Category: Sparks

  • Wild Man of the Hunt

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Wild Man of the Hunt

    By CM Riddle

    Mom grew up in the country with her brother and sister, along with what seems like hundreds of Italian immigrant relatives.

    Mom’s great-grandparents Albina (the mean one who kept a lid on the candy jar) and Rosalina (the sweet one who didn’t have a lid on the candy jar) were sisters. They sailed into San Francisco from Luca Italy in the late 1800’s with their husbands, who were brothers; Pietro and Romolo.

    While making great efforts to become a part of the new world, the family still clung to ways and traditions from Italy. Working on their land they grew vegetables and flowers, and made wine. Their families thrived in West Marin.

    Rosalina, or as Mom called her, Noni Rosie, had an original “bed and breakfast.” She hosted gentlemen coming up from San Francisco to hunt deer, squirrel, and ducks. She became an excellent cook by foraging herbs like flavorful bay leaves or wild porcini mushrooms, and she’d serve a sweet huckleberry pie, all gathered from the Inverness Ridge to create her delicacies.

    Their families grew and these multiple generations of cousins lived along a short section of Highway One in Inverness Park. They shared holidays and celebrations together.

    Swiss Italian folklore followed Mom’s grandpa, Nono Mano, to Inverness Park. When he was a boy, children were told to be good, and Santa Claus would bring toys, but if they misbehaved, his counterpart, a dirty betrodden creature, much like Germany’s Krampus, the man of the wild hunt would come. Instead of leaving presents, he’d stuff the naughty children into his sack and take them far away.

    *****

    This past winter, my daughter Natalie found a local Old Traditional Winterfest. One of the attractions included having your picture taken with Krampus. She loved the idea of having her baby, Lilith, meet Krampus, so we invited my Mom and off we went in search of him.

    “I never heard of Krampus, but Nono Mano used to dress like Santa when I was a kid,” Mom said. “And he scared us. At Christmastime Nono Mano would burst into the kitchen, dressed like a maniac with a scraggy beard made of lacey grey lichen hanging from his chin to his chest. His cheeks were rouged red and his knitted beanie pulled low near his brow, made his eyes look wild. Over his shoulder he carried a gunny sack tied to the end of a crooked old branch.”

    She told us how she squirmed behind the old stove or hid behind her mother’s dress while he swooped around the kitchen pretending to snatch the children. She didn’t like that the grown-ups laughed at the kids’ fears.

    I have cozy memories of Noni’s kitchen. The room was one huge square with a cast iron Wedgewood stove taking up a whole corner. Noni could cook up anything by adding chunks of wood to the burning side. The other side she used to bake. The top had “burners” which she lifted with some sort of tool so she could stir the embers thus keeping the temperature even for cooking or keeping the room warm. I couldn’t imagine a maniac in that kitchen.

    My memories of Nono Mano are from when he was quite old. He sat in his chair at the table, sipping his coffee and smiling. Many years later, I came to know the funny smell on him was whiskey. He’d sit at the table sipping away, letting the whiskey ease the pain of his aching joints. To this day, a whiff of whiskey in a cup of coffee brings me right to that kitchen and the sweet old man who sat there. Worn sweater, crooked hat, and a smile.

    Thoughts of him lunging around the kitchen with his mossy beard flying baffles me. I can’t envision him as a scary Krampus, yet Mom remembers.

    Mom was a brave one, full of courage and muster to show up year after year while dreading the old man of the wild hunt to bursting into the kitchen.

    Though this generations old tradition was carried out by Nono Mano, me, and my siblings missed it, thank goodness. My mom’s crowd of cousins were the last to witness this fantastic folklore.

    With the emergence of paganism and new-age spirituality, Krampus has returned. There is a special enchantment of the old ways. Everything in life has a light side and a shadow side, where there is light, there is dark, good and bad, and so it goes.

