Category: Sparks

  • One Cup At A Time

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    One Cup At A Time

    By DSBriggs

    Judith saw her hand reaching out and towards her mug. She noticed since her brain injury, she had to mentally plan any movement step by step.

     She closed one eye so that only one mug was in her vision.

    “OK. Lift the hand out of the lap. Make sure the arm isn’t taking a side trip of its own.

     All right, aim for the mug on the right. Uncurl fingers. That’s progress. No one has to unbend and stretch ‘em.”

    The knuckles on her hand were swollen and she noticed she was thinking in third person. 

    “My knuckles, my knuckles are swollen. I have crooked fingers too.”

    She watched her arm and hand work in unison as she reached for her mug. She mentally told herself to grab as tight as she could and to slowly slide the glazed stoneware cup off the table.

    It was heavy! Was it hot? She wasn’t sure. Her temperature gauge had been slow to return. 

    Judith watched the rim approach her face. She was quite relieved when her lips met the cup lip. The swallowing exercises had begun to pay off as only a little dribble from the left side slid down her chin to plop gently on her sweatshirt. 

    She couldn’t afford to get distracted, so she watched the mug slowly inch back towards the table. 

    She saw her hand begin to shake from the exertion of keeping herself from flinging. Overcompensating as the  Occupational Therapist would say.

    “Now lift! Dammit!” as she watched.  

    She let go of the breath she hadn’t realized she’d been holding. 

    “Good  job,” she told herself and began to cry again. 

    DSBriggs continues to reside in Northern California. Dog, quilts and good friends occupy her time in between bouts of reading and writing.

    She loves writing in short bursts and with prompts.

    She has felt honored to have been published in The Write Spot Collections: “The Write Spot to Jumpstart Your Writing: Discoveries,” The Write Spot: Possibilities,” and “The Write Spot: Writing as a Path to Healing. Available in print and as ereaders at Amazon.

  • September Light

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    September Light

    By Cheryl Moore

    From the terrace, over the wooden fence with its lattice trim, the hills glow golden.

    A shadow of eucalyptus stretches across, cutting off the light. Beyond, higher hills rise—these with a woodland coat, perhaps pines or other conifers, roll gently against the pale blue sky. A turkey vulture slowly circles with its ever-present eye.

    A fence running across the golden grass bisects the slope—earlier cattle grazed, gone now.

    The shadows grow—longer and longer—the glowing gold slowly dims as the sun edges lower and lower toward the earth’s rim.

    On this September day with the equinox not far away, the evening approaches more swiftly, in preparation for the long nights to come, short days of limited sun—another year passing, another year to come.

    Cheryl Moore grew up in the mid-west, went to college in San Francisco, then lived in foreign lands before returning and eventually settling in Sonoma County.

    In recent years, she lives in a house and garden where deer nibble on roses,  raccoons dine on fallen figs, and her bird feeders are busy.

    A nearby river offers opportunities to observe waterfowl.

    Seeing and writing about these miracles of nature are adventures in living.

  • All In Good Time

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    All in Good time

    By Lynn Levy

    “How do you work it?” Joe finally asked.

    Agnes smiled. It was one of her rules. No cell phones in the house. Not no phones, but by the time these kids got handed over to her, less-is-more turned out to be a good starting place.

    “What’s the phone number?” Agnes asked.

    Joe shrugged, which was not a surprise. Kids didn’t memorize numbers anymore. The phone stored them.

    “Alright,” Agnes said. “The first thing you have to do is memorize the phone number here. Get it down until you can say it by heart. It’s just 10 numbers. 304-555-0058. Say it back.”

    “Three oh four,” Joe started and faltered. “Can I write it down, at least?” Joe asked.

    Agnes shook her head, and repeated the number. This first test told her a lot about the child. The reward was to talk to a friend – an important act of connection. At that age, they craved their friends even if they couldn’t say why. She watched them overcome the small hurdle, to memorize her phone number and their friends’ – which of course Agnes had. She knew all the important numbers for the kids she took in. CPS was used to it by now, and her kids did well, and often asked to stay. Not always, but more than less, so they did as she asked and didn’t argue.

    Some kids got angry at the task. You could tell a lot about someone by how they dealt with frustration. The bright kids generally had no trouble memorizing, but they might react with boredom or annoyance or curiosity, or they might be matter-of-fact about it. All of that told Agnes something.

    Joe needed about 10 minutes to memorize her number, then he had the hang of it, of remembering the short bits instead of all 10 at once, and learning his friend Gabe’s number took only a moment. It was too soon for hugs, but Agnes patted the back of his hand.

