Category: Sparks

  • Buster Brown

    Buster Brown 

    By Robin Mills 

    We pile into our white station wagon with the faux wooden siding, and head down the winding roads of The Canyon to The Valley. “The Valley side of the hill” as my parents call it, in contrast to “The City side of the hill” where the gated mansions of Beverly Hills and the mirrored skyscrapers of Century City sit.

    My mother takes the curves of Laurel Canyon Blvd., hands at 11 and 1 on the steering wheel, and an eye in the rear-view mirror, just in case. My brother and I slide side to side across the blue back bench seat, jamming into each other and up against the cool metal of the doors which feels soothing against the August heat. 

    We reach Ventura Blvd and the flats. To my right is the carwash with a blue, baby elephant on top, showering herself from her trunk, a pink bow where her curly-girl hair would be if she were an actual girl. Across the street is Thrifty’s, its name in white cursive letters like we are learning in school, where they serve cylindrical shaped scoops of ice cream in cones. Diagonally across on the other corner is a Ralph’s shopping center where we pull in. 

    We pile out, unprompted by my mother, and race up the stairs, throwing our collective weight against the metal door opener.  

    We are in. 

    Buster Brown’s Shoe Store is a long, narrow hall like room. The mulchy smell of leather and sneakers wafts over us. The walls are lined floor to ceiling with shelves of shoes: black and white saddle shoes, red Keds, white Keds, high tops, low tops, pink sparkly party shoes, shiny black shoes like the boys wear in temple, sandals with plastic daisies on the straps. Floor to ceiling, farther than we can see.

    Ed is always there. He wears a thin white short-sleeve button up over a white t-shirt, brown pants, leather belt, shiny black shoes and slicked back hair that curls at the ends just above his color. He drops his chin and smiles a full mouth of white teeth.

    He pats two seats and we oblige, climbing up, flipping around and plopping ourselves down. He smiles at my mother as he grabs the metal stool with one hand, not even looking, sliding it between his legs as he sits all in one motion. We sit facing him, our socked feet kicking in the air, staring at the slider and markings 1, 2, 3, 4,5 on the slanted part where we put our feet. 

    With one hand on the back of my calf, he places my heel into the curved metal, then lowers the slider to my toes. “Look at you and your growing feet!” he says, one eye on my mother who stands back holding down her smile, one arm dangling, the other clasping it across her body. I give him my best two-missing-front-teeth smile gloating in my accomplishment.

    My brother gets black high-tops and I pick saddle shoes. Ed walks with us in tow to the counter, and hands us each a lollipop one eye still on my mother who stares down into her purse. She pays. He hands her two bags with boxes of shoes, holding them just a second too long.

    She holds the door for us as we race out. One last stop next-door at Weby’s Bakery where we choose cookies the size of our faces covered in rainbow-colored sprinkles that rain down on the blue bench back seat as we wind our way home.

    Robin Mills lives in Petaluma, California. By day, she’s an American Sign Language interpreter. When not working, she enjoys competitive swimming, hiking, photography, traveling, working in various art forms and swing dancing. Publications include Underbelly PressThe 200 Word Short Story and The Write Spot. She was a finalist for publication in Big Brick Review.

  • Something About Everything

    Something About Everything

    By Doug Newcomb

    When I was a boy, everything around me was a mystery.

    I assumed that as I grew, I would understand more.

    But then I did grow, and the sense that it all made to me was much less than I expected.

    So much less that I waited, disappointed, for experience to guide me.

    I learned to accept little and expect less, but tried to feel it all

    until time layered so much daydreaming over retching and reverie upon heaving that

    experience finally taught me I should be hopeful – grateful, even –

    to unlearn all that I might know, so that I might see the world as a new thing, each day.

    I have doubts about this.

    About everything, I have doubts,

    and I don’t think the world cares much for another mystery.

    The world, much like me, wants easy answers,

    but easy answers are hard to find, let alone the true ones,

    and are increasingly difficult to hold on to once found.

    I don’t know what to think about the truth anymore, and my doubts now are that I’ll ever find a

    solution for anything, but

    there might be a place ahead where I can see that a foot fell before mine. Where another fool,

    like me, has travelled, blind and dumb and aimless.

    There’s no footprint heading back, so there is hope,

    and while I remain unwise and undeserving,

    I pray to only find a path.

    Douglas Newcomb grew up in the Sierra Nevada foothills, and has lived in Sonoma County since 1999. His interests and creative pursuits vary widely, but writing has long been a favorite method of understanding and exploring his experience in the world.

  • Hailing Sleep

    Hailing Sleep

    By Ken Delpit

    Something I don’t do,
    But I used to, readily,
    Is sleep through the night.