    I treasure lessons in “ancient folklore.” I’d hang with Jolly St. Nick, but it is important to know Krampus is out there watching too. The duality that one gives from his huge sack of toys, and the other will stuff you in his sack if you are a jerk, boosts the odds of good behavior.

    Enjoying our day, my daughter paused to point out we are a four-generation tribe… Mom had a “real” version Krampus visit her, and her great-granddaughter gets to know of a gentler version of him. I am grateful my daughter let my granddaughter visit both Santa Claus and Krampus. Together they bring true magic to the season!

    Tina Riddle Deason writes under the name CM Riddle. She is an author, and creator. She has published several articles and books, including those about rituals and ceremonies. She is a High Priestess who leads a variety of Women’s Circles. She is a mother and grandmother, and she lives with her husband and “fur-babies” in Rohnert Park, CA.

  • Winter’s Walk

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Winter’s Walk

    By Cheryl Moore

    On these dark mornings

    I feel the fog’s kiss on my cheek

    As though waking me to a new day;

    So unlike a much drier place

    I once lived so many years ago

    Where dust storms were more likely.

     

    I walk to the river where

    The fragrance of wild fennel

       fills the air

    Reminding me of the black liquorish

    I loved as a child.

    On the muddy banks wild fowl

       often appear

    On their daily hunt, bringing to mind

    They too fill their senses.

    We are not so unlike in our goals.

    When Chery Moore came to California in the early 1960’s, she realized she’d found her home. Then moving to Petaluma in the 70’s, she was as close to paradise as she’d ever be. Travel has taken her to Europe and the Middle East. She has written on these memories as well as on the flora and fauna of the local river and her own garden.

    You can read more of Cheryl’s writing on The Write Spot Blog:

    A Memorable Day

    My Pen Tonight

    Identify With Trees

    River Walk

    September Light

    And more: Type “Cheryl Moore” in the Search Box on the Sparks page of The Write Spot Blog to access all of Cheryl’s writing on the blog.

    Cheryl’s writing is also featured in “The Write Spot to Jumpstart Your Writing: Discoveries” and “The Write Spot: Musings and Ravings From a Pandemic Year.” Available from your local bookseller and at Amazon (both paperback and as an ereader).

  • Marshmallow Webs Between My Fingers

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Marshmallow Webs Between My Fingers

    By Robin Mills

    It’s a summer morning on Granville Avenue, my grandparent’s home.  The wafting smell of Sanka, released by boiling water poured over freeze-dried crystals in the bottom of a cracked and stained white porcelain mug, slinks out of the linoleum floored kitchen with yellow counter tops, sails down the hall to our bedroom where we sleep, our heads on flattened pillows and our little bodies under mothball infused quilts.

    Dragging our summer-tanned and happily worn bodies to the table, twisting fists dislodging sleep from our eyes, we sit, awaiting our breakfast. For the kids, ¼ cup Sanka, ¾ cups milk and a heaping teaspoon of brown sugar. I stir the mixture, from brown and white swirls to a tan much like the color the summer sun has laid on my scrawny legs. I slip the spoon covered in undissolved grounds into my mouth, a bite of bitter on my tongue.

    My grandmother serves fresh squeezed orange juice frothed in the blender like an Orange Julius, and a hot bowl of Zoom multigrain cereal with a dollop of yellow margarine. My grandfather, tapping-til-it-cracks, an egg in its faded yellow poached egg holder that I can’t differentiate from the eye-rinse cup that sits on the pink tiled bathroom counter.

    I walk across the creaky empty chairs, steadying myself on the chairbacks and table, to his lap, where he never declines to hold me, his fit arms around my waist. I love his smell of campfire smoke from last night’s backyard bonfire. My grandpa seated, stoking the fire, my brother and I each straddling one bouncing knee, our three faces orange-warm as he tells us ghost stories.

    We eat charred marshmallows smashed between honey sweet graham crackers, oozing with sweet, melted chocolate that drips down our chins before wiping it away with the back of a hand. White marshmallow webs of sticky white threads between my fingers inevitably end up in my hair.