    She angled the heavy phone toward him and took the receiver off the hook. “Here,” she said.

    Joe took it, his hand visibly dipping. He wasn’t expecting the weight.

    He held it for a second, and Agnes tipped her chin at him. He put the receiver up to his ear, gingerly. “What’s that noise?” he asked.

    “It’s called a dial tone. It lets you know the phone is ready to work.” Another thing lost with cell phones, that audible connection to the machinery of it all.

    She dialed the first digit of Gabe’s number, then the second and third.

    “Really?” Joe said.

    “You do the rest,” Agnes prompted.

    He finished the number, then looked a bit relieved at the familiar ringing tone.

    “Hey,” he said when Gabe answered. He stood up, as if to go somewhere else, and then realized he was tethered. She watched the implications play across his face. He couldn’t leave. He couldn’t speak freely with Agnes present.

    “I’ll just be in the kitchen,” she said.

    Being assigned to Agnes was like getting in a time machine, kids said. She had a bit of a reputation that way. Kids talked about her, but they didn’t really know what it meant until they got there.

    Agnes didn’t hate technology, not really, but she felt it made people dependent. And people who were dependent had a harder time climbing out of the mire of their own problems. So, she made her kids memorize phone numbers, so they would learn to retain important information. She made them talk to their friends, not text, so they would learn to pay attention to voices and inflection. She taught them to read paper maps, and navigate for her when they wanted a ride. And she taught them to use the typewriter, so they would slow down and think about what they wanted to say.

    Of course, eventually, they all left her, and rejoined the present, and the moment they did, they all went and got their own phones again, first thing, the thing they’d most longed for, most missed. But if they were with Agnes long enough, some of them, not all, but many, found it had changed. Found that it was easier, after all, to understand subtext in the tone of a friend’s voice than in their choice of emoji. Found that a drained battery was not a cause for panic. Found they felt more choice and control over when to attend to it, and when to ignore it.

    “You got Agnes?” the older kids would say to the younger ones. “She’s cool, but you won’t feel the same about your phone after,” they’d say.

    Of course, it wasn’t just the trip to the past, the Bakelite rotary phone and TV with 13 channels and manual typewriters that changed the kids. It was Agnes herself, and how she used her throwback world to help them reach themselves.

    “You won’t feel the same about your phone,” some would say, sagely. But the ones who really got it said, “You won’t feel the same about yourself.”

     Lynn Levy lives in Northern California with her husband, an overly familiar wild scrub jay called “Bubba,” and an enormous wisteria. She and the wisteria are in negotiations regarding ownership of the patio trellis.

  • A Simple Building

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    A Simple Building

    By Cheryl Moore

    A simple building lacking in flare

    Why am I so often drawn there?

    Roaming its shelves, tasting its wares

    A whole wide world available there

    Journeys take me around the world

    And when I no longer want to roam

    Work on gardens, on business

    On cooking and art

    And English lit and Shakespeare

    To keep me smart

    Not to mention poetry

    To suit the fussiest muse

    So much to read, no time to lose.

    Cheryl Moore grew up in the mid-west, went to college in San Francisco, then lived in foreign lands before returning and eventually settling in Sonoma County.

    In recent years, she lives in a house and garden where deer nibble on roses,  raccoons dine on fallen figs, and her bird feeders are busy.

    A nearby river offers opportunities to observe waterfowl.

    Seeing and writing about these miracles of nature are adventures in living.

  • Rock Climbing

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page

    Rock Climbing

    by Su Shafer

    Not looking down is easier

                when you’re struggling up.

    The focus is ALL up

                the next up

                            finger hold – up

                                        foot hold – up

                                                    carabiner solid – secure up.

    The hands know how to find the hammer without looking.

    Down is not in the picture.

    Up is in careful, methodical inches

                step by step

                            hold by hold

                                        the goal is ahead

                                                    edging closer and closer.

    It’s only when you get to the top

                            that you realize how far down is

                            to get home.

    The dizzy certainty is that
    INSTANT DOWN

                            is imminent

                                        and permanent.

    CHOREOGRAPHED DOWN

                            Is trying to control the Law of Gravity

                            with sweaty hands and

                                        and a heart mde of lead, thumping hard

                                                    like a cannonball to your balance.

    Realizing the top is only one long “oh shit!” moment of aloneness

                                       

                            because only Death’s hand

                           will catch you

                                       if you make a mistake

                                                   and fall.

    Su Shafer is a creative crafter, fabricating bits of writing in poetry and short stories, and other bits into characters that appear in paintings or sit on various bookshelves and coffee tables.

