Category: Just Write

  • Strengthen Your Writing

    Ideas for strong writing.

    Use active voice rather than passive voice.

    ~From www.dailywritingtips.com  –  sign up to receive free daily emails with writing tips:

    English verbs are said to have two voices: active and passive.

    Active Voice: the subject of the sentence performs the action:

    His son catches fly balls. Creative children often dream in class.

    Passive Voice: the subject receives the action:

    The ball was caught by the first baseman.
    The duty is performed by the new recruits.
    The dough was beaten by the mixer.
    The mailman was bitten by the dog.

    ~From Manuscript Makeover by Elizabeth Lyon

    Adjectives: Use sparingly and consciously. Overuse indicates a need to find more precise nouns and to show rather than tell.

    Adverbs: Too often, writers use these to beef up weak verbs. Your goal should be to make verbs strong enough to do the work themselves and kill off your adverbs. You won’t be able to get rid of all of them, but circle each one in your draft and use a thesaurus to find strong verbs that characterize and carry emotions as well as convey action.

    Paraphrased from Victoria Zackheim, author, editor, writing teacher

    An adverb modifies a verb and clarifies the action. Avoid adverbs and use strong verbs instead, because adverbs “tell” rather than “show” the action.

    Example:

    “I don’t understand,” said the man angrily, his hands balled into fists. “Angrily” tells, and “balled into fists” shows that he is angry. So, “angrily” is redundant.

    Avoiding adverbs that end in -ly:  “The boy raced quickly along the sand.” If he was racing, we know it’s quickly.

    Adjectives describe nouns. Try using strong verbs so adjectives aren’t necessary.

    Examples:

    “Tears came to her eyes and she looked away” rather than “Sad tears came to her eyes.”

    “A nerve in his jaw pulsed and his fists were clenched” rather than “He was angry and a nerve . . . “

    Verbs are the action words and can be scene stealers when used well. A verb that is used well rarely needs to be modified.  Example:

    “The bear responded angrily and he dangerously revealed his claws.”

    Delete adverbs for a stronger sentence:  “The bear growled and bared his claws.”

    It’s almost never a good idea to use an adverb when writing dialogue. It takes away the reader’s delight to imagine the scene.

    “Do this or I’ll kill you,” he said menacingly, can stand without that menacing adverb, since his comment is menacing.

    There are times when an adverb enhances and clarifies the sentence. For example:

    “The rain fell intermittently.” The adverb “intermittently” tells us that the rain fell off and on.

    “He paid the bill occasionally.”  In this sentence, occasionally is an important adverb.

    Paraphrased from Writer’s Digest magazine, January 2006, “Pick Up the Pace”

    Quick pacing hooks readers, creates tension, deepens the drama and speeds things along.

    Picking up the pace increases tension. How to quicken the pace:

    1. Start story in the middle of the dramatic action, not before the drama commences.

    2. Keep description brief. This doesn’t mean using no description, but choose one or two telling, brief details.

    3. Combine scenes. If one scene deepens character by showing a couple at dinner and a few scenes later they have a fight, let them have the fight at dinner.

    4. Rely on dialogue. A lot of story can be carried by spoken conversation. Readers seldom skip dialogue.

    5. Keep backstory to a minimum. The more we learn about characters through what they do now, in story time, the less you’ll need flashbacks, memories and exposition about their histories. All of these slow the pace.

    6. Squeeze out every unnecessary word. This is the best way of all to increase pace. There are times you want a longer version for atmosphere, but be choosy. Wordiness kills pace and bores readers.

    From Marlene:  Use present tense rather than past tense for “real time” — so the reader travels along with the protagonist as they explore and discover together.

    More on strengthening writing:

    How to be a better writer       

    Vex, Hex, Smash, Smooch by Constance Hale

    Sensory Details – Kinesthetic, motion in writing

    What tips do you have for strong writing? Post your tips on my Writers Forum Facebook Page.

  • The New Verse News

    The New Verse News covers the news of the day with poems on issues, large and small, international and local.

    It relies on the submission of poems (especially those of a politically progressive bent) by writers from all over the world. The editors update the website every day or two with the best work received.

    What’s best?

    A genuinely poetic take on a very current and specific news story or event.

    TIPS FROM THE EDITOR

    See the website for guidelines and for examples of the kinds of poems the New Verse News publishes. Scroll down to read thesubmission guidelines in the sidebar.

    Paste your submission and a brief bio in the text of an e-mail (no attachments, please) to nvneditor [at] gmail.com

    Write “Verse News Submission” in the subject line of your e-mail.

    Unpublished poems only.

