Studio Apartment

  • Studio Apartment

    By Deb Fenwick

    She’s ready to set the world on fire. She’s got the requisite credentials: a freshly printed MBA from Wharton and a studio apartment in Brooklyn Heights. Yes, it’s a studio, but it’s a nice studio—spacious with carefully curated accessories. She even has houseplants.

    She can’t get to the gym or her Pilates class right now, well, because . . . Covid. She meets up with girlfriends for gossipy, boozy, Zoom happy hours on Fridays where everyone looks great from the waist up. She even puts on lipstick for the calls so that she can see the after image of her lips on the wineglass long after everyone logs off. It’s proof that she had fun.

    She and her friends are in that sweet spot after college but before the gorgeous weight of marriage, mortgages, and children (in that order) that will bind them to suburban homes with good school districts. 

    Her parents love her. They’re generous. They worry. Mom pays for the cell phone plan, so the least she can do is answer her parents’ texts and call them once a week. She calls her mom and dad on Sundays. Well, FaceTime, actually, because it’s good to see family—to see the moment her mother bites her lip when she hears that the job search seems to be stalled. And then the quick pivot and recovery as Mom forces a bright smile and adds sunshine to her voice, saying, “Something will turn up, darling. It’s Covid.”  Dad will smile silently like the sentinel he is. At the end of the call, he’ll ask if she needs money. She’ll mention that she could use just a little extra this month for groceries. Just until the job thing comes through. Just until things open up.

    When she ends those calls on Sundays, she doesn’t quite feel like setting the world on fire. Maybe just her apartment. The four walls seem to be closing in on her. Late afternoon New York darkness descends and devours any space for breathing.  She’s been here alone for over a year with her well-curated accessories. Alone. It’s the first time she’s ever lived by herself. She bathes, prepares meals, and scrolls in solitary confinement. It’s an endless loop except for the job rejections. Who knew she could grow to hate this apartment and everything in it?

    It was once all she dreamed about. Getting out on her own. Owning New York. Fast-paced work with a hedge fund firm, maybe. Clubs, theater, and dining with girlfriends. A boyfriend. Romance. Not Zoom calls. Not lipstick that she won’t wash off the wine glass.

    Tomorrow is Monday, she thinks to herself. A new week. She’ll follow-up on leads. Check-in on LinkedIn. For tonight, she’ll turn on the small ceramic lamp that sits in the middle of the mid-century modern end table as dusk turns to night. She’ll water two plants with leaves that are yellowing just a bit at the edges. She’ll make a bowl of noodles and stare out the window of her Brooklyn Heights brownstone as frost forms on the windows of the dry cleaners’ across the street.   

    Deb Fenwick is a Chicago-born writer who currently lives in Oak Park, Illinois. After spending nearly thirty years working as an arts educator, school program specialist, youth advocate, and public school administrator, she now finds herself with ample time to read books by her heroes and write every story that was patiently waiting to be told. When she’s not traveling with her heartthrob of a husband or dreaming up wildly impractical adventures with her intrepid, college-age daughter, you’ll find her out in the garden getting muddy with two little pups.

  • Can’t Live Without . . . Prompt #572

    Write about an appliance or a gadget you cannot live without.

    Sentence starts:

    I have to have . . .

    I cannot live without . . .

  • First Lines From Books . . . Prompt #571

    First lines from books can inspire writing.

    Choose one, or more, and Just Write!

    “My name is Ruth. I grew up with . . .” — Housekeeping by Marilynne Robinson:

    “This was probably a mistake . . .” —Letters from Paris by Juliet Blackwell

    “With wobbly knees, I stood at the edge of the three-foot diving board.” —Beyond Recovery by Shawn Langwell

    “Marsh is no swamp. Marsh is a space of light, where grass grows in water, and water flows into the sky.” —Where The Crawdads Sing by Delia Owens

    “The biggest irony about that night is that I was always scared to fly.” —How to Walk Away by Katherine Center

  • First line and Write Towards What You Want To Know

    Opening lines of books are so important, as you know. First lines should draw the reader in and inspire the reader to keep reading. Thanks to a book club friend who sent Colum McCann’s article to me, excerpted below.

    I also like his take on “write what you know.”

