our stories. Rather than thinking of the earth’s resources as commodities like oil and wood . . . consider the more intangible qualities which nature offers us, such as beauty and spectacle, turmoil and order, mystery and predictability. A sense of beauty – wild and terrible or lovely and breathtaking – can be healing. Infusing your writing with earth imagery will help reveal your unique voice and imagination. The stories of earth – and our stories – are interwoven, constantly changing in the cyclic process of birth, growth and death. A language for expressing these deep changes in your life can be found by tuning to the language of the earth. Poem-making and the natural world give you permission to be wild and magnificent….

What’s the latest? Prompt #348

Things are settling down at Cullen Corner after the Holidaze. I hope everything is going well for you. It’s been quiet here on The Write Spot Blog on account of the holidays: Decorating, undecorating, traveling to be with family, having family here, watching Hallmark holiday movies, watching Doc Martin and The Amazing Mrs. Maisel  ( highly recommend), the usual December-January busyness. Since I last posted, I changed the title on the recently published The Write Spot: Discoveries to better reflect the contents. New title, same contents:  The Write Spot to Jumpstart Your Writing: Discoveries. Now, I’m working on the next anthology. I hope you are active with a project that you enjoy. Today’s prompt:  What’s the latest? I’m loving all the wonderful reviews of Discoveries. Here’s the latest review of Discoveries. Review by Diana McCurdy in The Sonoma County Gazette, founded by Vesta Copestakes. Book Review: The Write Spot to…

Grow your characters. Prompt #48

Grow your characters. For the next three writing prompts, we’re going to build our repertoire, so that we’ll have characters, location and a problem leading us to write a scene. One step at a time. First step:  Write a brief description of character or characters.  If  you have a work in progress, use this time to discover something new about your characters. If writing memoir, same thing . . . find a new way to describe character.  Include flaw or flaws. Example:  Self-doubt, what would be challenging to character?  What does the character fear? What big events molded character? Character’s likes and dislikes.  What drives character? How does character react to pressure? Give your character a personality quirk, add internal conflict. These examples are from Sheldon Siegel’s 2011 talk at Writers Forum of Petaluma.  Sheldon Siegel is one of my favorite authors. Need more ideas? Fill in the blanks. Answer…

Why Follow Submission Guidelines?

Guest Blogger Tish Davidson writes: Don’t Sabotage Your Submissions What is the first thing you do when you cook a new recipe? Read the directions to determine if you have the necessary ingredients. What is the first thing you do when you assemble a piece of Ikea furniture? Read the directions. So why do so many writers seem unable to read and follow the directions when submitting to a journal or contest? I’ve judged a lot of writing from independently published books to high school writing contests. I was an editor of the 2019 CWC Literary Review with responsibility submission intake as well as judging. What I’ve learned is how few supposedly literate people read and follow the submission directions. Maybe because they are called “guidelines” people consider them optional. Or perhaps the requirements seem overly picky or silly. Take fonts. Why use Courier as requested when your work will…

Magic by Rebecca Evans

Rebecca’s writing and her workshops are magical, showing what happens when we let go and are open to making discoveries. Magic by Rebecca Evans: I am an AI Rebutter. I am a Long-Hand-Writer Endorser. I pen pages each morning in a journal, jot a list of tasks to (almost) complete, scaffold essays and poems across composition notebooks. In separate journals, I copy beautiful lines from artists I love, wishing to transfer talent by osmosis. For me, magic begins within this first planting. I lean into an unfolding. Instead of writing towards an idea or theme or popular topic, I follow the words where they lead. It is from this space in my first drafts, I discover seedlings. Tiny sprouts. Sometimes one piece feels as though it could be in conversation with a piece of work I developed earlier. Other times, I might recognize the start of the poem. I rarely…