    No payment.

    No simultaneous submissions.

    For an example of what is published, please read:

    “Hope” by Sandra Anfang, founder and host of Rivertown Poets.

  • Six Sentences

    Thanks to Guy Biederman for letting me know about Six Sentences.

    Six Sentences

    It’s simple. Just write six sentences. Write anything you like.

    Guidelines

    Formatting: Six Sentences uses a paragraph format. Six consecutive sentences. No poems, no bullets. Be unconventional if using dialogue. Again, write anything you like, and tell a friend. Peace.

    Guy is a prolific writer who regularly submits his writing to publications.

    Join us to learn the inside story to Guy’s many successes: May 19, 6 pm PST, Free on Zoom, Recovery Writing of Idaho.

  • University Presses


    “The backbone of many university presses’ trade programs is probably familiar: local and regional history, cookbooks, photography books, and other sorts of consumer-friendly titles with an obvious connection to the area or university. But many also offer a home for books that are niche, experimental, challenging in various ways, and/or just kind of weird.” —Adam Rosen, Why You Should Consider a University Press for Your Book, Jane Friedman’s Blog, April 5, 2022

    A few university presses

    Fourteen Hills, The San Francisco State University Review

    The Green Hills Literary Lantern, Truman State University

    Bayou Magazine, University of New Orleans

  • 2022 Voices of Lincoln Poetry Contest

    ❖ The 2022 Voices of Lincoln Poetry Contest 

    The Voices of Lincoln Poetry Contest is open to adult and young poets.

    Everyone is encouraged to enter the contest. Poets do not have to live in Lincoln, CA to be eligible.

    There is no entry fee.

    Poems must be received by Thursday, July 21, 2022

    Young Poets, 18-years of age or under, are encouraged to submit poems and will compete in a special “Young Poets” category. 

    Contest theme: People Are . . . Everything.

    Contest Categories:

    People Are Funny    

    People Are Amazing    

    People Are World Changers    

    People Are Unreasonable  

     People Are Unpredictable

    Contest Rules and Entry Form

    Contact Alan Lowe for more information and for a copy of the entry form.

  • The Disappointed Housewife

    Notes from The Disappointed Housewife editor Kevin Brennan:

    “The Disappointed Housewife is a literary journal for writers, and readers, who are seeking something different. We like the idiosyncratic, the iconoclastic, the offbeat, the hard-to-categorize. Out of the universe of fiction, poetry, and creative nonfiction, we want to attract work that plays with form and presentation. Work that’s not just outside the box but turns the box inside out.”

    Excerpt from Mission Statement

    I took a long time debating whether to launch this literary journal. I wondered whether there’s really a need for another online gazette of literature and image, when readers hardly have time to read their friends’ Facebook pages much less an actual book now and then.

    But I got to thinking, there are an awful lot of writers out there, looking for places to share their work. And while blogs offer a kind of outlet for works of fiction, creative nonfiction, and poetry, they are generally personal, a lot like online diaries in many ways, and most of all they aren’t curated.

    I’ve also found, as a consumer of writing on the web, that I have a hard time finding much of the kind of material I’m really interested in. After a lifetime of reading, I have a taste now for something different. Stories that are made differently, that play with form and presentation.

    Publishing, as a business, tends to incentivize writers to produce what they think will sell.

    Yet there is a place for “high risk” writing, fresh, creative, experimental, idiosyncratic, idiomatic, iconoclastic writing. Writers should be allowed to have their quirks.

    So I decided to forge ahead with this project, to see what comes in over the transom when writers are given the flexibility to “think different,” as Apple used to say.

    I’m afraid that many writers will be disappointed that The Disappointed Housewife declines their work. But it will only be because the editors envision another way the piece could be a better fit, a way that better conforms with the journal’s proclivities. It’s not you, it’s us. Don’t be discouraged. We might suggest some possibilities to you, or you can try again with something that you write with us in mind.

    Just remember, this is the place to find writing (in all its manifestations) that you can’t find anyplace else.

    Submission Guidelines

    Thank you, Guy Biederman, for posting about The Disappointed Housewife on Facebook.

     Guy’s “Language of Lies” posted in The Disappointed Housewife.

    Meet Guy in [Zoom] person:

    May 5 and May 19, 2022: Guy will teach flash fiction writing. Free on Zoom through Recovery Writing of Idaho.

    #amwriting #justwrite #iamawriter

  • Brevity Blog seeks submissions

    Brevity Blog is the place to discuss issues related to the writing of creative nonfiction. “Though we don’t shy away from important issues in the writing community, the Brevity blog can also often be colloquial, personal, and at times irreverent or humorous, and our most popular posts tend to be those that are the least academic.”

