Category: Sparks

  • Winter Solstice 2020

    Winter Solstice 2020

    By M.A. Dooley

    To re-build beauty we split the wood

    Don’t split the hairs, it does no good

     

    To build more beauty, we light the flame

    The kindling catches, we say the names

     

    Of those we love who went beyond

    They shaped our lives, they’re never gone

     

    Reflection first, then put it away

    Forgive, don’t forget, make up one day

     

    Let go the work, the world of greed

    The rules of day, the ego needs

     

    Gathered in darkness wait for the light

    Beauty glows on faces this fire lit night

     

    The circle round holds hearts and dreams,

    Tears fall for loves no longer seen

     

    The year was wrought with judging and pain

    Hindsight 2020 the last refrain

     

    Awake on the longest night, the fire

    Releases suffering and unmet desires

     

    This invocation is for you,

    You represent your sisters too

     

    For mothers, daughters we hold you dear

    For fathers, sons not shaped by fear

     

    We stand for sacredness of life, for living

    The year’s behind us without misgiving

     
    We stand together and hold our place
    Embrace salvation of the human race
     
    We are so close to being one
    Let’s end this year with love and fun.

    M.A. Dooley is a fourth generation Californian who spent her childhood in the Santa Cruz Mountains. M.A. Dooley is an architect in partnership with her husband. They have three sons. Among a multitude of athletic interests, she loves to ski and dance. Her work has been published in Sunset, Trends, San Francisco Magazine, the San Francisco Chronicle, The Press Democrat, and in Poems of a Modern Day Architect published by ARCHHIVE BOOKS, 2020.

  • English as a First Language

    English as a First Language

    By Ken Delpit

    If I could learn a foreign language that I currently do not know all that well, I might choose English. That’s silly, you might say. You’re writing in English now. What’s to learn? This is a legitimate question. Allow me to explain.

    My comprehension of English is OK much of the time. I can get by. Once in a while, it may approach pretty good. In disturbingly frequent other times, though, even moderate fluency is sadly lacking on my part.

    For example, I would like to learn the English spoken by people whom I do not understand. Crazy as their thoughts might be when heard by my ears, I would like to hear those thoughts through theirs. Or, among everyday geniuses, when people reveal astute perspectives or brilliant insights, I would love to grasp the language that gave rise to those sparks. And for those cherished rescuers among us who are able to find the funny or the bright in the darkest of hours, I would be delirious to have that kind of language facility.

    But my deficiency goes beyond not comprehending the English used by others. Sometimes, I don’t understand it for myself. I can find myself searching hopefully, perhaps naively, for words that describe situations appropriately and accurately. And, too often for my liking, those words are nowhere to be found. I can be left slack-jawed, sometimes literally, when trying to express my own thoughts and feelings, whether subtle or extreme. Although the word “dumbstruck” is typically used to describe audience or reader, I confirm that the word can apply equally to speaker or writer.

    English is a wonderful and versatile language, a copious toolbox of practical and artful utensils, just waiting to be deployed in infinite varieties of forms, and for unlimited types of purposes. Would that I could know the adept English of all those who speak and write it well now. Even better, would that I could find a fluency of my own, a constant companion who helps me to express myself ably and naturally, no matter the circumstances. English As A First Language. Sign me up.

    Ken Delpit has been writing for quite a while, that is if you count computer programming and technical documentation as “writing.” Since leaving those professions behind, Ken has discovered an exciting new world of creative writing. He is now giddily exploring new devices, such as adjectives, subtlety, mystery, and humans with emotions and feelings.