    Colum McCann:

    A first line should open up your rib cage. It should reach in and twist your heart backward. It should suggest that the world will never be the same again.

    The opening salvo should be active. It should plunge your reader into something urgent, interesting, informative. It should move your story, your poem, your play, forward. It should whisper in your reader’s ear that everything is about to change.

    But take it easy too. Don’t stuff the world into your first page. Achieve a balance. Let the story unfold. Think of it as a doorway. Once you get your readers over the threshold, you can show them around the rest of the house. At the same time, don’t panic if you don’t get it right first time around. Often the opening line won’t be found until you’re halfway through your first draft. You hit page 157 and you suddenly realise, Ah, that’s where I should have begun.

    So you go back and begin again.

    Don’t write what you know, write towards what you want to know.

    A writer is an explorer. She knows she wants to get somewhere, but she doesn’t know if the somewhere even exists yet. It is still to be created. Don’t sit around looking inward. That’s boring. In the end your navel contains only lint. You have to propel yourself outward, young writer.

    In the end your first-grade teacher was correct: we can, indeed, only write what we know. It is logically and philosophically impossible to do otherwise. But if we write towards what we don’t supposedly know, we will find out what we knew but weren’t yet entirely aware of. We will have made a shotgun leap in our consciousness. We will not be stuck in the permanent backspin of me, me, me.

    Excepted from “So you want to be a writer? Essential tips for aspiring novelists,” by Colum McCann, The Guardian, May 13, 2017

  • My Dream Is…

    By Susie Moses

    I dream of living for awhile in a cabin in a thick forest at the edge of a quiet lake, possibly in the North Woods of the Adirondacks or the wilds of Minnesota on the Canadian border, or maybe the San Juan Islands off the coast of Washington.  Maine would work too. I will have a canoe, or these days, a kayak, easier to manage solo. 

    I will arise as the sun emerges, put on a jacket and knit cap against the morning chill, and insert myself into my boat for a silent tour of the shoreline. As I watch the light spread from the horizon, changing colors are reflected in the low-lying clouds as the sun burns off the fog. My lake will be sparsely populated, no jet skis or motor craft of any kind, just self-propelled canoes or kayaks, and at that early hour I may be the only person out and about. I will gently dip my paddle into the flat surface of the silky black water, creating gentle ripples, but almost no noise other than the sweet sound of dripping as droplets dribble off the oar.

    I will float quietly among lily pads and reeds observing the world come alive.  Birdsong, fluttering wings, the kerplop of a frog, the delicate splash of a smallmouth bass seeking an insect. And if I am lucky, the call of a loon. The world will be my oyster. I can be a voyeur of nature’s great bounty as the day begins. It will be my meditation.

    I will paddle for about 40 minutes, feeling the stretch in my upper arms, delighting in the simple exertion of slicing a path through the stillness. I will be filled up with noticing, with taking stock of what surrounds me, of becoming aware of the busyness, the fullness of nature that envelopes me here once I have given myself over to paying close attention.

    When I return, I will strip off my outerwear, down to my basic red tank swim suit I had put on under my warm layers, and I will dive off the end of the dock into the chilly waters.  “Bracing,” I will hear myself think, recalling my father’s words on summer mornings of my youth when a pre-breakfast dip in the lake was a requirement before pancakes and sausage. After my quick swim, more of a plunge, really, as it is too cold to stay submerged for long, I will wrap myself in a thick terry cloth towel as I run to the outdoor shower to stand under sheets of almost too hot water to stop my teeth from chattering.

    Then, dressing in warm clothes again and enjoying a hearty breakfast with lots of dark thick hot coffee, and after tending to any business or domestic details which must be seen to, I will gather a stack of books and settle in the Adirondack chair that sits on the crest above the lake. Pine trees tower overhead, the smell of sap surrounds me, a result of my footsteps on the pine needle-strewn path.

    This is nirvana. The only physical exertion required will be to move my chair to follow the warmth of the sun as the light dapples through the trees. Later in the day, as the temperature rises, I will reverse this process to keep the chair in the shade. I will take breaks from reading to undertake a longer swim in the afternoon, stroking all the way to a neighbor’s raft several houses down, where I will emerge to lie on the warmed boards as I soak up the heat from the strong sun overhead.  When that becomes too much, I will dive back in to the clear water, its minerally taste on my lips, eager to get away from the slight creepiness of whatever it is that lurks beneath the raft, among the rusty barrels that hold it afloat.