    These days, not the case.  
    Now, it’s hour by hour,
    Two, if I’m lucky.

    Lying anxiously,
    Awake, but testy for sleep,
    Like hailing a cab.

    Up on a wet curb,
    Leaning out, striking a pose,
    Hey! I need a ride!

    If only you knew,
    Your sleep is hunting for you,
    As if you’re its cab.

    Will you find your ride?
    You crane your neck, raise your hand.
    Or, will it find you?

    In addition to pausing statue-still upon entering a room, and trying, often in vain, to remember why he just went in there, Ken Delpit undergoes daily reminders of aging. In this piece, Ken, ahem, “celebrates” yet another byproduct of geezerhood. 

  • Can’t Help but Wonder

    Can’t Help but Wonder

    By Ken Delpit

    Can’t help but wonder
    What’s to become of us all.
    Can’t say it’s a blunder
    When it’s done as resolved.

    Can’t help but remember
    In protests of the past,
    April or November,
    Beaten, jailed, tear-gassed.

    Can’t help but make note that
    Huge prices were paid.
    Wasn’t no joke that
    A nation’s guts were be-splayed.

    Can’t help but recall hope,
    Despite most precious tolls,
    Light cleansed then, like soap,
    Baring leaders without souls.

    Can’t help but recognize
    Times are so not the same.
    What now affronts open eyes
    Seems to carry no blame.  

    Can’t help but lament
    Now, leaders duck and cower.
    They grease our descent
    And, deny us our power

    Can’t help but feel helpless
    I hate that it’s so
    We used to clean up our mess
    Now, it’s just part of the flow.

    Bio:

    In the troubled times that opened the twenty-first century, Ken Delpit recalls the troubled times of the 1960s and 1970s.

    It would seem that turmoil and protests are book-ending his life. He is struck, not only by the similarities, but even more by the differences between then and now, especially by the differences in how we, as a nation, react to and handle the troubles. 

  • Calculus

    Calculus

    By Deb Fenwick

    I show up at dawn, stepping into the murky slipstream of a new day, considering whether a patch of sunrise or a bruise of blasphemy will win. Every day there’s some calculus to work out. Read the breaking news or not. Watch the video or not. Tie myself in knots. Or not. 

    It’s twenty-three degrees in this Midwestern city of big shoulders, and there aren’t really any streams near me. But if there were, they’d be frozen deep in the center, like winter amber. We, the huddled—bundled masses, insulated in layers of synthetic fleece, put on our Costco gloves, one finger at a time. We like to believe we’re sturdy stock. But we’re all just small creatures trying to stay warm, crawling our way to the next thing and the next thing. Make it home. Safely. Alive.  

    February midday is breath made visible. The sky, brilliant blue for miles, is unmarred by streaks of clouds. Yet, I’m squinting West, far beyond my gaze, double-checking the horizon, checking the weather app on my phone. You can’t be too careful. 

    At half past four, I’ll try to work out the math. Can I add more? Can I divide myself into two? What’s the formula for holding fast to hope? It’s so easy to forget.     

    Here’s a word problem: If I call on seven generations of ancestors to save me—save us all, add a psalm, two hymns sung on the way to the supermarket, and promise to pray five times, is it enough to subtract any trace of doubt that each of us is particle, wave, and light just trying to make it home?

    Tonight, as the moon shines its bonebright light through the sheer fabric of another day, I’ll revisit the whispering, white-on-white, ghost-ink ledger that haunts me. What did I say? What have I done? What’s been left undone? Was it too little? Too much? Despite it all, I’ll make a vow to rise tomorrow, remembering what it’s like to be a clear blue sky, wide open, unmarred, even when, deep in the center, I feel frozen like winter amber. 

    Deb Fenwick is a Best American Essays Notable and Pushcart-nominated creative nonfiction writer who coaches women and individuals from traditionally underserved communities using the healing power of art, imagination, and dreamwork.

    Her essays have been published in Hippocampus MagazineIn Short: A Journal of Flash NonfictionCutleaf JournalCleaver, and elsewhere.

    You can read her work and reach out to her here

  • The Last Waltz

    The Last Waltz

    By Kathy Guthormsen

    There’s nothing quite like waltzing through the kitchen with a refrigerator and a mop, sweeping and gliding through pooling water to get your heart pumping in the morning.

    The refrigerator had been sick. First came a fever that caused all the food – and it was full of food because the kids were visiting – to thaw and warm. Then it exhaled and released the freon from its pipes. That was last week, before the fridge doctor came to try to revive it. This morning, it gasped its last breath, lost control of its plumbing and poured water onto the floor. Hence the waltz.