    She lives in a cottage on the Olympic Peninsula of Washington, where the tea kettle is always whistling and the biscuits freshly baked. One never knows who might stop by to share a rainy afternoon. And all are welcome.

  • To Bee or Not Too Bee

    To Bee or Not Too Bee

    By Caryl Sherman

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    What brings me comfort are the moments I sit outside, in my private little apartment garden, reading a book whose words intrigue and delight me.

    The big black shiny honey bees are flitting about my blooming flowers, sipping their nectar and laughing with joy.

    Yes, I can hear them. Maybe you can’t, but I have cultivated a special and long lasting relationship with them.

    They are my neighbors, and my friends. They fly to see me everyday. They are loyal and perpetually consistent with their love.

    I rise with anticipatory excitement as I hustle outside! Which one will I see today as I gleefully read to them aloud?

    Does it bring us comfort? Are we the same, even though we appear so different?

    We are living things. We matter! We grow intrinsically, day by day, as we flourish among the colorful and newly sprouting Spring flowers.

    I celebrate our mutual understanding. We are God’s special and intimate compatriots. We can sort out our differences at a later time!

    Don’t you think?

    Caryl Sherman is a woman of a certain age, who aspires to write, and bridge a mutual understanding between herself and her readers. This is an art form that continually grows and matures within her heart. And, when it works, she can’t think of anything better!

  • Writing

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Writing

    By Cheryl Moore

    A silver tongue would be nice

    A pen that wrote golden prose

    Or poetry would be better.

     

    How would it feel to be Billy Collins

    Whose books sit

    On my bedside table?

     

    His small journeys

    Make magic of the mundane

    Of ordinary daily events

     

    One poem describes

    Sitting at his desk words flow

    Seemingly without his bidding

     

    I sit at my desk

    Pen posed over paper

    Nothing comes out

     

    I could doodle a picture

    Make it look like a word

    And start from there

     

    Would it be like opening a tap

    With words pouring out

    Given enough time?

     

    My words wouldn’t be golden

    Nor even silver

    Probably just tin

     

    Maybe Billie’s don’t flow golden

    Until he works and revises

    As most good writers must

     

    It’s like panning for gold

    A lot of water flows

    Before a bit of gold dust settles

     

    Maybe more discipline

    An ear for the music

    Use metaphors and similes

     

    I might rise above tin, to copper?

    Roses blooming, lilacs too

    Spring arriving, so much to do

     

    Am I running late?

    Look at that—it’s almost eight

    When Cheryl Moore came to California in the early 1960’s, she realized she’d found her home. Then moving to Petaluma in the 70’s, she was as close to paradise as she’d ever be.

    Travel has taken her to Europe and the Middle East. She has written on these memories as well as on the flora and fauna of the local river and her own garden.

    You can find more of her writing in “The Write Spot to Jumpstart Your Writing: Discoveries” and “The Write Spot: Musings and Ravings From a Pandemic Year.”

  • Holding Water

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Holding Water

    By M.A. Dooley

    I remember the first winery I designed in the middle of a level vineyard.

    Construction began after the vines were removed and the earth was excavated for the foundation.

    A big storm hit the northern Sonoma County and lasted for days.

    At the jobsite meeting, the crew had erected a sign at the edge of a large body of captured rainwater where the future building would go. The sign read Lake Dooley, named after me, the architect. It was funny and I laughed.

    I had great capacity for everything, hard work, men and their jokes, life. My lake would evaporate, percolate, and be drained and no one would ever know of Lake Dooley.

    The spring of 2023 was too full to process. The snow and rain kept falling, the rivers were swollen, the thirsty earth saturated. The valley oaks turned sparkling emerald. Front yards were lush. Lakes filled up. My home state, region, county and backyard was amplified with aliveness.

     All this water was a promise of a future, but some absorbed the deluge and others drowned. The swollen rivers and runoff pushed over the levies and found the low spot.

    Water returned home refilling Lake Tulare, a drained body purposed into agriculture and industry with homes built on her dry bed. The rain and snow melt filled the valley of Tulare to four times the size of Lake Tahoe’s surface. That’s something I’d like to see.

     The Spring of 2023 seems to correspond with my condition. I’m too full to process it all. There’s steady snow fall of activity, but the sun comes out hot and melty and quickly my dam overflows. It’s harder to keep it all within my capacity.

    Maybe I had once been empty like Lake Tulare, purposed for my fertile ground, growing all manner of seeds for harvest. I could always take on more. More work, more play, more interests, but now, I am too full to process the present abundance of my own creation. I’m seeking a way to let the water out before I drown in Lake Dooley. 

