Being optimistic is like a muscle . . .

  • Being optimistic is like a muscle . . .

    “Being optimistic is like a muscle that gets stronger with use. Makes it easier when the tough times arrive. You have to change the way you think in order to change the way you feel.” — Robin Roberts, Everybody’s Got Something, her memoir.

    Note from Marlene:  Sometimes the sweetness of serendipity brings tears to my eyes. I have a list of quotes to post on Thursday Quote Day on The Write Spot Blog.  This one, by Robin Roberts, was next in line when I looked in my quotes file. I booted up to post the quote and surprise!  There was a post waiting for approval by marcyt, writing about cancer and doctors and well, you should read this one.

    robin robertsMarcyt’s post is in sync with Robin’s quote.  Thank you, marcyt, for your lovely, poignant, gorgeous writing.

    Everyone:  Please . . . do make comments on any of the posts on The Write Spot Blog. I welcome your participation.

  • How has writing changed your life? Prompt #73

    Today’s prompt: Write about how writing has changed your life, or an aspect of your life.

    My Journal.1

    Submit your 600-word essay reflection on the writing life by emailing to Writer’s Digest magazine at:   wdsubmissions@fwmedia.com with “5-Minute Memoir” in the subject line.

     

  • Start with something that really happened . . .

    In Escaping into the Open, The Art of Writing True, Elizabeth Berg (one of my favorite authors) writes:

    Whenever people ask me where I get my material, I am genuinely befuddled. “Well . . . from life!” is what I usually say. . . . each of us, no matter who we are or what we do, is offered potential story ideas daily. The people we know, the things that happen to them and us, the random scenes we witness and the conversations we overhear — all of these things are rich with raw material; all of them are capable of serving as a vehicle or springboard for a good story, in one way or another. We need only be aware. We need only be awake, and curious, and willing to share.

    Berg.Escaping

    Note from Marlene: Last night in the Jumpstart writing workshop that I facilitate, this very thing happened. I took a real life experience, wrote it in the third person, changed a few facts and ta-da . . . a freewrite based on a true experience.

    Your turn: Start with something that really happened and write about it. Just write.

  • It happened because . . . Prompt #72

    Set your timer for 12 minutes. Start by writing “It happened because”  . . . then write for 12 minutes without stopping.

    No thinking. No crossing out words.  Just write.

    WatchIt happened because . . .

  • You’re doing what? Magazine submissions.

    Adair Lara talked about publishing in magazines during her Summer 2009 Writing Class, giving me the idea for this blog post.

    1. Research . . . really research. . . where you could send your writing. Make sure the publication you have in mind publishes the type of writing you want to submit. Read the magazine you hope to be published in cover-to-cover, including the ads. Notice the tone of the articles/essays. Research the demographics . . . make a list of who the ads are geared towards (age, gender, lifestyle, socioeconomic). Make sure your article/essay fits those demographics. You can research magazines at libraries and ask for magazines from: hairdressers, medical offices, etc. Of course, buying magazines is good. We want to support our local vendors, but sometimes we need to use free resources.

    2. Look at the magazine’s masthead. . . this is in the first few pages of the magazine where the names of editors and contributors are listed. Flip through the magazine, making a list of writers’ names. Compare that list to the names in the masthead. . . If the ratio is high, in favor of the editors, then the magazine uses their own writers, rather than freelancers.

    3. Article written? Check. Research done? Check. Now what? Go to the publication’s website to find the name and email of the appropriate editor for the column/feature/where you want to submit. You can type “Submissions + name of publication” into the search engine of your choice (Google, Firefox, Internet Explorer, etc) to research submissions information.

    You can also type “How to publish in magazines,” using the research tool of your choice, to read about publishing in magazines.

    Think about specialized, or “niche” markets: Your alumnae news, or a specialized newsletter in a field that would be interested in your article/essay. For example, an article about relaxation, stress reduction techniques might work in Autism Parenting Magazine.

    Check out writing magazines (Writer’s Digest, The Writer, Poets & Writers, etc.)  for places to submit articles.  Look into Writers Market for information on “where and how to sell what you write.”

    You can also write posts for blogs.