    I should make this dream come true. I should arrange this. It is a simple experience I seek. Nature, solitude, fresh clear water, many books. Quiet and peace providing the space for watching and seeing and taking in, interrupted only by bats that invade the cottage, the black flies that draw blood at the hairline, the mosquitos and no-see-ums and the damned geese that leave their white droppings all over the dock. The mice that skitter around the kitchen, the flying squirrels in the attic. The realities of living in a rustic abode in an unspoiled environment. I will have to share with the beings that preceded my arrival. It’s all part of the package.

    Susie Moses is a generative writing junkie, enjoying the process and dreaming of actually doing something constructive one day with the piles of papers and notebooks she has that have accrued, that are spilling out of closets and off shelves and out of drawers. 

    But for now, just getting words down on the page is an accomplishment and a delight. She has spent the year of Covid in Marin County to be near her daughters, but at some point, will have to tear herself away to return to her beloved Blue Ridge Mountains in Virginia, at least for a while.

  • Sindee reveals her secret

    The Chronicles of Sindee

    Volume 6:  Sindee reveals her secret

    By Su Shafer

    The moon was waxing, getting near to full. She could feel it growing in the night sky. The soft fluttering of wings inside, near her heart. Every night they grew more insistent and she knew that tomorrow night or maybe the next, they would take over: she would change.

    The fluttering inside made it hard to sleep. Sindee lay awake in her crib, staring at the patterns in the lace canopy. Stuffy was quiet beside her, but she didn’t think he was asleep.

    “Stuffy, are you asleep?”

    “No. Are you?”

    “Obviously not,” Sindee replied, annoyed. She sighed. Stuffy wasn’t the brightest sometimes, but given his tiny dinosaur brain, what could she expect?

    “I guess I should tell you something,” Sindee went on. “Something important, that I’ve been keeping secret.”

    “Oh boy, a secret!” Stuffy chirped, flapping his little flipperesque T-rex arms.

    They both turned on their sides to face each other in the crib. “I want to know all your secrets!” Stuffy said breathlessly. He was very excited.

    “I guess you will since you live here now,” Sindee said. “I hope you won’t be scared.”

    “I’m a T-rex, King of the dinosaurs! Nothing scares me!” Stuffy replied indignantly.  

    “Good. Because tomorrow night, when the moon gets full, I’m going to change into something …” She paused for dramatic effect, “else.”

    “YOU’RE A WEREWOLF!?” Stuffy cried.

    “Certainly not!” Sindee huffed. “I’m a were-moth.”

    “Oh,” Stuffy said, frowning.  “What’s that?”

    “I’m not sure. I think I’m the only one. One night, when the moon was full, I started feeling really funny. Then I noticed I was getting fuzzy all over and these beautiful green wings popped out and well, I just started flying! I thought it was a dream at first, but it’s happened a few times now, and it’s no dream.”

    Stuffy stared at her gravely. “Gosh. That sounds kind of painful, but also pretty neat.”

    “It is. Not painful, I mean. It happens so fast! One minute I’m just lying here, the next minute I’m flying around.”

    They both fell silent for a moment while Stuffy processed the information. “And this happens every full moon?”

    “Yes. And I can feel it’s going to happen again tomorrow, so I thought I’d better warn you.”

    “Oh.” Stuffy’s eyes went wide as a thought struck his tiny brain. “Do were-moths eat baby dinosaurs!?” he squeaked.

    “Don’t be silly! Moths don’t eat dinosaurs!” she admonished. “Mostly they just seem to flutter about.”

    “Whew!” Stuffy sighed. “Sounds cool.  Can I do it too?”

    “No, you’re a dinosaur. You have to stay here. And be fierce,” she added, seeing Stuffy deflate with disappointment. “And guard the crib.”

    Stuffy perked up again. “OK. I’ll be good at that.”

    Sindee looked at her chubby friend with his stubby arm flippers and plush fabric teeth. “You are very fierce,” she said. “Wanna cuddle?”

    “Always!”

