Carve Magazine offers a unique take on declined submissions.

  • Carve Magazine offers a unique take on declined submissions.

    Carve Magazine Submissions Guidelines sound pretty friendly, like they are just waiting for your manuscript which they might read over blackberry pie and coffee.

    “We accept short story, poetry, and nonfiction submissions year-round and from anywhere in the world. Send us your best work. We’d love to read it.”

    A partial list of Submission Guidelines:

    FICTION

    Carve seeks good honest fiction in the form of short stories, with emotional jeopardy, soul, and honesty.
    POETRY

    Carve seeks poetry that is both quiet and expansive; elicits an authentic emotional connection. Every word should purposefully add to the voice, sound, and imagery.

    NONFICTION

    Carve seeks nonfiction that reflects the honest place of literature in our lives with experiential reflections and literary overlays, inlays, or even underlays. ‘Tell us what happened and how we, as literature lovers, connect to it.”

    Unique to Carve:  DECLINE/ACCEPT 

    We want to support all writers, even the ones we don’t publish. If we decline(d) your story and it’s accepted elsewhere, let us know. We might ask to feature an excerpt and a recap of your experience in our Premium Edition.

    Complete Submission Guidelines for Carve.

    Consider using Carve’s Editing Services to get a professional critique direct from the editor.

    Carve

     

     

  • Our Tribes . . . Prompt #273

    I’m thinking about our connections with one another. This excerpt seems timely.

    Your Mythic JourneyExcerpt from Your Mythic Journey by Sam Keen and Anne Valley-Fox

    “Pre-modern people didn’t think of themselves as individuals — they were members of a tribe as well as of a family. Ancient philosophers knew that human dignity begins with ‘We are a people, therefore I am.’ Modern people are tribal too but we call our tribes by different names —  churches, corporations, states, nations. Each of us was nurtured within and shaped by several corporate bodies, voluntary organizations and professional corporations that molded our values and behavior — schools, athletic teams businesses, clubs, temples, and local, national, and international governments.”

    Prompt:  I am from . . .

    Or: What uniforms or emblems have you worn?

    Or: What groups have you been a member of?  Brownies, Blue Birds, Daisies, Girl Scouts, athletic groups, sorority, secret clubs.

  • Threads Connect Generations Prompt #272

    I’m thinking about ancestors this week and how we inherit some of their traits, like threads weaving from one generation to the next, connecting us.

    For this prompt, remember your grandfather, your father or an uncle doing something he likes, or liked to do, whatever it is or was.  If they built something or maintained something . . . picture what that looks like.

    Take a deep breathe in. Let it out.

    Now, think about your grandmother, your mother, or an aunt, doing something she likes, or liked, to do,  whatever it is or was.

    If she built something, or made something, picture what that looks like.

    Go back a generation or two or three, before electricity, before modern conveniences, pioneer days.

    Picture your grandfather or grandmother or great-grandparents. If you know how they spent their time, picture that.

    If you don’t know how they spent their time, use your imagination.

    Perhaps someone chopping wood for the fireplace.

    Maybe great-grandmother is sitting by the fire, with her needlework on her lap. Perhaps she wears a contented smile as she darns, or knits, or crochets.

    Deep breathe in. Let it out.

    Maybe she reflects on her ancestors, those who told stories either orally or through their needlework.

    Heart quilt wall hangingMaybe you remember a special quilt, or a tablecloth or a doily—something your grandmother, or her mother, or her mother made—maybe an embroidered pillowcase or a sampler.

    This is where we come from—these ancestors. We are hand-me-downs of these people. We have their characteristics, their traits, their mannerisms.

    Writing Prompt: When you’re ready, write about something an ancestor made.

    Wall hanging quilt made by Marlene’s sister, Janet.

  • Creative Nonfiction literary magazine

    Creative Nonfiction Literary magazine publishes nonfiction prose such as “long-and-short-form nonfiction narratives [and] columns that examine the craft, style trends and ethics of the nonfiction writing life, [as well as] interviews with established writers.”—Writer’s Digest, July/August 2016 issue.

    Lee Gutkind, Founder and Editor of Creative Nonfiction:

    “In some ways, creative nonfiction is like jazz—it’s a rich mix of flavors, ideas, and techniques, some of which are newly invented and others as old as writing itself. Creative nonfiction can be an essay, a journal article, a research paper, a memoir, or a poem; it can be personal or not, or it can be all of these.

    The words ‘creative’ and ‘nonfiction’ describe the form. The word ‘creative’ refers to the use of literary craft, the techniques fiction writers, playwrights, and poets employ to present nonfiction—factually accurate prose about real people and events—in a compelling, vivid, dramatic manner. The goal is to make nonfiction stories read like fiction so that your readers are as enthralled by fact as they are by fantasy.”

