Author: mcullen

  • Know When to Quit

    I’m a fan of Brevity Blog. Here’s a favorite:

    “Quitting Time: Why You Need to Let Go of That Writing Project” by Allison K. Williams.

    “As writers, we’re sold on the value of perseverance. Just do another draft. Just keep working. Send another query, another submission. One day you’ll break through. Sit down and finish. Now. Today. This week. In fifteen-minute increments while waiting for carpool, or in one wild coffee-fueled weekend. I think I can, I think I can.

    I can get to the end of this sentence. This paragraph. This page. This essay. This book.

    But there’s value in quitting, too.

    Click “Quitting Time” to read the rest of Allison’s Blog Post.

  • Get through trauma

    “One of the best things you can do for yourself to get through a traumatic life or childhood or single incident is to not bury it but talk or write about it until you acquire the skills to manage it or put it to rest.” — Janet P.

    How to write about a difficult subject without adding trauma.

    Just Write!

    #iamawriter #iamwriting #justwrite

  • Willow Springs

    Willow Springs publishes two issues per year: Spring and Fall.

    SUBMISSIONS through Submittable

    Nonfiction is open year-round.

    Fiction and poetry between September 1 and May 31.

    $3 reading fee.

  • Where I Live

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Where I Live

    By Ken Delpit

    When I walk into where I live, I smell memories. This is where we first beheld what would be our first and only home, from the inside. Over there was where his first, very tentative, steps took place, from the parquet mahogany coffee table to my luring, waiting hands. Right there on the carpet is where she often would get rolled up into a daughter burrito, with auntie-made birthday blanket as tortilla, and with generous gobs of tickling cheese.

    When I walk into where I live, I smell unfulfilled should-haves and wish-I-hads. I wish I had done this, that, and especially that, better as a parent, and for that matter, as a husband. I should have taken care of that household repair long ago. I should have spent more time finding and sharing fun, for fun’s sake. I should either do this once and for all, or put it out of my mind for good. I should get over not knowing then what I know now.

    When I walk into where I live, I smell winter. Until we got the piano, that’s where our live Christmas tree usually was, with its fragrant evergreen perfume bringing just a bit of northern winter indoors. This is where our menorah was placed, lit, and honored, its candle wisps and aromas catching updrafts from the old Fisher Grandpa stove, its fires crackling with family-warming energy.

    When I walk into where I live, I smell excitement, mixed with ample dashes of fear. Right there is where I stood in 1989, watching the overhead lamps sway, hearing the disconcerting noises from things that were ordinarily stone-silent, and feeling the ground lose all its certainty. I smell the fried casings of the electrical surge suppressors, which did their jobs nobly in death, from that spectacular, spiking-voltage, indoor fireworks display that one year. I smell the accidental-and-unlucky spillages from the kitchen that meant we would eat out that night. I also smell the accidental-but-happy, forgot-to-put-the-top-on-the-blender spillages that meant we could only laugh.

    When I walk into where I live, I smell love. Wholesome aromas waft steadily from the many life’s-purpose-reminding family photos that still hang on the walls. The hand-drawn and hand-painted pieces of art from our children’s lives make it gratefully impossible to pass by without returning to former times. I smell the ghosts of the many pets that once called this family theirs.

    When I walk into where I live, I smell home.

    Ken Delpit must admit: One of the real joys of writing is that it gives one a chance to say something without any back-talk—at least, for the time being. Of course, this doesn’t count his own critical sass. But that’s another subject. In the meantime, Ken enjoys the explorative nature of writing, exploring both inwards and outwards.

  • Scary Tradition . . Prompt #821

    Write about a tradition that scared you as a child.

    Krampus

    Yule goat

    Burning of the Böögg

    Guy Fawkes Night

    Or, something unique to your family.

    See what CM Riddle wrote on this subject, Wild Man of The Hunt.

    Just write!

  • Wild Man of the Hunt

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Wild Man of the Hunt

    By CM Riddle

    Mom grew up in the country with her brother and sister, along with what seems like hundreds of Italian immigrant relatives.

    Mom’s great-grandparents Albina (the mean one who kept a lid on the candy jar) and Rosalina (the sweet one who didn’t have a lid on the candy jar) were sisters. They sailed into San Francisco from Luca Italy in the late 1800’s with their husbands, who were brothers; Pietro and Romolo.