    Su Shafer is a creative writer and sometime poet who lives in the Pacific Northwest, where flannel shirts are acceptable as formal wear and strong coffee is a way of life. There, in a small Baba Yaga house perched near the entrance to The Hidden Forest, odd characters are brewing with the morning cup, and a strange new world is beginning to take shape . . .

  • Hygge . . . Prompt #569

    Hygge: “A quality of coziness and comfortable conviviality that engenders a feeling of contentment or well-being, regarded as a defining characteristic of Danish culture.”

    I bought some pasture-raised eggs the other day and was intrigued by the little information sheet tucked inside the egg carton:

    Naturally Hygge Hens

    “Without ever stockpiling cuddly blankets or chunky candles our hens instinctively practice the Danish art of hygee all winter long. Their pasture-raised lifestyle means crisp days spent together enjoying the simple things – tasty grasses, crunchy critters and warm sunshine. As evening falls, they rest in the safety and comfort of the barn. Days with friends and cozy nights with not a screen in sight!” (Vital Farms)

    Since then, I learned there is a Hygge Facebook page.

    The following is excerpted from the February 2017 issue of Charlotte at Home.

    How to achieve hygge at home

    Because simply defining the term with words like “coziness” and “togetherness” does not do hygge justice, it is up to you and how you interpret the pleasantness of good company in an inviting atmosphere. Hygge is a sense of intimacy created in any space at any moment. It makes guests feel welcome and warm. Since Scandinavian winters are known to be bleak, the concept of creating comfortable retreats became paramount to the Danish people and their happiness. Some quintessentially hygge elements are below.

    Texture

    Soft, fur blankets and luscious rugs. Knits and plush items are musts for an inevitably warm, welcoming atmosphere.

    Candles

    Speaking of warmth, there’s nothing quite like a flickering flame to make a place feel like home.

    Note from Marlene: I use battery operated candles that flicker like real candles. I am nervous about real candles due to a house fire caused by a candle (years ago, but still nervous).

    Enjoy the Simple Things

    Delving more into the term’s definition as it relates to “moments” and “feelings,” the act of enjoying the simple things in life is supremely hygge. Take a moment to truly enjoy your morning coffee. Treat yourself to an indulgent bubble bath. Venture outdoors for a long walk with nature. Creating a hygge lifestyle encompasses a variety of areas beyond home design, just as your home’s design can completely improve the way you live.

    Phone Friends

    Gathering with people is another important aspect of this Danish concept. Invite friends over for a weekend lunch, and create an atmosphere that allows for visitors. Simple changes such as ensuring there are enough chairs around a table make a big difference. To hygge with friends is also a way to bond and uplift others as you connect over wholesome food and feel-good drinks.

     Note from Marlene: Zoom works, too, Invite friends to a Zoom party, or a singalong with Diane Dupuis.

    Take Time

    Life is fast, and hygge reminds you that it doesn’t always have to be so fleeting. Slow down. Enjoy the moment. Take the time to indulge in the time you’re given, and be present.

    Note from Marlene: Be present. Re-consider multi-tasking . . . rather, consider being mindful and focusing on one thing at a time.

    Writing Prompt: What is your hygge?

    Or: What can you do to create hygge?

  • Letting Cancer Change Me

    By Carol Harvey

    Eight years ago, I lay in an icy cold medical room, convinced that my presence there was a case of mistaken identity. I’d had a routine mammogram a week before and thought nothing of it. I was annoyed when I was called back for a second mammogram on the first day of my daughter’s spring break. We had plans to do something fun that day. This was not it.

    Immediately after the inconvenient mammogram I was steered into a biopsy room. I chatted with the doctor and radiology tech during the procedure and they answered my naive questions. I then explained that I couldn’t possibly have cancer because I was a self-employed single mom. In just a few months I was going to be an empty nester. Cancer or any life-threatening illness was just not part of that plan. Besides I felt fine.

    Right after I said I can’t have cancer, I noticed a teeny glint in the doctor’s eye and the tech mentioned that her mother was a 25-year breast cancer survivor. That’s when I knew. I had cancer. News flash. Cancer does not care about your other plans. Cancer does not follow social etiquette and wait for the best time to interrupt your life. Cancer made its own plans for me.