    I summoned my inner Wonder Woman and wrestled the thing out of its cubby. It did not want to move from its bed, but I wasn’t going to take NO for an answer. I managed to turn off the water before grabbing an armful of towels and the mop and asking the fridge to dance. We sloshed and twirled and I mopped and wiped. Now, the forlorn and lifeless fridge is sitting in the middle of the kitchen waiting for the appliance morgue van to take it away.

    I hadn’t even had my second cup of coffee yet.

    A new fridge is coming this afternoon.

    Growing up in Skagit Valley, Washington with its verdant farmland gave Kathy Guthormsen an appreciation for the promise and beauty of nature’s bounty. The Cascade and Olympic mountain ranges and old growth forests offered the magic of things unseen and fostered her fertile imagination.

    Kathy’s writing has been published several times on The Write Spot Blog and in four The Write Spot anthologies.

    Her Halloween story, “Come, Calls the Demon” won first place in the Petaluma Argus Courier’s Halloween Story Contest in October2020.

    Her book, The Story of Jazz and Vihar, is available from your local bookseller.

    When she isn’t writing, Kathy volunteers at the Bird Rescue Center in Santa Rosa, California, working with and presenting resident raptors as part of their education and outreach program. Walking around with a hawk or an owl on her fist is one of her favorite pastimes.

    Kathy lives in northern California with her husband, one psychotic cat, a small flock of demanding chickens, and a pond full of peaceful koi. She maintains a blog, Kathy G. Space, where she occasionally posts essays, short stories, and fairy tales.

  • Time . . .

    Waste Not

    By Desiree Cooper

    “Time stretching languid in the humid afternoon tastes like caramel cake. It smells like pine needles in the rain.” —excerpted from “Waste Not,” by Desiree Cooper, River Teeth, Beautiful Things, September 29, 2025

    Desiree Cooper is the author of the award-winning collection of flash fiction, Know the Mother. Her fiction, poetry and essays have appeared in The Best Small Fictions 2018, CallalooMichigan Quarterly Review, The Rumpus, and Best African American Fiction 2010. Her essay, “We Have Lost Too Many Wigs,” was a notable essay in The Best American Essays 2019.

    “Using truth and wit, Desiree Cooper was the perfect conduit for university presses to have larger conversations about diversity and representation through books starting with their covers.

    Cooper, an electric speaker, is a master at navigating the tricky waters of difficult conversations by never excluding failures, but instead owning and learning from them and encouraging others to grow from these lessons.” —Annie Martin, Editor-in-Chief, Wayne State University Press

  • It’s a Jungle

    It’s a Jungle

    By Marlene Cullen

    It’s a jungle out there. I’d like to peg Bumbling Unreliable Gardener, aka Bug, on a hook and let him hang until cured.

    Except, I wonder, is he at fault for my jungle of a yard? Should I have been more forceful in not allowing him to install a plethora of plants in my pursuit of a peaceful place?   

    I discovered Bug on social media. He answered my gardening questions as if he was a landscaping guru. So, I hired him. Big mistake. Huge.

    He handed me an extensive questionnaire to compose my heart’s desire in a garden. Winding paths. Check. Whimsical. Check. Calm, serene. Check, check. I envisioned a landscape of pleasant plants flowing in meandering paths. No white plants.

    What I got was spiky plants here, there, everywhere. Festucas are so overgrown they barricade the path from the sidewalk to the storage shed. I need a machete to get to the innocent outbuilding. It stands sentinel, even though the fescue threatens to obliterate it.

    The sweet-sounding lamb’s ears look like aliens landed in my yard and vomited.

    Guara, taller than skyscrapers, threaten to overtake the clothesline with white flowers. White! Didn’t I say I did not want white flowers?

    Pause. Take a breath.

    I transplanted seven Guaras. They are majestic in their new location, waving their glorious flowers like a princess atop a float in a parade.

    I successfully transplanted three festucas. I was as excited as a rabbit in a field of carrot tops. But then, the green stalks turned yellow. When I pulled on them, they came right up, as easy as pinching a wad of cotton candy from its paper cone holder. I stared at the clump in my hand. It looked like something a scarecrow could use to stuff himself or herself with. The roots had disappeared from the universe like a black hole.   

    The irrigation system has misbehaved since Bug installed it. There were leaks in several places that spurted water like they were errant fire hydrants.

    One zone completely stopped squirting water, as if we hadn’t paid our water bill.

    The sad but not neglected yard is a gardener’s nightmare. To repair the leaky irrigation tubing my husband and I had to disturb the calm bark mulch, forming it into mounds, so we could access the misbehaving parts. We plugged them and prepared to move on to the next laborious step: Removing 27 plants that are overcrowding, overproducing, and just not wanted. Sorry, not sorry, plants.

    Step One. Sharpen the machete.

