Category: Prompts

  • 33 Ideas You Can Use for Sensory Starts Prompt #278

    I bet you have heard “Show. Don’t tell.” What does that mean? And how does one do it?

    Answer: Sensory detail.

    As described in Imagery and Sensory Detail ala Adair Lara Prompt #277:

    1. Make a list of images
    2. Expand into sentences
    3. Use sensory detail

    BobNot interested in making a list?  You are welcome to use any of the 33 ideas listed below to start sensory writing. Or just look around, choose items within your view, and write, using sensory detail, of course. Scroll to bottom of this post for links about using sensory detail in writing.

    Expand these images into full sentences, using sensory detail. Write as if you had to describe these visions to someone who has never seen or experienced these things.

    What do these things look like? How do they sound, taste, feel, smell?  Answer these questions and that’s using sensory detail in writing.

    Write a sentence using these impressions, expand into a paragraph, a short story, a poem.

    1. The musky smell of tomatoes on the vine in the heat of the warm summer sun.
    2. The smell of a freshly mowed lawn.
    3. The rustle of a plastic bag.
    4. The burnt smell of overly cooked popped corn. Burnt popcorn.
    5. The smell of popcorn when walking past a movie theatre.
    6. The sound of someone blowing their nose into a tissue.
    7. Blaring music from a passing car.
    8. The sharp intake of breath when hearing that a friend died.
    9. Brown freckled skin of a soft banana.
    10. Gears grinding.
    11. Wind chimes.
    12. Dew on the lawn.
    13. Morning mist.
    14. Snoring.
    15. Drool.
    16. San Francisco cable cars.
    17. Crunchy pickles
    18. Snap of a fresh green been
    19. Strawberries, fresh from the vine
    20. Licking a stamp
    21. Shaking a rug
    22. Dust flying
    23. Fingers curled over keyboard – striking/ready to strike
    24. Hands on stomach. Too much watermelon.
    25. Swish of wash cycle
    26. Hands folded in prayer.
    27. Heads bowed.
    28. Grieving for what the person could have been but never was.
    29. He phoned yesterday with a single question that I answered in an instant.
    30. She didn’t mean to tell me so many sordid details and revealing incidents, but I’m glad she did.
    31. He uncorked the bottle, releasing maggots.
    32. She took the lid off and let some of the fireflies escape.
    33. I could feel her pain and had to be careful to not let her pain become my pain.

    Posts on The Write Spot Blog about sensory detail:

    Sensory Detail – Sound
    Sensory Detail – Smell

    Sensory Detail – Taste
    Sensory Details – Kinesthetic, motion in writing

    The “Queen of Sensory Detail” explains how to  how to describe a character that gets into the essential details of the person:   Elizabeth Berg Shows How To Demystify Character 

  • Imagery and sensory detail ala Adair Lara Prompt #277

    “Write five images every day, for seven days, using as many of the senses as possible.”— Adair Lara

    From Adair’s book, Naked, Drunk, and Writing:

    “Writing is turning your thoughts, abstractions, generalizations, and opinions back into the experiences you got them from.”

    Adair’s example:

    “Not ‘women my age become invisible,’ but ‘they handed drinks around and forgot me, again.’”

    Using imagery involves the details about what happened.

    Show what happened so that readers can see the scene, hear the sounds, feel the sensations, taste the elements, and smell the aroma.

    Adair advises, “. . . every time you write a sentence, ask yourself, How can I show this? Try to get image and detail into every sentence. ”

    Naked Drunk and WritingTidbits from Chapter Six, Using Images and Details:

    “We want experience, not information. ‘Joan was distressed’ is information. ‘Joan looked away’ is an image. The reader notices Joan looking away, and has the pleasure of concluding for herself that Joan is distressed.”

    Today’s writing prompt is the same one Adair assigned to her students on that hot August night in the octagonal room that served as her writing classroom, the room in the sunny yellow Victorian, where we had to walk up a gazillion stairs to reach the front door.  I so want to add, . . . and where we were greeted by her tail-wagging, smiling pooch, but that would be too much, wouldn’t it?

    Writing prompt: Write five images for seven days using as many of the senses as possible. Set aside to simmer.

    Stir the imagination when re-reading your list, looking for images that call to you, that want to be sniffed out, that won’t fade away, images that linger.

    Use that imagery to write whatever comes up for you.