    When I was diagnosed with cancer on that otherwise lovely spring day in 2013, I could not have been more unprepared. I was not in an at-risk group and lived a relatively healthy life. I never thought about statistics as personally relevant. Yet here I was, about to become one of the 1,660,290 people who would be diagnosed with cancer in 2013. A daunting stat and a startling reality.

    There was a seismic shift in my world that day and in the months that followed. I knew cancer would change me, if I was lucky enough to survive it. I knew I didn’t have much of a choice in the “live or die” part, but I wanted to have a lot to say about living in the meantime. I knew surgery, chemotherapy, radiation and additional treatments to address the side effects of the original treatments would be tough. At best, there would be a new normal. I was determined that my new normal reflect my values in a more substantial way than my pre-cancer life did.

    I didn’t quit my job and move to a foreign country. However, I also didn’t quickly rule it out. Later when my brain resurfaced, I thought about what made me happy and gave me purpose. I considered how I wanted to spend the unspecified, but now strikingly finite amount of time that was the rest of my life.

    During active treatment, there were very real physical and emotional constraints as to what I had the time and energy to do. For a while, walking to my mailbox was effort. Naps were a given. I prioritized mindful relaxation. I focused on my breath and let my mind embrace peace. My to-do list became simple: take the best care possible of myself every day. Surprisingly, I didn’t stress about what else needed to be done. The get-stuff-done part of my personality gave way to a focus on healing. I had to heal in order to get stuff done. Further into treatment, as I regained energy, I thought about what I valued most. I made sure I was giving my limited energy to those things first, whether it was time with loved ones, being in nature, or expressing my creativity.

    In addition to numerous choices about treatment and how best to nurture myself, I had to consider the overarching question of how I was going to “do cancer.” Was I going to isolate, connect with others or find someplace in between. The quandary was obvious in basic questions such as: Who do I tell? How much do I say? Who do I ask for help? How much help do I accept? It seemed there were no decisions that didn’t loop back to the same question. I had to choose how much to allow my family, friends and community to care for me.

    Ouch! As an introvert, it was uncomfortable, even painful, to be open about my cancer and need for help. However, I decided that the introvert in me was going to have to suck it up. Out of necessity, I ultimately made my situation known. I was overwhelmed with support and kindness. I am convinced that the love I received, and my gratitude for it, were deeply healing. I return to that gratitude often; it continues to be a salve for my soul.

    Beyond my circle of friends and family, I pondered how visible to be in the larger community as I underwent treatment. Wig or no wig, was one such question. I felt passionately about not hiding as a patient and later as a survivor.

    When I was newly diagnosed, I needed to know there were others. I wished I could have walked into my neighborhood grocery store and known that among those picking out organic produce, were others recently diagnosed and survivors of one, five and thirty years. I needed to know there were others who had transitioned from emotional paralysis to living with cancer or after cancer. The presence of those dear ones and strangers gave me hope. I knew hope to be healing and that fact would later compel me to be a visible survivor to others newly diagnosed. I allowed cancer to push me out of my comfort zone and to be an advocate for all survivors. I started by writing about it and offered to talk with others, newly diagnosed. I learned the power of saying the words “I had cancer” in front of friends and strangers.

    Not everyone is comfortable talking about cancer. However, there is a growing openness. I have benefited from this candor and want to add to the conversation. I am grateful for those, who when told of my diagnosis, disclosed their own long-ago diagnoses. Survivors are out there. More than I knew. They gave me hope by merely existing and telling me they were there. I believe I empower others and pay that hope forward by sharing my story and being a visible cancer survivor.

    Over the past eight years, I’ve come to realize that even though cancer forced me to make many decisions, they all came down to one. How much space was I going to give fear in my life? Just saying the word cancer out loud can be scary. I have developed a deep respect for the damage cancer can do on so many levels. However, respect doesn’t mean I will allow cancer to scare me into silence, inaction or avoidance. At the start of my cancer journey, I decided if I was going to be roughed up by cancer, then I wanted to choose how it changed me. I didn’t want to be the same person I was before cancer, but not because I was dissatisfied with who I had been. That wasn’t it. I wanted something to show for having walked through the fire. I wanted a sticker! For me, that sticker is the ability to choose to be an extrovert (at times) in service of an issue for which I am passionate.