    “We look for a balance of style with substance—suspenseful, information-rich, well-written, lively narratives that tell us something and that might help change the way readers understand the world. . . We would love to see more diverse voices, reflecting a wider variety of experiences. We’re also happy to see work with strong research or elements of reportage.” —Writer’s Digest excerpt from Standout Markets, July/August 2016 issue.

    Writer’s Digest Exclusive Online Tips for Submitting to Creative Nonfiction features tips such as: Keys to breaking in: Try our daily Twitter challenge: we feature the best #cnftweets in the print magazine and online.

    Creative Nonfiction

     

  • “Show” Using Dialogue . . . Prompt #271

    Today’s writing prompts are about “showing” through dialogue.

    Show what characters are thinking, show their personalities, their quirks, move the story forward through dialogue.

    Remember, with freewrites, the writing is spontaneous. There is no crossing out.  This could be called “practice writing,” as Natalie Goldberg says.

    With dialogue we can show character, scene and drama.

    Use these prompts for practice writing. Respond as your fictional characters would respond.

    Or, respond in the first person, “I,” with yourself as the primary character . . . You playing the character of you.

    Prompt: Write a scene, where two characters talk about what they are afraid of.

    Prompt: Same or different characters. One confesses “I’ve lied about . .  .”

    Prompt: Same or different characters: “I wish I would not have . . . ”

    Taylor. Cat On a Hot Tin RoofYou can have a turning point – where the drama takes an unexpected turn, excitement mounting.

    Throw is some twists, turns, surprises. After all, people are surprising, aren’t they? You expect one thing and something else pops up.

    Use this writing for fun . . . “What would happen if. . . ”

    Use this writing to understand what happened in your life.

    Just write!

    Elizabeth Taylor and Paul Newman in Cat On A Hot Tin Roof.

  • Joys and discoveries when re-reading books.

    Do you feel guilty when you re-read a book (on purpose, not because you forgot you previously read it)?

    Juan Vidal wrote a thoughtful essay about the joys and discoveries one makes when re-reading.

    “Returning to a book you’ve read multiple times can feel like drinks with an old friend. There’s a welcome familiarity — but also sometimes a slight suspicion that time has changed you both, and thus the relationship. But books don’t change, people do. And that’s what makes the act of rereading so rich and transformative.

    The beauty of rereading lies in the idea that our engagement with the work is based on our current mental, emotional, and even spiritual register. It’s true, the older I get, the more I feel time has wings. But with reading, it’s all about the present. It’s about the now and what one contributes to the now, because reading is a give and take between author and reader.”

    Excerpted from: “You Can Go Home Again:  The Transformative Joy Of Rereading,” by Juan Vidal, NPR, April  17, 2016 NPR. KQED Public Radio.

    Bono.What Have We Here

    What books have you re-read?

    Note from Marlene:

    I have re-read so many favorites, it would be a long list.

    One of my all-time favorites to re-read is What Have We Here,  by Susan Bono.

  • Just when the caterpillar thought her life was over . . . Prompt #270

    Monarch butterfly Just when the caterpillar thought her life was over, she began to fly.

    If you have been following the prompts on The Write Spot Blog, you know what to do.

    If you are new to freewriting: set your timer for 15-20 minutes and just start writing. Write whatever comes up for you. Shush your inner critic, invite your internal editor to sit outside the room. This is your time to write freely and openly. Just as the caterpillar’s cocoon morphs into a butterfly, let your writing become whatever it wants to be. Just write.

  • I’m sorry you are experiencing this.

    Flashlight beam blueThis Write Spot Blog Post is inspired by The Writings of Tim Lawrence, The Adversity Within, Shining Light on Dark Places.

    Tim offers ideas in his blog post about helping someone who is grieving:

    “I acknowledge your pain. I am here with you.”

    “Grief is brutally painful. Grief does not only occur when someone dies. When relationships fall apart, you grieve. When opportunities are shattered, you grieve. When dreams die, you grieve. When illnesses wreck you, you grieve.

    So I’m going to repeat a few words I’ve uttered countless times:

    Some things in life cannot be fixed. They can only be carried. 

    These words come from my dear friend Megan Devine, one of the only writers in the field of loss and trauma I endorse. These words are so poignant because they aim right at the pathetic platitudes our culture has come to embody on an increasingly hopeless level. Losing a child cannot be fixed. Being diagnosed with a debilitating illness cannot be fixed. Facing the betrayal of your closest confidante cannot be fixed.