    For more creative and juicy writing ideas, pick up a copy of Adair Lara’s book, Naked, Drunk, and Writing, with over seven pages of “Suggestions for Writing” as Adair calls these writing prompts.

    Writing Prompt #276 and my freewrite in that post were inspired from Adair’s assignment first encountered on that hot August night in the octagonal room . . .

     

  • Vegetables – Not Just For Eating . . . Prompt # 276

    What are vegetables good for, besides eating?

    vegetablesSome gardens are bursting right about now with zucchini, green beans, summer squash, cucumbers, yellow squash, kale, rhubarb, patty pan squash, lettuce, have I mentioned squash?

    Here in northern California, growing squash is easy and so abundant that we don’t leave our car doors unlocked, or we might find a bushel of zucchini on the seat.

    Write about other things that vegetables can do.

    Inspired from Adair Lara‘s writing workshop.

    Write about new uses for vegetables.

  • I just don’t feel like it. Prompt #275

    ledger.ink wellWrite about something you do not want to do.

    Will you end up doing it anyway? Will you be bitter, annoyed, resentful?

    Will you do it with grace, composure? Or will you rant and rave the whole time?

    Maybe you just won’t do it.

    Maybe it’s too silly to even think about. Or too petty, not worth your time.

    Write . . . just write about something you don’t want to do.

  • What do you pretend to not care about? Prompt #274

    Excerpt from I Could Do Anything . . .  If I only knew what it was, by Barbara Sher

    Sher. I could do anything I wantRescuing Your Past

    Something inside you is too loyal to permit you to turn your back on everything you loved and simply walk away. No matter how many times people tell you to let the past go, it’s never possible. You’ll never  move wholeheartedly into the future unless you take your beloved past with you.  And that’s exactly as it should be.

    There’s no reason to turn your back on a happy past. Sometimes we try to turn away from the past because we feel it somehow betrayed us. It’s as though we loved our past, but our past didn’t love us. So we go on strike and pretend we don’t care, as if to punish fate for being unkind. Fate never cares, of course, so we only hurt ourselves.

    Prompt:  What do you pretend to not care about?

     

  • Our Tribes . . . Prompt #273

    I’m thinking about our connections with one another. This excerpt seems timely.

    Your Mythic JourneyExcerpt from Your Mythic Journey by Sam Keen and Anne Valley-Fox

    “Pre-modern people didn’t think of themselves as individuals — they were members of a tribe as well as of a family. Ancient philosophers knew that human dignity begins with ‘We are a people, therefore I am.’ Modern people are tribal too but we call our tribes by different names —  churches, corporations, states, nations. Each of us was nurtured within and shaped by several corporate bodies, voluntary organizations and professional corporations that molded our values and behavior — schools, athletic teams businesses, clubs, temples, and local, national, and international governments.”

    Prompt:  I am from . . .

    Or: What uniforms or emblems have you worn?

    Or: What groups have you been a member of?  Brownies, Blue Birds, Daisies, Girl Scouts, athletic groups, sorority, secret clubs.

  • Threads Connect Generations Prompt #272

    I’m thinking about ancestors this week and how we inherit some of their traits, like threads weaving from one generation to the next, connecting us.

    For this prompt, remember your grandfather, your father or an uncle doing something he likes, or liked to do, whatever it is or was.  If they built something or maintained something . . . picture what that looks like.

    Take a deep breathe in. Let it out.

    Now, think about your grandmother, your mother, or an aunt, doing something she likes, or liked, to do,  whatever it is or was.

    If she built something, or made something, picture what that looks like.

    Go back a generation or two or three, before electricity, before modern conveniences, pioneer days.

    Picture your grandfather or grandmother or great-grandparents. If you know how they spent their time, picture that.

    If you don’t know how they spent their time, use your imagination.

    Perhaps someone chopping wood for the fireplace.

    Maybe great-grandmother is sitting by the fire, with her needlework on her lap. Perhaps she wears a contented smile as she darns, or knits, or crochets.

    Deep breathe in. Let it out.

    Maybe she reflects on her ancestors, those who told stories either orally or through their needlework.

    Heart quilt wall hangingMaybe you remember a special quilt, or a tablecloth or a doily—something your grandmother, or her mother, or her mother made—maybe an embroidered pillowcase or a sampler.

    This is where we come from—these ancestors. We are hand-me-downs of these people. We have their characteristics, their traits, their mannerisms.

    Writing Prompt: When you’re ready, write about something an ancestor made.

    Wall hanging quilt made by Marlene’s sister, Janet.