    The changes I made continue. I don’t assume that time will always be on my side. Since my diagnosis, I endeavor to pull myself off autopilot whenever I find myself there. I pause and listen to my heart and then act with intention. Or at least that is what I aim to do.

    I am now eight years out from my diagnosis and treatment. The traditional five-year post-cancer mark was both precious and meaningless. Much of cancer research only tracks five-year survival rates. It is simply a line in the sand. There is little evidence about six or twelve years, so as a cancer survivor, you take what you can get. Statistically the chance of recurrence after five years is less, but the risk is lifelong. That is why I enthusiastically celebrate every “cancerversary” as another year I can choose to live with less fear, more intention and a curiosity about how life might further change me.

    Carol Harvey is a marriage and family therapist in Northern California and a retired Sonoma State University lecturer. She began writing a few years after her cancer diagnosis and hasn’t stopped. She loves making blankets out of old jeans and wool sweaters and yard art out of found objects. She facilitates a free weekly online cancer support group that uses reflective writing techniques. She can be reached at carolharveymft@gmail.com

  • The Inner Critic Tar Pit of Doom and Despair

    By Su Shafer

    Beware the trap that writers often fall into: The Inner Critic Tar Pit of Doom and Despair—the black hole of fear in your head that says you have nothing new or exciting to say or that even if you are personally excited by what you’ve written, it’s not good enough for someone else to read or hear. 

    The Tar Pit of Doom and Despair is a creative quicksand that will sink the soul right out of your writing, further feeding the fear of mediocrity. The only way to escape this pit is to get out of your head. 

    I’ve found doing timed free writes is a great way to do this. When your time is restricted, you don’t have time to obsess over a word or a phrase and there simply isn’t enough time to polish. There is something freeing and reassuring about that. 

    And having a time limit ensures that you can’t get too invested and that what goes on the paper is raw, organic, and unraveled from the sinister inner critic with its conformist ideals.

    Play, don’t be afraid to experiment. Use creative prompts to catapult you out of your comfort zone. Don’t try to control or stop what wants to come out. It’s surprising and delightful what valuable nuggets and insights show up. 

    Be brave and share your work with others. Other people come to your writing with their own perspectives and will often pull things from your writing that wouldn’t otherwise occur to you. Sharing your work is the only way to get over your fear of sharing your writing. And when you’re not too invested, you can accept both complements and criticism and learn to use them constructively.  

    Most importantly, just keep writing.  Do whatever it takes—invent ways to keep your pen scribbling on paper. 

    Just keep writing. 

    Su Shafer is a creative writer and sometime poet who lives in the Pacific Northwest, where flannel shirts are acceptable as formal wear and strong coffee is a way of life. There, in a small Baba Yaga house perched near the entrance to The Hidden Forest, odd characters are brewing with the morning cup, and a strange new world is beginning to take shape . . .

    Note from Marlene: There are over 568 writing prompts on The Write Spot Blog.

    Choose one and Just Write!

  • Tiny Love Stories

    Modern Love is a weekly New York Times column, a book, a podcast — and now, in its 16th year, a television show — about relationships, feelings, betrayals and revelations.

    What kind of love story can you share in two tweets, an Instagram caption or a Facebook post? Tell us a love story from your own life — happy or sad, capturing a moment or a lifetime — in no more than 100 words. Include a picture taken by you that complements your narrative, whether a selfie, screenshot or snapshot. We seek to publish the most funny and heart-wrenching entries we receive. We call them Tiny Love Stories. They are about as long as this paragraph. They must be true and unpublished.

    Love may be universal, but individual experiences can differ immensely, informed by factors such as race, socio-economic status, gender, disability status, nationality, sexuality, age, religion and culture. As in the main Modern Love column, we are committed to publishing a range of experiences and perspectives in Tiny Love Stories. We especially encourage Black and Indigenous people and other people of color to submit, as well as writers outside of the United States and those who identify as members of L.G.B.T.Q. communities.

    Share your story today.

    To read past Tiny Love Stories, go to nytimes.com/modernlove. There is also a book of some of our favorite Tiny Love Stories.

    Click here to read our reader submission terms.