    While making great efforts to become a part of the new world, the family still clung to ways and traditions from Italy. Working on their land they grew vegetables and flowers, and made wine. Their families thrived in West Marin.

    Rosalina, or as Mom called her, Noni Rosie, had an original “bed and breakfast.” She hosted gentlemen coming up from San Francisco to hunt deer, squirrel, and ducks. She became an excellent cook by foraging herbs like flavorful bay leaves or wild porcini mushrooms, and she’d serve a sweet huckleberry pie, all gathered from the Inverness Ridge to create her delicacies.

    Their families grew and these multiple generations of cousins lived along a short section of Highway One in Inverness Park. They shared holidays and celebrations together.

    Swiss Italian folklore followed Mom’s grandpa, Nono Mano, to Inverness Park. When he was a boy, children were told to be good, and Santa Claus would bring toys, but if they misbehaved, his counterpart, a dirty betrodden creature, much like Germany’s Krampus, the man of the wild hunt would come. Instead of leaving presents, he’d stuff the naughty children into his sack and take them far away.

    *****

    This past winter, my daughter Natalie found a local Old Traditional Winterfest. One of the attractions included having your picture taken with Krampus. She loved the idea of having her baby, Lilith, meet Krampus, so we invited my Mom and off we went in search of him.

    “I never heard of Krampus, but Nono Mano used to dress like Santa when I was a kid,” Mom said. “And he scared us. At Christmastime Nono Mano would burst into the kitchen, dressed like a maniac with a scraggy beard made of lacey grey lichen hanging from his chin to his chest. His cheeks were rouged red and his knitted beanie pulled low near his brow, made his eyes look wild. Over his shoulder he carried a gunny sack tied to the end of a crooked old branch.”

    She told us how she squirmed behind the old stove or hid behind her mother’s dress while he swooped around the kitchen pretending to snatch the children. She didn’t like that the grown-ups laughed at the kids’ fears.

    I have cozy memories of Noni’s kitchen. The room was one huge square with a cast iron Wedgewood stove taking up a whole corner. Noni could cook up anything by adding chunks of wood to the burning side. The other side she used to bake. The top had “burners” which she lifted with some sort of tool so she could stir the embers thus keeping the temperature even for cooking or keeping the room warm. I couldn’t imagine a maniac in that kitchen.

    My memories of Nono Mano are from when he was quite old. He sat in his chair at the table, sipping his coffee and smiling. Many years later, I came to know the funny smell on him was whiskey. He’d sit at the table sipping away, letting the whiskey ease the pain of his aching joints. To this day, a whiff of whiskey in a cup of coffee brings me right to that kitchen and the sweet old man who sat there. Worn sweater, crooked hat, and a smile.

    Thoughts of him lunging around the kitchen with his mossy beard flying baffles me. I can’t envision him as a scary Krampus, yet Mom remembers.

    Mom was a brave one, full of courage and muster to show up year after year while dreading the old man of the wild hunt to bursting into the kitchen.

    Though this generations old tradition was carried out by Nono Mano, me, and my siblings missed it, thank goodness. My mom’s crowd of cousins were the last to witness this fantastic folklore.

    With the emergence of paganism and new-age spirituality, Krampus has returned. There is a special enchantment of the old ways. Everything in life has a light side and a shadow side, where there is light, there is dark, good and bad, and so it goes.

    I treasure lessons in “ancient folklore.” I’d hang with Jolly St. Nick, but it is important to know Krampus is out there watching too. The duality that one gives from his huge sack of toys, and the other will stuff you in his sack if you are a jerk, boosts the odds of good behavior.

    Enjoying our day, my daughter paused to point out we are a four-generation tribe… Mom had a “real” version Krampus visit her, and her great-granddaughter gets to know of a gentler version of him. I am grateful my daughter let my granddaughter visit both Santa Claus and Krampus. Together they bring true magic to the season!

    Tina Riddle Deason writes under the name CM Riddle. She is an author, and creator. She has published several articles and books, including those about rituals and ceremonies. She is a High Priestess who leads a variety of Women’s Circles. She is a mother and grandmother, and she lives with her husband and “fur-babies” in Rohnert Park, CA.

  • Winter’s Walk

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Winter’s Walk

    By Cheryl Moore

    On these dark mornings

    I feel the fog’s kiss on my cheek

    As though waking me to a new day;

    So unlike a much drier place

    I once lived so many years ago

    Where dust storms were more likely.

