
What do you need?
Right now. What do you need?
Other prompts relating to need:
What do you need to hear? Lin Manuel Miranda pondered this question and the result is surprising.
Want vs need. Discovering wants versus needs.

What do you need?
Right now. What do you need?
Other prompts relating to need:
What do you need to hear? Lin Manuel Miranda pondered this question and the result is surprising.
Want vs need. Discovering wants versus needs.


What can you control?
What can you let go of?

If you could invite anyone to share a meal with, dead or alive, who would you invite and why?

“Your main job as a writer is to transport the reader to a fictional world, as in a dream. ” — “The Geyser Approach to Revision,” James Scott Bell, July/August 2011 Writer’s Digest Magazine
You probably know this, but perhaps you’re stuck with knowing how to achieve that. A big part is the revision process.
The following steps for revision are based on the Writer’s Digest article.
Write Hot. Revise cool.
Wait two weeks after writing to begin the revision process. Then, read fast as if you were a first-time reader. Take notes about what needs fixing.
Capture original emotions you felt when writing.
Listen to music that evokes the mood of your story.
“Music reaches a part of your mind that you usually have inactive when analyzing. Wake it up and put it to work with tunes.”
Create a collage to capture a visual representation of your work to keep you inspired and focused.
Scenes
Analyze every scene.
Make sure every scene is strong with:
~ A single point of view
~ A clear objective for the character
~ Tension
~ Conflict
~ An emotional struggle
~ A compelling reason for the reader to keep reading
Revision Process
A crucial part of the revision process involves making sure all your details are as strong as they possibly can be, that no word is underutilized or wasted.
Sensory Detail
As you revise, determine where you can add sensory detail: visual, sound, taste, smell, touch, and extrasensory perception.
Specific Details
Give your characters distinguishing characteristics.
Gestures, repetitive actions, hobbies, food likes, facial expressions, musical preferences, jobs.
Posts about sensory detail on The Write Spot Blog
The neurological impact of sensory detail.

If you, or your fictional character, could learn a foreign language, what would it be and why?
Or: Write about your experience with learning another language.

What is the one thing that makes you smile every time you think about it or him/her/them?
Every time you remember this, you smile.
Every time.