    After breakfast, my grandpa plays his favorite Gilbert and Sullivan record and sings along in his best faux operatic voice until we squirm and complain enough.

    Once the clatter and clang of dirty dishes settles and my grandmother appears, we race to the green Oldsmobile sleeping silently in the driveway. We slip and slide with glee, unbuckled across the back bench seat, sailing down Santa Monica Boulevard until we reach the ocean with the sticky smell of sand and suntan lotion and sweet pink cotton candy. Always cotton candy.

    Robin Mills lives in Petaluma California. By day she is an American Sign Language interpreter. Her non-work hours are spent writing, swimming, hiking, photographing the world around her, traveling, playing in various art forms and swing dancing.

  • I Know Now

     Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    I Know Now

    By Mary O’Brien

     I know now not to bet on a sure thing.

    Christmas caroling with Grandpa and the grandkids at a nursing home the Saturday before The Big Day?  Piece of cake…and there would be cake and treats for all participants afterwards. The perfect ending to a memory-making afternoon. This I had promised.

    I know now that my 86-year-old father, once blessed with a deep, rich and mellow bass voice now sings 1.75 pitches above the tone for which he aims. You know, the melody everyone else is singing a Capella because no musicians showed up.

    I leaned toward my oblivious and progressively hard of hearing dad, aiming what was left of my contralto towards his left ear. I had lost my voice the day before and at this point all I could do was honk out “six geese a-laying” in the key of G whiz.

    As we were at the tail end of the L-shaped line of carolers, no one could come to my rescue. My husband just grinned at me, Chesshire-like, and looked away.

    Away at the residents in chairs and wheelchairs, some of their brows knitted together, staring at Dad, who smiled and nodded, increasing his volume and pitch another tone northward at the presumed encouragement.

    My grandchildren, Harry 8 and Audrey 6, soldiered on, putting their little hearts into Away in a Manger while scanning the room for the promised treats, which I had already noticed included a paltry day-old heart-shaped cake on the small side and an even smaller bowl of fruit. For the entire company of residents, their guests, and singers. I imagined cookies and divinity accompanied by hot cocoa surely must be ready to roll out on a cart after our grand finale of O Holy Night, which was going to be a doozy if my dad had anything to say about belting out high notes as a former barbershopper.

    I avoided eye contact with the reluctant song leader and kept an eye on the kids at my hip in their Santa hats. We had all worn hot, fussy Santa hats that sweated itchily in the overheated facility.

    Joy to the World reminded me that I’d promised a special treat to the kids each time they made someone smile. I know now that was somewhat shortsighted as they had just completed piano recitals after which they would be given brownie points for the best post-performance bow. Leave it to my grandchildren to remember the roomfuls of smiles their deep, dramatic bows and humbly exaggerated curtsies had earned at recital.

    Yes, Harry started with the bowing at the end of Here Comes Santa Claus while Audrey, quickly catching on, not only bowed but fluttered her little hands in prayer-like folds under her chin…her smile not unlike that of my husband, cheesy and insincere.

    At least the residents were getting a show, which was the point. I guess.

    All that to say that I know now there is a mild curse word in the second verse of We Three Kings of Orient Are. The kids were at the perfect age to get a thrill from legally saying the word “ass” in public, in front of adults. I sensed shoulders below me raising up and down with barely contained giggles.

    I don’t know why my eyes get instinctively wide when I’m trying to pretend nothing is wrong, but there they went. Wide. Wide as my father’s mouth as he sung with gusto and bent knees, “OH, STAR of WONDER, STAR of NIGHT…”

    I know now what hysteria must feel like when it creeps up your sternum – you tighten your throat against it, bite the inside of your cheek. But here it comes, a bubble of absurdity in the solar plexus, rising up to escape the stiff chin trying to maintain decorum but losing ground.