     

    I walk to the river where

    The fragrance of wild fennel

       fills the air

    Reminding me of the black liquorish

    I loved as a child.

    On the muddy banks wild fowl

       often appear

    On their daily hunt, bringing to mind

    They too fill their senses.

    We are not so unlike in our goals.

    When Chery Moore came to California in the early 1960’s, she realized she’d found her home. Then moving to Petaluma in the 70’s, she was as close to paradise as she’d ever be. Travel has taken her to Europe and the Middle East. She has written on these memories as well as on the flora and fauna of the local river and her own garden.

    You can read more of Cheryl’s writing on The Write Spot Blog:

    A Memorable Day

    My Pen Tonight

    Identify With Trees

    River Walk

    September Light

    And more: Type “Cheryl Moore” in the Search Box on the Sparks page of The Write Spot Blog to access all of Cheryl’s writing on the blog.

    Cheryl’s writing is also featured in “The Write Spot to Jumpstart Your Writing: Discoveries” and “The Write Spot: Musings and Ravings From a Pandemic Year.” Available from your local bookseller and at Amazon (both paperback and as an ereader).

  • Marshmallow Webs Between My Fingers

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Marshmallow Webs Between My Fingers

    By Robin Mills

    It’s a summer morning on Granville Avenue, my grandparent’s home.  The wafting smell of Sanka, released by boiling water poured over freeze-dried crystals in the bottom of a cracked and stained white porcelain mug, slinks out of the linoleum floored kitchen with yellow counter tops, sails down the hall to our bedroom where we sleep, our heads on flattened pillows and our little bodies under mothball infused quilts.

    Dragging our summer-tanned and happily worn bodies to the table, twisting fists dislodging sleep from our eyes, we sit, awaiting our breakfast. For the kids, ¼ cup Sanka, ¾ cups milk and a heaping teaspoon of brown sugar. I stir the mixture, from brown and white swirls to a tan much like the color the summer sun has laid on my scrawny legs. I slip the spoon covered in undissolved grounds into my mouth, a bite of bitter on my tongue.

    My grandmother serves fresh squeezed orange juice frothed in the blender like an Orange Julius, and a hot bowl of Zoom multigrain cereal with a dollop of yellow margarine. My grandfather, tapping-til-it-cracks, an egg in its faded yellow poached egg holder that I can’t differentiate from the eye-rinse cup that sits on the pink tiled bathroom counter.

    I walk across the creaky empty chairs, steadying myself on the chairbacks and table, to his lap, where he never declines to hold me, his fit arms around my waist. I love his smell of campfire smoke from last night’s backyard bonfire. My grandpa seated, stoking the fire, my brother and I each straddling one bouncing knee, our three faces orange-warm as he tells us ghost stories.

    We eat charred marshmallows smashed between honey sweet graham crackers, oozing with sweet, melted chocolate that drips down our chins before wiping it away with the back of a hand. White marshmallow webs of sticky white threads between my fingers inevitably end up in my hair.

    After breakfast, my grandpa plays his favorite Gilbert and Sullivan record and sings along in his best faux operatic voice until we squirm and complain enough.

    Once the clatter and clang of dirty dishes settles and my grandmother appears, we race to the green Oldsmobile sleeping silently in the driveway. We slip and slide with glee, unbuckled across the back bench seat, sailing down Santa Monica Boulevard until we reach the ocean with the sticky smell of sand and suntan lotion and sweet pink cotton candy. Always cotton candy.

    Robin Mills lives in Petaluma California. By day she is an American Sign Language interpreter. Her non-work hours are spent writing, swimming, hiking, photographing the world around her, traveling, playing in various art forms and swing dancing.

  • I Know Now

     Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    I Know Now

    By Mary O’Brien

     I know now not to bet on a sure thing.

    Christmas caroling with Grandpa and the grandkids at a nursing home the Saturday before The Big Day?  Piece of cake…and there would be cake and treats for all participants afterwards. The perfect ending to a memory-making afternoon. This I had promised.

    I know now that my 86-year-old father, once blessed with a deep, rich and mellow bass voice now sings 1.75 pitches above the tone for which he aims. You know, the melody everyone else is singing a Capella because no musicians showed up.

    I leaned toward my oblivious and progressively hard of hearing dad, aiming what was left of my contralto towards his left ear. I had lost my voice the day before and at this point all I could do was honk out “six geese a-laying” in the key of G whiz.

