Strengthen Your Writing

  • Strengthen Your Writing

    Ideas for strong writing.

    Use active voice rather than passive voice.

    ~From www.dailywritingtips.com  –  sign up to receive free daily emails with writing tips:

    English verbs are said to have two voices: active and passive.

    Active Voice: the subject of the sentence performs the action:

    His son catches fly balls. Creative children often dream in class.

    Passive Voice: the subject receives the action:

    The ball was caught by the first baseman.
    The duty is performed by the new recruits.
    The dough was beaten by the mixer.
    The mailman was bitten by the dog.

    ~From Manuscript Makeover by Elizabeth Lyon

    Adjectives: Use sparingly and consciously. Overuse indicates a need to find more precise nouns and to show rather than tell.

    Adverbs: Too often, writers use these to beef up weak verbs. Your goal should be to make verbs strong enough to do the work themselves and kill off your adverbs. You won’t be able to get rid of all of them, but circle each one in your draft and use a thesaurus to find strong verbs that characterize and carry emotions as well as convey action.

    Paraphrased from Victoria Zackheim, author, editor, writing teacher

    An adverb modifies a verb and clarifies the action. Avoid adverbs and use strong verbs instead, because adverbs “tell” rather than “show” the action.

    Example:

    “I don’t understand,” said the man angrily, his hands balled into fists. “Angrily” tells, and “balled into fists” shows that he is angry. So, “angrily” is redundant.

    Avoiding adverbs that end in -ly:  “The boy raced quickly along the sand.” If he was racing, we know it’s quickly.

    Adjectives describe nouns. Try using strong verbs so adjectives aren’t necessary.

    Examples:

    “Tears came to her eyes and she looked away” rather than “Sad tears came to her eyes.”

    “A nerve in his jaw pulsed and his fists were clenched” rather than “He was angry and a nerve . . . “

    Verbs are the action words and can be scene stealers when used well. A verb that is used well rarely needs to be modified.  Example:

    “The bear responded angrily and he dangerously revealed his claws.”

    Delete adverbs for a stronger sentence:  “The bear growled and bared his claws.”

    It’s almost never a good idea to use an adverb when writing dialogue. It takes away the reader’s delight to imagine the scene.

    “Do this or I’ll kill you,” he said menacingly, can stand without that menacing adverb, since his comment is menacing.

    There are times when an adverb enhances and clarifies the sentence. For example:

    “The rain fell intermittently.” The adverb “intermittently” tells us that the rain fell off and on.

    “He paid the bill occasionally.”  In this sentence, occasionally is an important adverb.

    Paraphrased from Writer’s Digest magazine, January 2006, “Pick Up the Pace”

    Quick pacing hooks readers, creates tension, deepens the drama and speeds things along.

    Picking up the pace increases tension. How to quicken the pace:

    1. Start story in the middle of the dramatic action, not before the drama commences.

    2. Keep description brief. This doesn’t mean using no description, but choose one or two telling, brief details.

    3. Combine scenes. If one scene deepens character by showing a couple at dinner and a few scenes later they have a fight, let them have the fight at dinner.

    4. Rely on dialogue. A lot of story can be carried by spoken conversation. Readers seldom skip dialogue.

    5. Keep backstory to a minimum. The more we learn about characters through what they do now, in story time, the less you’ll need flashbacks, memories and exposition about their histories. All of these slow the pace.

    6. Squeeze out every unnecessary word. This is the best way of all to increase pace. There are times you want a longer version for atmosphere, but be choosy. Wordiness kills pace and bores readers.

    From Marlene:  Use present tense rather than past tense for “real time” — so the reader travels along with the protagonist as they explore and discover together.

    More on strengthening writing:

    How to be a better writer       

    Vex, Hex, Smash, Smooch by Constance Hale

    Sensory Details – Kinesthetic, motion in writing

    What tips do you have for strong writing? Post your tips on my Writers Forum Facebook Page.