    I search for a face, a pair of eyes to lock onto, to throw my serious intentions their way for their benefit. There! Little lady to the left eyeballing me and I think she might save me…when what does she have the nerve to do but wink.

    As Harry and Audrey grin widely and take their bows, I lose my grip and begin to giggle at the most solemn and hushed moment when O Holy Night begins with sacred words.

    Unfortunately for everyone, I snort when I laugh or cry, and at that moment I was involuntarily doing all three. The contagion of such behavior is widely documented. First the grandkids began to fall about the place like drunken musketeers while the carolers voices began to fall off one by one, hidden behind hands smothering grins.

    Except for Edwin, my father. Without the ability to hear the song had ended, he was suddenly thrust into a spotlight, belting out a solo that would curl the hair of a yak. He creshendo’d the ending in eye-watering sincerity if not grace, hushing to the final, “o night divine,” which should have faded to a thoughtful, peaceful tonic. Whatever hambone had been awakened in him suddenly came to life, as this was his moment to shine. He filled his lungs, dropped his folder, spread his arms wide channeling Jimmy Durante and gruffed a memorable, “hot cha cha!” to peals of unbounded glee and horror.

    And now I know.

    Mary O’Brien writes from the comfort of her Celebrated Art Cave (spare bedroom) near Boise, Idaho. She writes weekly with Jumpstart Writing Workshops, as well as a smattering of smaller groups. She revels in looking for opportunities to capture memories and imaginings via daily life, nature and her impossibly bright grandchildren.

    You can read more of Mary’s writing on The Write Spot Blog:

    Under The Tree

    Reality’s Ruse

  • Winter Sunrises

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Winter Sunrises

    By Elizabeth Beechwood

    On the darkest days

    The glorious sunrise shouts

    And still we persist!

    Winter solstice marks the beginning of our journey around The Wheel together. It’s a mysterious dark time here in the Northern Hemisphere, when Nature challenges us to turn inward. Inward to our homes, inward to our bodies, inward to our minds and thoughts.

    In my part of the Pacific Northwest, winter is marked by long stretches of blustery rain punctuated with cold, clear breaks in the weather. Many people find comfort in starry winter skies, chunky knitted blankets, and twinkling lights. But it’s during these breaks that I find comfort in something different: the winter sunrise. The sunrise is especially glorious on these mornings; the sky is banded with robin’s egg blue, house finch blush, and warbler yellows and greens. The bare branches of the birches outside my window are strikingly dark against the fleeting colors in the sky.

    What is it that makes sunrise so special at this time of year? Besides the fact that more of us are awake to witness it? It has a magical quality not matched during the summer. The bright colors sweep steadily through the cold air. The chickadee’s morning greetings ring out like bells through this liminal moment. Our spirits are lifted as we witness Nature and all her features persisting, doing what they know to do during this cold time.
     
    As we head into this darkest turn of The Wheel, look for those glorious winter sunrises and remember to persist in all that is important to you. 

    Elizabeth Beechwood:

    When I write, I start with regular people with regular lives … but then something strange happens. Whether it’s fiction, fantasy, magical realism or genre-bending, you can count on something just a little peculiar from my stories. I’m also a certified Oregon Naturalist, so the natural world and its many aspects pop up in my writing frequently. Please join me on The Wheel, a quarterly newsletter, as we take another spin around the sun and explore the seasons. You can sign up on my website: elizabethbeechwood.com.

  • Arriving

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Arriving

    By Julie Wilder-Sherman


    She embraced becoming the crone. With age came a dawning while in the sunset, that she didn’t know everything when she was in her 30s. The next 40 years would shape who she would become in her later years—the matriarch, the elder, the wise one in the family. The realization that there was less time ahead than behind tickled her mind every day, and she set out to make the most of her last years. The seventies would be her decade. She would be her own boss.