Guest Blogger P.A. Cornell explores measuring success with writing . . . when can you call yourself a writer?
Not so long ago I was speaking with someone about how much I’m enjoying being a short fiction writer. I was trying to convey all the great opportunities that short fiction can offer: variety in setting and characters, finding your voice, etc. They kept nodding, but I could tell my words weren’t really penetrating, and when I finished, they said, “Okay…but why think so small? You’re working on a novel, right? I mean, go big or go home is where it’s at!”
Is it though?
In our society we tend to equate success with tangible things like fame and income, and this does have some validity, but is this the right measure of success for all of us? When it comes to writing, there are some very specific signs of a successful career: fame and fortune—if you can achieve them—are at the top, but along the way there are other markers like getting an agent, publishing a book (preferably with a Big Five publisher), and winning the top awards. Many people both in and out of the industry still have the attitude that if you aren’t working toward these lofty goals, you’re not a “real” writer. I disagree.
Before I was published, I was told I wasn’t a real writer, but every author in the bookstore was once an unpublished writer. And when you think about how many books are submitted to publishers each year and how few actually end up published, the odds are not unlike winning the lottery. Does this mean that every book that’s rejected is garbage? Are their authors not real writers? As someone who once read the slush pile for a publishing house, I can assure you that many of those rejected books are great, but there are only so many spaces to fill. Published, or not, their authors put in the work of learning their craft and completing their book—something which is no small achievement. And what about someone who chooses to self-publish; are they not a real writer?
To me, a writer is someone who expresses themselves through the written word and does so in a way that’s dedicated, with the aim of one day having someone else read what they’ve written. That’s it. I say this because I see so many writers beating themselves up for not fitting the description of the “successful author” that seems so prevalent. And if they’re not belittling their own efforts, there are so many others who will see a writer who hasn’t gotten a major book deal, or won awards, or who writes as a hobby rather than as their main career, as somehow less-than. I’m here to say it’s okay to think small.
There are so many paths available to us as writers, and none of these is superior to any other. None of them make you more of a writer. The goals we set for ourselves are so personal and have such varied motivations behind them—our measure of success should be just as personal.
It’s also okay if your goals change over time. When I was younger, I too fell into the trap of what it meant to be a successful writer. I wanted to publish a book—or series of books—and have them all become bestsellers and have the world know my name. The thing is, I didn’t so much want these things for myself, I wanted them as a means of proving to other people that I was a real writer.
As I’ve grown older, I’ve reexamined what my measure of happiness is as far as my career is concerned, and a lot of this goes back to what made me want to be a writer in the first place, when I was a little girl. Back then I just loved stories. Stories to me were magical, and when I learned that they came from the imaginations of people called writers, I just wanted to be a part of that. To me, that was how I could contribute to the world and somehow make it just a tiny bit better. That’s exactly what I’m doing right now, as a short fiction writer.
Do I have other goals? Sure, but fame and fortune aren’t really what I’m striving for these days. Sure, it would be nice to see my own book on store shelves, and I certainly wouldn’t turn down a decent advance. Likewise, if someone wants to give me an award I’d be elated. But are these things I need in order to consider myself successful? No.
My goals these days are simple. I intend to continue writing—and hopefully publishing—my short fiction. One day I’d like to publish a short story collection, but how it’s published is something I’ll decide when the time comes. I know writers who are published traditionally, self-published, or are hybrids of the two, and all these paths have pros and cons to consider, but all are valid options. One thing I do know is that short story collections tend not to be huge money-makers, especially if you’re not a big-name author—and I’m okay with that.
Maybe I’ll even write a novel one day, but I no longer dream of a long career as a series novelist. There’s nothing wrong with choosing that if it’s right for you, and I suppose if I did have a super successful first novel and publishers were knocking down my door begging for the sequel, I’d consider it. What I’m trying to say is that in the scenario where that doesn’t happen—the one where I quietly publish a book and it’s not widely read, doesn’t make me rich and famous, but a few readers do enjoy it and tell their friends—I’m still happy, and I’m still a real writer. I no longer feel the need to prove that to anyone.
I have friends who want more, and that’s fine. I’ll cheer them on as they achieve their goals. I’ll spread the word about their major book deal, movie option, or award. I’ll buy all their books and tell people I “knew them when.” I’ll be incredibly proud of them—but that doesn’t mean I want to be them.
There are real people behind every story, book, or article that’s written. People with lives that don’t always allow them to “write every day.” People with enormous obstacles to overcome. People who write for fun. People for whom the very notion of fame is enough to trigger their anxiety. People who are yet to be published but are working diligently on a story they know will one day see the light of day, even if they have to publish it themselves. And there are people who—like me—are just enjoying exploring new worlds and characters through short fiction or poetry or what have you, and who’ll decide later if they want something else. All these people are still writers, and every one of them is the real deal.
P.A. Cornell is a Chilean-Canadian SFF writer who wrote her first science-fiction story as a third-grade assignment, and still has it in her possession over three decades later. A member of the SFWA and graduate of the Odyssey workshop, her short fiction has appeared in several anthologies and genre magazines. For a bibliography visit pacornell.com.
Note from Marlene: I relate to: “. . . I quietly publish a book and it’s not widely read, doesn’t make me rich and famous, but a few readers do enjoy it and tell their friends—I’m still happy, and I’m still a real writer. I no longer feel the need to prove that to anyone.”
My series of Write Spot books fills the category of “not widely read,” but for the readers who have enjoyed them: Thank you! And even if those books weren’t published, I would still call myself a writer, which took me years to be able to say.
I am a writer. How about you? Are you a writer? Say that out loud.
I am writer.
Welcome aboard the writing train!


“Telling your truths—the difficult ones and the joyful ones and all the ones between—is a big part of what makes for good writing. It is also what brings you pleasure in the process of writing. Most people who create and tend a garden don’t spend time on their knees pulling weeds just for the perfect end result—the gorgeous display of flowers that others will exclaim over. They pore over gardening books, order bulbs, water a sickly shrub, arrange the flagstones to make a pleasing path, all because they enjoy the doing of it. So, too, it should be with your writing. You want to see your writing grow, to find your daily work absorbing, to discover you can do better on the page than you could three years ago. None of this will happen if you shy away from the truth. The rewards that you seek are the rewards that go with courage: you take the risk and you feel the satisfaction of becoming a better writer.” —Writing the Memoir, by Judith Barrington
Using the freewrite method of writing, you are free to write whatever you want with no worries about the outcome.
Click on the links below to learn more about freewrites.
What, why, how . . . freewrites
Freewrites: Opening Doors to Discoveries
Just Write!