  • “Show” Using Dialogue . . . Prompt #271

    Today’s writing prompts are about “showing” through dialogue.

    Show what characters are thinking, show their personalities, their quirks, move the story forward through dialogue.

    Remember, with freewrites, the writing is spontaneous. There is no crossing out.  This could be called “practice writing,” as Natalie Goldberg says.

    With dialogue we can show character, scene and drama.

    Use these prompts for practice writing. Respond as your fictional characters would respond.

    Or, respond in the first person, “I,” with yourself as the primary character . . . You playing the character of you.

    Prompt: Write a scene, where two characters talk about what they are afraid of.

    Prompt: Same or different characters. One confesses “I’ve lied about . .  .”

    Prompt: Same or different characters: “I wish I would not have . . . ”

    Taylor. Cat On a Hot Tin RoofYou can have a turning point – where the drama takes an unexpected turn, excitement mounting.

    Throw is some twists, turns, surprises. After all, people are surprising, aren’t they? You expect one thing and something else pops up.

    Use this writing for fun . . . “What would happen if. . . ”

    Use this writing to understand what happened in your life.

    Just write!

    Elizabeth Taylor and Paul Newman in Cat On A Hot Tin Roof.

  • Just when the caterpillar thought her life was over . . . Prompt #270

    Monarch butterfly Just when the caterpillar thought her life was over, she began to fly.

    If you have been following the prompts on The Write Spot Blog, you know what to do.

    If you are new to freewriting: set your timer for 15-20 minutes and just start writing. Write whatever comes up for you. Shush your inner critic, invite your internal editor to sit outside the room. This is your time to write freely and openly. Just as the caterpillar’s cocoon morphs into a butterfly, let your writing become whatever it wants to be. Just write.

  • Does your heart hurt? Prompt #269

    Broken heartDoes your heart hurt?

    I’ve been hearing “My heart hurts” from  several friends these past few days. And when I hear their stories, my heart hurts, also.

    What to do?

    I believe in healing through writing. So, let’s write.

    Write about: Does your heart hurt?   Write all the details you can about this.

    What happened?  Write all the details that you know. If you were directly involved: Be as detailed and as explicit as you can.

    When did it happen?  Day of week? Time of day? Where did it happen? Who was involved?

    What were you wearing? Were you standing or sitting?

    If you weren’t directly involved: Write as many details as you know. Then, focus on why you are affected. What connects you to what happened? Why are you affected so strongly?

    Read the next part after you have written about why your heart hurts and how and why you are affected.

    Okay, I know, if you are like me, you will read the whole thing now and write later. That’s fine. Go ahead and read the next part.

    Louise De Salvo, Writing As A Way of Healing, says by writing our stories fully, we can begin to understand what was formerly unclear.   By writing, we can understand what we didn’t previously understand. What we’re writing is called a narrative.

    In order to come away with this as a learning experience and with a good feeling, we need to make this writing a healing narrative.

    A healing narrative is a balanced narrative.

    This type of narrative uses negative words to describe emotions and feelings …. Probably what we just did in our writing about a hurting heart. A healing narrative also uses positive words.

    Take a minute now to rethink your experience that you just wrote about and see if you can find something positive and hopeful about your encounter.

    Even if your event was traumatic and extremely unpleasant, is there anything positive you can add to your narrative?

    Write: Take a few minutes to write about something good — anything — that came from that experience.

    For example, after writing about my difficult situation, I realized I was right to pay attention to my intuition.

    How are you feeling now? Take a few minutes to jot down what you are feeling now.

    Go ahead. Write down your feelings. Even if you didn’t write on the prompt. . . take a few minutes to jot down your feelings. Later, when you write on the prompt, compare your feelings then with now.

    You can use writing to shift your perspective. Sometimes you can’t change the situation that’s causing you pain. You can change how you look at it.

    The key is to write about events and the emotions surrounding those events.

    James Pennebaker describes this in his book, Opening Up.  Healing starts when you write about what happened and how you felt about it then, and how you feel about it now.

    And in order for our writing to be a healing experience, we need to honor our pain, loss and grief.

    As we write, we can become observers. It is not what you write, or what you produce that is important. It is what happens to you while you are writing that is important.

    So, that’s why we write . . . to understand ourselves, our emotions and our world.

    Please, if you are feeling completely overwhelmed, seek professional help.

    For more details on how to write about difficult topics: please click on How to write without adding trauma.