    Step Two. It’s hot in the jungle. Go inside. Get a cool drink. Check email. Check Facebook because, you never know, there might be something important there.

    Step Three. It’s the middle of the afternoon. Nap time.

    Step Four. Dinner Time.

    Step Five. Plan to tame the jungle another day.

    Epilogue: Twenty plants have been re-homed. The lamb’s ears became mulch to help other plants live long and prosper.

    Freewrite inspired by the writing prompt, Metaphors and Hyberbole on The Write Spot Blog.

    Marlene Cullen grew up in the Mission District of San Francisco where she visited the library weekly, carrying home as many books as she could carry. She has always been fascinated with words and language.

    Marlene Cullen is a writing workshop facilitator and founder of Writers Forum of Petaluma. Her Jumpstart Writing Workshops provide essential elements for successful writing.  She hosts The Write Spot Blog, where memorable writing is featured on the Sparks page.

  • My Heart

    My Heart

    By Karen Handyside Ely

    My heart is a newly uncluttered closet. Organized and cleared of discarded outfits that smothered the floor, made movement impossible, allowed no forward progress.

    The air, once static and heavy with body-image accusations, is now peaceful and fresh. Eerily quiet with a hanging row of color-coded dresses that don’t hurl recrimination and neatly stacked t-shirts, crisply folded and segregated. Controlled. Smelling faintly of the lavender sachet I’ve finally replenished on the bottom shelf… now that I can reach it.

    Favorite sweaters, unworn for ages, have been lovingly salvaged, gently removed from their hangers, and boxed for consignment shops and resale. Traitorous pants and blouses, once thought to be friends, are stuffed haphazardly into hefty bags to sit out on the sidewalk for donated pick-up.

    My heart is a freshly weeded garden, no longer raucous with errant fruit and thorny, overgrown blackberry vines.

    The vines must be cut back. They have overrun the garden. Sweet berries have been harvested, the memory of their syrupy tang still coating the back of my tongue. It is hard, punishing work, leaving bruised and bleeding hands inside scruffy gardening gloves. I love my berry bushes, but they put up a fight when I try to tame them. They take up precious space. They have run their course.

    I’m sad but content in this season of my life – rethinking, regrouping, reprioritizing. A process that is painful but cleansing. A surgical and focused attempt to remove what doesn’t serve. Saying good-by to illusions of “what was” that have piled up on the closet floor. Illusions that are now choking new growth in the garden.

    This is not a personal rebuke of friends and family, who have disappointed my idealistic expectations. Just a reshuffle of who and where and how I spend my time. I’m saying good-bye to my own hurt feelings and the painful disconnection that is muddying my water, over-running my closet, dominating my garden. I am losing my fear of letting go of what has already changed to make space and sanctity for what is to come.

    “My Heart” was inspired by the writing prompt, Metaphors and Hyberbole.

    There are some who say that Karen Handyside Ely was born with her nose firmly planted in a book. She is a life-long lover of unusual words, lilting phrases, and absurd stories.

    After a brief stint as a credit analyst in San Francisco and New York City, and a 30+year career as a mom and “professional” volunteer in Scottsdale, AZ, Karen retired to her beloved hometown of Petaluma, CA.

    She delights in difficult crossword puzzles, singing with the Petaluma Choir, and anything baked by her husband James.

    Karen has been published in “The Write Spot to Jumpstart Your Writing: Discoveries,” “The Write Spot: Reflections,” “The Write Spot: Possibilities,” “The Write Spot: Writing as a Path to Healing,” and “The Write Spot: Musings and Ravings From a Pandemic Year.”
    The Write Spot books are available from your local bookseller and on Amazon (both print and as e-readers)

  • Customer Service

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Customer Service

    By Su Shafer

    Mr. Wright came hobbling in today

    Leaning heavily on a cane

    He needed to pay his bill.

    His good knee has gone out

    His bad knee has been watching from the sidelines

    Still wondering about the replacement

    Promised a few years ago.

    But he had to have bi-pass surgery

    On a heart which has been hobbling along too.

    He had come straight from the dentist

    But was smiling anyway

    The droopy smile of a weary man

    “Getting old is so hard,” he said,

    Stroking the sparse fuzz on his head.

     “Is it really worth it?”

    “It is today,” I said smiling back.

    In the way someone

    Who is really glad to see you smiles.

    He nodded,

    his mouth drooping a little less.

    Su Shafer is a creative crafter, fabricating bits of writing in poetry and short stories, and other bits into characters that appear in paintings or sit on various bookshelves and coffee tables. She lives in a cottage on the Olympic Peninsula of Washington, where the tea kettle is always whistling and the biscuits freshly baked. One never knows who might stop by to share a rainy afternoon. And all are welcome!