    As we were at the tail end of the L-shaped line of carolers, no one could come to my rescue. My husband just grinned at me, Chesshire-like, and looked away.

    Away at the residents in chairs and wheelchairs, some of their brows knitted together, staring at Dad, who smiled and nodded, increasing his volume and pitch another tone northward at the presumed encouragement.

    My grandchildren, Harry 8 and Audrey 6, soldiered on, putting their little hearts into Away in a Manger while scanning the room for the promised treats, which I had already noticed included a paltry day-old heart-shaped cake on the small side and an even smaller bowl of fruit. For the entire company of residents, their guests, and singers. I imagined cookies and divinity accompanied by hot cocoa surely must be ready to roll out on a cart after our grand finale of O Holy Night, which was going to be a doozy if my dad had anything to say about belting out high notes as a former barbershopper.

    I avoided eye contact with the reluctant song leader and kept an eye on the kids at my hip in their Santa hats. We had all worn hot, fussy Santa hats that sweated itchily in the overheated facility.

    Joy to the World reminded me that I’d promised a special treat to the kids each time they made someone smile. I know now that was somewhat shortsighted as they had just completed piano recitals after which they would be given brownie points for the best post-performance bow. Leave it to my grandchildren to remember the roomfuls of smiles their deep, dramatic bows and humbly exaggerated curtsies had earned at recital.

    Yes, Harry started with the bowing at the end of Here Comes Santa Claus while Audrey, quickly catching on, not only bowed but fluttered her little hands in prayer-like folds under her chin…her smile not unlike that of my husband, cheesy and insincere.

    At least the residents were getting a show, which was the point. I guess.

    All that to say that I know now there is a mild curse word in the second verse of We Three Kings of Orient Are. The kids were at the perfect age to get a thrill from legally saying the word “ass” in public, in front of adults. I sensed shoulders below me raising up and down with barely contained giggles.

    I don’t know why my eyes get instinctively wide when I’m trying to pretend nothing is wrong, but there they went. Wide. Wide as my father’s mouth as he sung with gusto and bent knees, “OH, STAR of WONDER, STAR of NIGHT…”

    I know now what hysteria must feel like when it creeps up your sternum – you tighten your throat against it, bite the inside of your cheek. But here it comes, a bubble of absurdity in the solar plexus, rising up to escape the stiff chin trying to maintain decorum but losing ground.

    I search for a face, a pair of eyes to lock onto, to throw my serious intentions their way for their benefit. There! Little lady to the left eyeballing me and I think she might save me…when what does she have the nerve to do but wink.

    As Harry and Audrey grin widely and take their bows, I lose my grip and begin to giggle at the most solemn and hushed moment when O Holy Night begins with sacred words.

    Unfortunately for everyone, I snort when I laugh or cry, and at that moment I was involuntarily doing all three. The contagion of such behavior is widely documented. First the grandkids began to fall about the place like drunken musketeers while the carolers voices began to fall off one by one, hidden behind hands smothering grins.

    Except for Edwin, my father. Without the ability to hear the song had ended, he was suddenly thrust into a spotlight, belting out a solo that would curl the hair of a yak. He creshendo’d the ending in eye-watering sincerity if not grace, hushing to the final, “o night divine,” which should have faded to a thoughtful, peaceful tonic. Whatever hambone had been awakened in him suddenly came to life, as this was his moment to shine. He filled his lungs, dropped his folder, spread his arms wide channeling Jimmy Durante and gruffed a memorable, “hot cha cha!” to peals of unbounded glee and horror.

    And now I know.

    Mary O’Brien writes from the comfort of her Celebrated Art Cave (spare bedroom) near Boise, Idaho. She writes weekly with Jumpstart Writing Workshops, as well as a smattering of smaller groups. She revels in looking for opportunities to capture memories and imaginings via daily life, nature and her impossibly bright grandchildren.

    You can read more of Mary’s writing on The Write Spot Blog:

    Under The Tree

    Reality’s Ruse

  • Joy . . . Prompt #820

    grayscale photography of toddler playing bear toys
    Photo by Suzy Hazelwood on Pexels.com

    Write about something you own that brings you joy.

    Or, write about something you own that does not bring you joy.

    Why do you keep it?

    #justwrite #iamwriting #iamawriter