    They can only be carried.”

    —Excerpt from Tim Lawrence, 10/19/15 blog post, “Everything Doesn’t Happen For A Reason.”

    Note from Marlene: Some people think everything happens for a reason and this is a comforting thought for them. Others do not think everything happens for a reason. Grief can be difficult no matter what your beliefs are about why it happens.

    Suggestion from Marlene:  When someone is having a difficult time, instead of saying “Everything will be okay,” or “This, too, shall pass,” how about:

    “I’m sorry you are experiencing this.

    If you are experiencing grief that you can’t shake, please seek professional help.

    It might help to write about your situation. Please be careful not to re-traumatize while writing. For ideas on The Write Spot Blog about healing through writing, click on How to write without adding trauma  and Pema Chodron’s Things falling apart is a kind of testing.

  • Enter Writer Advice Contest And Receive Feedback.

    If you want your writing to be published, you have to submit.

    If you want to be a better writer, you need feedback.

    You can get both when submitting to Writer Advice contests.

    B. Lynn GoodwinB. Lynn Goodwin, founder of Writer Advice, reads every manuscript submitted. She will give you excellent feedback, tell you what’s working and identify anything that trips her up.

    I first met Lynn in a writing workshop in Berkeley, CA, summer of 2007. I admired her writing then and admire her editing skills now.

    Lynn’s tips on how to win a contest:

    Entice. Grab attention. Make the reader want to know more. Give reasons for the reader to care.

    Due by September 1: Scintillating Starts:  Middle Grade, Young Adult, or New Adult novels. 1000 words or less. Fee: $15. First prize: $160. Second prize. $50.

    Due by December 1: Scintillating Starts: Fiction, memoir, or creative non-fiction. 1000 words or less. Fee: $15. First prize: $160. Second prize. $50.

    Click on Contest Guidelines for complete rules for submitting to Writer Advice contests.

  • Does your heart hurt? Prompt #269

    Broken heartDoes your heart hurt?

    I’ve been hearing “My heart hurts” from  several friends these past few days. And when I hear their stories, my heart hurts, also.

    What to do?

    I believe in healing through writing. So, let’s write.

    Write about: Does your heart hurt?   Write all the details you can about this.

    What happened?  Write all the details that you know. If you were directly involved: Be as detailed and as explicit as you can.

    When did it happen?  Day of week? Time of day? Where did it happen? Who was involved?

    What were you wearing? Were you standing or sitting?

    If you weren’t directly involved: Write as many details as you know. Then, focus on why you are affected. What connects you to what happened? Why are you affected so strongly?

    Read the next part after you have written about why your heart hurts and how and why you are affected.

    Okay, I know, if you are like me, you will read the whole thing now and write later. That’s fine. Go ahead and read the next part.

    Louise De Salvo, Writing As A Way of Healing, says by writing our stories fully, we can begin to understand what was formerly unclear.   By writing, we can understand what we didn’t previously understand. What we’re writing is called a narrative.

    In order to come away with this as a learning experience and with a good feeling, we need to make this writing a healing narrative.

    A healing narrative is a balanced narrative.

    This type of narrative uses negative words to describe emotions and feelings …. Probably what we just did in our writing about a hurting heart. A healing narrative also uses positive words.

    Take a minute now to rethink your experience that you just wrote about and see if you can find something positive and hopeful about your encounter.

    Even if your event was traumatic and extremely unpleasant, is there anything positive you can add to your narrative?

    Write: Take a few minutes to write about something good — anything — that came from that experience.

    For example, after writing about my difficult situation, I realized I was right to pay attention to my intuition.

    How are you feeling now? Take a few minutes to jot down what you are feeling now.

    Go ahead. Write down your feelings. Even if you didn’t write on the prompt. . . take a few minutes to jot down your feelings. Later, when you write on the prompt, compare your feelings then with now.

    You can use writing to shift your perspective. Sometimes you can’t change the situation that’s causing you pain. You can change how you look at it.

    The key is to write about events and the emotions surrounding those events.

    James Pennebaker describes this in his book, Opening Up.  Healing starts when you write about what happened and how you felt about it then, and how you feel about it now.

    And in order for our writing to be a healing experience, we need to honor our pain, loss and grief.

    As we write, we can become observers. It is not what you write, or what you produce that is important. It is what happens to you while you are writing that is important.

    So, that’s why we write . . . to understand ourselves, our emotions and our world.

    Please, if you are feeling completely overwhelmed, seek professional help.

    For more details on how to write about difficult topics: please click on How to write without adding trauma.