  • Just Looking

    Memorable writing that sparks imagination. Lean in. Hear the writer’s voice on the page.

    Just Looking

    By Ken Delpit

    What’s in a look?

    Quite a lot, actually. Consider looks in their simple verb forms, for instance.

    The meanings range from imperatives to advisories to admonitions to out-and-out warnings.

    Look away. Look up. Look over there. Look down. Look around. Now, look here! Look sharp! Look out! Look at you!

    Or, consider the noun forms. As with its cousin verb forms, noun looks span a range of meanings, from complimentary to critical to probing to mysterious.

    Let’s take a quick look. That is a bad look for him. They kind of gave me a funny look. We need to take a deep look. Now, that is a good look for you. I was left speechless when she gave me that look.

    Or, consider “ing” forms to describe appearances and states, from transitory to reputational to habitual.

    Looking tired. Looking confident. Looking like a winner. No thank you, just looking. Looking surprised. Looking smug and haughty. Looking like you’re enjoying yourself. Looking Good!

    In short, if you find yourself stranded on a desert island, and you have only a few words at your disposal, you could survive pretty well if “look” is among them. Well, that and a solar-powered satellite cell phone.

    Thank you, Ken, for this fun take on the word look.

    Ken Delpit has been writing for quite a while, that is if you count computer programming and technical documentation as “writing.” Since leaving those professions behind, Ken has discovered an exciting new world of creative writing. He is now giddily exploring new devices, such as adjectives, subtlety, mystery, and humans with emotions and feelings.

    Aternatives for the word look, from Daily Writing Tips:

    “Look, it’s perfectly acceptable to use the verb look, but don’t hesitate to replace this fairly ordinary-looking word with one of its many more photogenic synonyms. Many of these substitutions come in especially handy when it comes to finding one word to take the place of look-plus-adverb or look-plus-adjective-and-noun, as the definitions demonstrate.”

    1. Blink: to look at with disbelief, dismay, or surprise or in a cursory manner
    2. Browse: to look at casually
    3. Consider: to look at reflectively or steadily
    4. Contemplate: to look at extensively and/or intensely
    5. Dip (into): to examine or read superficially
    6. Eye: to look at closely or steadily
    7. Fixate (on): to look at intensely
    8. Gape: to look at with surprise or wonder, or mindlessly, and with one’s mouth open
    9. Gawk: see gape
    10. Gawp: see gape (generally limited to British English)
    11. Gaze: to look steadily, as with admiration, eagerness, or wonder
    12. Glare: to look angrily
    13. Glimpse: to look briefly
    14. Gloat: to look at with triumphant and/or malicious satisfaction
    15. Glower: to look at with annoyance or anger
    16. Goggle: to look at with wide eyes, as if in surprise or wonder
    17. Leer: to look furtively to one side, or to look at lecherously or maliciously
    18. Observe: to look carefully to obtain information or come to a conclusion, or to notice or to inspect
    19. Ogle: to look at with desire or greed
    20. Outface: to look steadily at another to defy or dominate, or to do so figuratively
    21. Outstare: see outface
    22. Peek: to look briefly or furtively, or through a small or narrow opening
    23. Peep: to look cautiously or secretively; see also peek (also, slang for “see” or “watch”)
    24. Peer: to look at with curiosity or intensity, or to look at something difficult to see
    25. Peruse: to look at cursorily, or to do so carefully
    26. Pore (over): to look at intently
    27. Regard: to look at attentively or to evaluate
    28. Rubberneck: to look at in curiosity
    29. Scan: to look at quickly, or to look through text or a set of images or objects to find a specific one
    30. Skim: see scan
    31. Stare: to look at intently
    32. Stare (down): to look at someone else to try to dominate
    33. Study: to look at attentively or with attention to detail
    34. Watch: to look carefully or in expectation
    35. Wink: to look at while blinking one eye to signal or tease another person