    Appropriate topics for the Blog include the craft of writing nonfiction, issues in editing and publishing, writing conference and creative writing classroom experiences, interviews with writers or editors, prompts, close reading of essays or essayists, or specific issues that challenge us as we attempt to capture true experiences on the page. 

    Word Count: 500 to1,000 word range (sweet spot is 850).

    Brevity Online Journal also welcomes submissions.

  • Riddled with Arrows

    Riddled with Arrows is an online literary journal dedicated to writing about writing.

    “We seek (short) metafiction, ars poetica, and writing that celebrates the process and product of writing as art. No restrictions on genre or form, so long as the work is about writing, straight up.”

    Theme Calendar

    Submission Guidelines

    Thank you, Guy Biederman, for letting me know about Riddled with Arrows.

    Guy’s writing, Affordable Shakespeare is in the 5.1 issue of Riddled with Arrows.

    #amwriting #justwrite #iamawriter

  • Write to exorcize what’s haunting you.

    “Write to exorcize what’s haunting you. Write about whatever it is you can’t get out of your head—a person, a place, a fear, a fictional scene, a memory from your past, a fantasy for your future. Allow yourself to think obsessively and shamelessly about only that one thing for as long as it takes to get it down on paper.” —Puloma Ghosh, The Isolation Journals, created by Suleika Joauad.

    This type of writing is like unpeeling layers of emotions.

    Just Write.

    The Isolation Journals is Suleika Joauad’s newsletter for people seeking to transform life’s interruptions into creative grist.

    Both free and paid subscriptions are available.

    Memory Lane offers ideas to spark writing about what a memory from your past, or a fantasy for your future.

    #amwriting #justwrite #iamawriter

  • More Chicken Soup For The Soul

    Do you think submitting stories to Chicken Soup For The Soul books are for someone else, not for you? Do you think you have no chance of your writing being selected?

    Well, I know three people who have had their writing accepted.

    So, why not you?

    One of the key things is to follow their guidelines.

    Thank you, John Lesjack, for letting me know about the holiday topics (deadline 5/1/22).

    John has been published in Chicken Soup books over ten times.

    Nancy Julien Kopp has been published in Chicken Soup books over 20 times!

    Possible Chicken Soup Topics

    Angels (deadline 4/15/22)

    Crazy, eccentric, wacky lovable, fun families (4/30/22)

    Cats (deadline 5/30/22)

    Dogs (deadline 5/30/22)

    How stepping outside my comfort zone changed me (deadline 7/31/22)

    Chicken Soup Holiday Topics

    Are the memories from this past holiday season still fresh in your mind? We sure hope so! That’s why, just a few days into the new year, we are sending this request to you for holiday stories. And we mean the entire season — from Thanksgiving to Christmas to Hanukkah to Kwanzaa to Boxing Day to New Year’s. We want stories about every one of them.

    We want holiday stories that share your traditions and memories of normal times — pre-pandemic. We want your holiday stories that share how your traditions and celebrations changed because of the pandemic. Please remember to make sure your submissions are “Santa safe” so we don’t spoil the magic for our precocious readers!

    Here are some suggestions but don’t let these limit you. We know you can think of many more.

      • New holiday traditions started — and to be continued?
      • Thanksgiving — holiday fun, disasters, and family bonding
      • Hanukkah — all by itself or incorporated into your Christmas tradition
      • Kwanzaa — traditions and celebrations
      • Boxing Day — traditions and celebrations
      • The weeks leading up to Christmas — anticipation, energy, the kids
      • Using technology, Zoom or FaceTime gatherings instead of meeting in-person
      • Decorating — oh, how we love to do that!
      • Undecorating — oh, how we hate to do that!!
      • Shopping and finding the perfect gift
      • Shopping on-line only — hits and misses!
      • Staying home instead of traveling
      • Holiday humor — things that went wrong
      • Holidays through the eyes of the children
      • Around the table — eat, eat, eat and be merry
      • Family reunions
      • Unique gifts, creativity, the best gift you ever gave or received
      • Unique gifts, creativity — the worst gift you ever gave or received!
      • Regifting
      • Happy New Year!
      • Holiday miracles, amazing coincidences, answered prayers
      • Gratitude, counting your blessings
      • Seeing the silver linings
      • Forgiveness and how you used it during the holidays
      • Family dynamics — milestones, tender moments, epiphanies
      • What you learned during the holidays

    All stories and poems need to be true.

    No longer than 1,200 words.

    Written in first person.