    M.A. Dooley is a writer from Sonoma County who frequently ventures to the Sierra Nevada range. Dooley has been published in “The Write Spot: Musings and Ravings in a Pandemic Year” (2021)  and “Poems of a Modern Day Architect,” Archhive Books, (2020)

  • Sunsets

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Sunsets

    By Joop Delahaye

    Sunsets . . . always beautiful, no matter where or when.

    Blindingly bright in the beginning, can’t look at it, then softening, slipping into the distant ocean . . . the water extinguishing the brightness and the heat and allowing the usual yellows and reds to persist, until they faded to purple and gone.

    Sitting on a bluff at the Sea Ranch, or on Mount Tam’s west slopes, or the southern Oregon coast at Gold Beach, or on the Croatian coast at Sibenik . . . all notable, all full.

    The late rays seemed to have an enhanced power of penetration into the soul, the heart. Replenishing spent fuel rods, battery cells, warming the humors.

    The energy, the short-lasting blast easily pushes open the portals and shines into the nooks and crannies usually forgotten. Usually inaccessible.

    Restoring full utilization of these organs, mechanisms, spaces . . . for a while.

    The last bolt-the last ray that spears across the sea into the ventrum of the being, charges it for the night, however long, whatever season.

    Then, gradual darkening.  Able to face it, not a fearful place. No danger here now.

    The light stored inside creates comfort with the nocturnal.

    Creates peace with the day past, the life behind, the life ahead.

    Moving towards dreamscapes soon.

    Joop Delahaye: Indonesian-Dutch, Australian, immigrant of many years.

    Decompressing/recovering from too abundant writing in his career as a healthcare practitioner. Enjoying creative writing now.

  • How Photography Inspires Writing

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    How Photography Inspires My Writing

    By Simona Carini

    On January 18, 2016, walking around North Berkeley, I was brought to a halt by the look of a house: the right and left side were painted in different colors and the overall effect was that of a line bisecting the façade. I took a photo and resumed my walk but kept thinking about the house. At home, I wrote down what I had seen and the musings the sight had stirred, then distilled the material into my first poem “The Divorced House” which was published in the journal, Star 82 Review, together with the photo.

    At the time, I had been writing for almost 10 years, mostly about food and more recently memoir. Poetry was a new endeavor. As I developed my style and voice, I continued using my photos as writing prompts. I still do.

    I start by describing the image, not only the visual details, but smells, sounds, things I touched or that touched me, and/or the situation that led to the photo being taken. While I free-write I may remember something I felt or thought when the image was taken, or a story may emerge. Ultimately, the poem needs to transcend the description to a deeper theme, a shared emotion. What is the story? Why am I telling it? The process may remain a writing exercise, still useful as it helps me focus on sensory details.  

    I usually don’t know where writing about an image will lead me. The bisected house in Berkeley made me think about my parents’ divisions which affected my early life.

    Taking photographs for me is a way of taking notes. A photo helps me remember what I saw and what I felt. As writer I am a hoarder: of sights, sounds, smells, flavors, textures. I gather sensory details and musings and store them for immediate or future use.

    A bench overlooking the Pacific Ocean photographed on a foggy day (so that it appears to overlook nothingness) led me to think about refugees crossing the Mediterranean Sea not being allowed to rest when they arrive wherever the waves pushed them. “The Bench” was published with the inspiring photo in Star 82 Review.

    The cover of my recently published poetry collection, Survival Time, features the photo that inspired the opening poem: It shows the inside of Lærdal Tunnel, in Norway. The poem references the experience of driving through that tunnel and weaves into it the experience of my husband’s cancer diagnosis. At some point the poem describes what the photo shows but in the broader context of the life event for which it is a metaphor.

    “December 31” (originally published in Italian Americana) is about the time I spent the last afternoon of 2018 on the beach of Pismo Beach, CA, bathed in glorious sunset colors, watching surfers ride the last waves of the year, and observing shorebirds. The poem describes them and meditates on breathing and death, as the year is about to die:

    The end

    arrives with our last breath. A long sigh the last

    sound we make. We carry nothing with us,

    not even a gulp of air. Will I, on the final

    exhale, remember kindness in your gaze?

    Simona Carini was born in Perugia, Italy. She writes poetry and nonfiction and has been published in various venues, in print and online.

    Her first poetry collection, Survival Time ,  was published in 2022 by Sheila-Na-Gig Editions. She lives in Northern California with her husband, loves to spend time outdoors, and works as an academic researcher.