    She made the conscious decision to let some friendships go. People she had put up with were no longer going to drain her energy and time. She would give her remaining energy and time to the ones she loved and cared about—like giving a present carefully selected and lovingly bestowed.  Here I am.  I give you my full attention and presence. It is my gift to you.

    The outside world would be let in judiciously and with great care. She no longer allowed television to spew into her living room what she called “shit talk.”  No longer the constant infiltration of the relentless news cycles poisoning her world. Done with that.

    She consciously stood before trees in autumn and marveled at their life cycles—some leaves hanging on by a spider’s thread before the wind tossed it into the air and gently swirled to the ground. She noticed that leaves did not crash, but gave one last ballerina twirl and waved goodbye to the height where it once lived before gracefully landing amid rocks or grass or cement. The crone realized that she did not notice these things in her 30s when she knew everything. 

    She was aware that reaching her 70s had been denied to many. Her father. Her brothers. Her sister. Gratitude filled her. She embraced naps. For 50 years, she worked and had never napped in the middle of the day. Too many people telling her what to do, when to do it, how to do it, to hurry, hurry, hurry to meet deadlines and goals. In fuzzy slippers and a plush blanket she now curled up on her cushy couch on any afternoon reading a book until her eyelids felt heavy. Then she napped.  She would never have done that in her 30s when she knew everything.

    With age came a new kind of patience. A shrug when milk was spilled. Nothing seemed very terrible or scary anymore. She lived 70 years and had seen so much, loved so deeply, cried until her ribs hurt. She’d lived a full, fat life with few regrets. And still had so much more ahead, all on her own terms. She’d earned it.


    Julie Wilder-Sherman began reading books at an early age, encouraged by her mother to take books to bed when she was a toddler. To this day Julie reads every night before falling asleep. She likes to write, bake, read, eat, attend live concerts and plays, and travel to all corners of the world with her husband, Jeff Sherman.

  • Under the Tree

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Under the Tree

    By Mary O’Brien

    You wake me with coffee –

    I wrapped gifts ‘til three.

    “Ten minutes,” I moan

    into my pajama sleeve.

     

    Sugar plums danced

    round the chimney with care,

    ten minutes later

    your hand on my hair.

     

    It’s now 5 AM,

    there’s a turkey to splay.

    It’s a terrible, horrible,

    wonderful day.

     

    A giggle of memory

    tickles my mind.

    The one with twin bikes,

    trusty training wheels behind.

     

    When what to my bleary

    eyes should appear,

    you’re under the tree,

    shedding a tear.

     

    The loss of your mother

    now freshly pricked.

    All ornaments she gifted us

    tenderly tick

     

    on a tree heavy with memories,

    some cold tonight.

    Others thick in the throat,

    hot with tears of hindsight.

     

    The babies we lost,

    the parents we buried,

    the day that we met,

    the day we were married.

     

    The daughter, the ballerina,

    the fiddler, the teen,

    your year of retirement

    and all in between,

     

    are enwrapped in these trinkets

    that emerge every year.

    I silently thank the giver

    and kiss away your tear.

    Mary O’Brien writes from the comfort of her Celebrated Art Cave (spare bedroom) near Boise, Idaho. She writes weekly with Jumpstart Writing Workshops, as well as a smattering of smaller groups. She revels in looking for opportunities to capture memories and imaginings via daily life, nature and her impossibly bright grandchildren.

    You can read more of Mary’s writing:

    Reality’s Ruse

  • A Brick Path

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    A Brick Path

    By Douglas Newcomb

    I often tell the children that they must be afraid before they can be brave.

    Courage doesn’t travel alone, aimlessly,

    And doesn’t just drift anywhere it pleases.

    It follows fear and despair

    Quietly.

    I had courage enough to roar once,

    but was interrupted,

    and forgot what it was I was there to say.

     Now I don’t remember how I got here, or which direction I was headed.

    Out here the road stretches left and right as if arms unfolding.

    Douglas Newcomb lives in Petaluma, California, and grew up in the Sierra Nevada foothills.

  • Do Not Be Afraid to Write What You Know

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Do Not Be Afraid to Write What You Know

    By Mashaw McGuinnis 

    An acquaintance of mine texted after reading some of my novel-in-progress. “Don’t try so hard with stereotypical language and trailer park folks . . . I don’t buy it.” I wanted to disappear into the furniture, but instead I texted back a bumbling explanation that I wasn’t trying too hard, that the people in my stories are the people that I know, and I know them well.

    I always dread sharing my work because my middle-class friends never believe me when I say my characters, experiences, and vernacular come directly from my own dysfunctional, lower-class upbringing.

    By “lower class,” I mean more than low income or under-educated. I was raised by Dust Bowl migrant grandparents. Two generations back, only one had more than a seventh-grade education. Californians called them “Arkies” when they’d arrived hungry from Arkansas in the late 30s, searching for work. Like Steinbeck’s Joads, they picked fruit and cotton and slept in government camps in the Central Valley.

    Eventually, my grandfather secured a union factory job, but their hardscrabble roots ran deep. My clan put the “hard” in hardscrabble. One aunt died from an overdose, leaving eight kids behind—two came to live with us. My spitfire grandmother went to jail for shooting three neighbors, and one Sunday fried chicken supper was interrupted with a drug-withdrawal seizure requiring an ambulance. When my grandparents died, they left nothing but a family tradition of grit.

    These experiences—not unusual in my family—made for a wealth of material once I learned to write. But nothing prepared me for the responses I received from my fellow writers.

    Over and over, I heard “you’re exaggerating” or “your characters are hyperboles.” (The first time I heard that I was too ashamed to ask what “hyperbole” meant.) In critique groups, workshops and conferences, I think of those people as “normies”—middle-class people, or often, upper-middle class people, who grew up wearing braces and taking college prep classes in high school, raised by parents who never threatened to kill each other or send the kids to foster homes. Their parents were either college-educated professionals, or they raised their kids to become that.

    Normies in my workshops didn’t know the person sitting next to them resorted to winning TV game shows to pay for teeth that looked like theirs. Most would never suspect she’d barely squeaked by in high school with a “C” average or understand why she stumbled over the pronunciation of “cacophony.”

    Writers like me—blue collar, less-educated, rough around the edges—whatever category we claim, we learn by reading. We may understand definitions, but don’t hear the words pronounced in a real-world scenario. If I ever used “cacophony” in a conversation with my relatives they’d assume I was playing a prank. I wouldn’t attempt to work these terms into conversations at conferences or workshops, lest I mispronounce them to people who tout their MFAs and Pushcart nominations. If only conferences could offer workshops in how to navigate through a roomful of educated, middle-class writers.

    The normies’ families I most admired were upper-middle class—they went on vacations instead of parole. Their homes had real art. Their parents threw dinner parties. Mine had real guns and threw dinner plates. My scrappy upbringing was one of constant chaos. We didn’t have music or literature or own our homes, and we sure didn’t dream of college. We worried the next fist in the wall would get us evicted. Each family member used whatever tools we could to eat, sleep and keep working. Arkies were programed to survive, nothing more.

    Recently, I finally came out in a private Facebook group for women writers. After reading for years about the other members’ publications, fellowships, and acceptance into acclaimed retreats like Hedgebrook, I fessed up. I asked if there were other lower-class writers, like me, who lurked in the shadows of the FB group, feeling like they don’t belong but not wanting to reveal their true roots.

    Many members responded with their own versions of my story. Yes, their “normie” counterparts accused them of hyperbolizing their characters’ vernacular, confronted them on their described scenes, even settings. One woman said her critique group didn’t believe a trailer park would really have so much grass. The acquaintance who’d texted me her opinion of my chapter (and who assumed I was middle-class) once said to me that Pulitzer-Prize winner Barbara Kingsolver did a much better job of writing lower-class characters than I had done.

    Where are the under-educated, lower-class writers with generational trauma supposed to fit? Like transplants from other countries, or people from mixed cultures, we don’t feel at home in either world. I can masquerade as a normie for the short term, but when you’re raised in a family that racks up jail terms like frequent flier miles, others eventually spot the squalor seeping through the cracks.

    When I employed the help of a writing coach to help me craft an entry to a regional contest, he said, “That’s great, but it’s not the kind of award that will change your life.” I cobbled together the courage to respond, while fearing I’d sound like a character from Hee Haw to someone with his background. The coach taught MFA students, he’d won awards, and he was a fellow at some mucky-muck writer place. I struggled to explain how, for someone like me, a regional award felt life changing. (I omitted the part about how much I needed the $900 prize money.)

    Someone in my Facebook discussion offered, “One thing working-class writers have over everyone else is a work ethic.” Now at 61, I realize what I concealed for so long is actually my biggest asset. More than anything to succeed, a writer needs tenacity. And as my tough-as-leather grandma once told me, “You want something bad enough, you’ll fight like a rabid dog to get it.”

    I’m trying, Granny.

    Originally posted as “Blue Collar, Less-Educated, Rough Around the Edges: The Other Marginalized Writers,” Brevity, August 19. 2024.

    Mashaw McGuinnis started writing from bed while fighting chronic Lyme Disease. Her work has appeared in Good Housekeeping, The Sun magazine, and other publications. The opening chapter to her novel-in-progress won first place in women’s fiction at the Pacific Northwest Writer’s Association’s writing contest, and her flash memoir, “Taft, Ca.” was a recent winner in Writing by Writers Short Short contest. She has a high school diploma from Hueneme High School. Learn more about her work at Mashaw McGuinniss, Writer.

  • It Happened So Fast

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    It Happened So Fast

    By Robin Mills

    It happened so fast. A visit to the doctor. A diagnosis. A very quiet drive home, my mother, my father, my brother, and me.

    “I am so glad I just had my teeth cleaned” my mother said.

    Then six weeks later, just like the doctor said, it was over.

    Those six weeks were the fastest and the slowest.

    At first, she was awake, up, not in bed.

    She sat in her comfortable chair.

    We gathered around, talked, shared.

    Soon, she was tired, too tired.

    She got in bed. Initially sitting up, legs out, blankets over her legs, cats over the blankets.

    Then, soon again, she slid down, head on a pillow, blanket clutched up at her chin, cats on her stomach or riding the side of her body as if they were balancing on a fence or ridgeline.

    Mostly, she slept, but sometimes she wanted to sit in front of the full-length bathroom mirror. Sit, with a pink Afghan her mother had knit over her shoulders, clutched at her sternum by her bony fingers.

    She just sat and looked herself in the eye.

    Sometimes she wanted to sit outside in the coldness of early spring, snow still on the ground.

    We helped her out onto the porch into a beam of sun, wrapped her in blankets, a hat on her head.

    Let her sit, just sit, looking out over the garden she had perfected over the many years, out to the stream that ran in front of the home she designed and supervised in its construction, out across the meadow and up to the majestic mountains that rose to 10,000 feet above us.

    Then, again too soon, so soon, she just slept.

    Slept and spoke in her dreams to her parents and others.

    Sometimes she slapped at the air speaking to her mother or father as a small child who didn’t want to do whatever they wanted her to do.

    In the night from my room across the hall, I could hear her breathing.

    In the morning, the first sound I listened for her irregular breaths in, with sometimes a long hold, then out.

    I would wait to see if she would breathe in again.

    She did.

    Until the six weeks came.

    And at that moment, I sat next to her.

    Breath in, breath out, then nothing.

    It happened so fast.

    But at least, at least I was there.

    Robin Mills lives in Petaluma California. By day she is an American Sign Language interpreter. Her non-work hours are spent writing, swimming, hiking, photographing the world around her, traveling, playing in various art forms and swing dancing.