    Sweatpants & Coffee: “A bastion of comfort and sanity in an often uncomfortable world” is looking for writers.

    The Write Spot Blog is looking for guest bloggers and book reviewers.

    Essays. . . how to write them. . . take a class from Adair Lara.

    One of my all-time favorite essays by Adair Lara is “Reconciling Tastes.

    Adair.at adair's house book“You’re doing what?

    So you do a simple everyday thing like you and your husband moving in with your ex, and people raise their eyebrows.”

    Adair’s funny and poignant story about their domicile arrangements was published in California Magazine, 2011.

    “Literary magazines, even ones that do not offer payment, can bring great value to your writing career. Publication adds to your credibility when applying to MFA programs or querying agents and editors.” — June 2014 The Writer Magazine lists literary magazines accepting submissions.

    Do you have a recommendation of magazines to write for? Share your ideas in the comments section below. First, you need to register, then it’s a simple log-in to The Write Spot Blog.

     

  • Guest Blogger Adair Lara talks about her latest obsession.

    Guest Blogger Adair Lara writes:

    Voice in writing is my new obsession. I’ve been talking nonstop to my memoir students about it until they all look at me cross-eyed. “You must think of your experiences as material! And of yourself as a character!” Many of them have been taking the workshop with me for years, climbing the three flights of steps every Saturday to the redwood attic of the Victorian house I live in.

    I was all about identifying the emotional beats of the arc when some of them started. They must have been sick of hearing me say, “What’s the beat?” (The wine Lee Anna brings helps). And they must have been surprised –why had I not mentioned this new approach before, if it was so important?

    Well, I didn’t because even though voice is the most obvious thing in the world, we don’t see it.

    It’s also all agents and editors care about in the memoirs they are sent these days. They’re looking for a vivid, quirky narrator with an engaging voice. The subject? Comes in second. You think you’re the only one who fell out of a prop plane in the Andes and captured by a lost tribe, and go online and find it happened to six other people, all of whom have written memoirs and already have agents. With a great voice, though, you can write about that or any other damned thing you please and get into print. For example, the agent who received a manuscript of a memoir called Candy Girl by a former stripper-for-a-year named Diablo Cody said:

    “I wasn’t interested based on the subject matter alone. Stripping had been covered before (no pun intended), and I didn’t think the author was likely to add much to an already crowded market. But then there was the voice. After just one paragraph, I was a) completely convinced that stripping was the solution to all of her problems, b) laughing uncontrollably, and c) definitely interested in being along for the entire ride, or at least 250-plus pages.”

    “Personality” is another word for voice, really. If you don’t like a person’s personality, you don’t want to hang out with them. If you don’t like a book’s personality, you don’t want to hang out with it, either. I know that the number one reason I pick up a book or put one down is because I like the voice or I can’t stand the voice. There doesn’t seem to be much in between for me. The subject is not a factor. I can happily read Anne Lamott talking about Jesus—not an interest I share –because she is so funny and smart and self-deprecating.

    Adair.Bill

     Note from Marlene:  Adair Lara is also smart and funny . . . take a class with her to learn more about “voice in writing.” This post is an excerpt from Adair’s book in process. I’ll post a book review as soon as the book is published and I have read it.  If you would like to be a Guest Book Reviewer for The Write Spot Blog . . . Let’s talk! Send me an email.  mcullen@comcast.net

    Adair and Bill on San Francisco Bay, Alcatraz in the background.

  • I read it on Facebook.

    Thursday is Quote Day on The Write Spot Blog. I like to post something interesting someone has said, or pithy or memorable. Adair Lara’s writing matches all three.

    Adair Lara comments, lifted from Facebook:

    “Facebook is destroying small talk. You open your mouth, and they say, ‘I know, I read it on Facebook.’” — January 24, 2014

    Adair on Passwords: “I recall, children, a time when you didn’t have to spend part of each day trying to remember passwords, looking them up in your password file cleverly called something else, like sammy’s dog, putting them in wrong, having to get the password from the site which entails remembering whether you said the name of your maternal grandfather was Tom or Thom, and then having your new password being called weak or strong, and capitalizing the “H” to please them (you’ve employed a variation of the same password since you were 36) and repeating this fricking exercise ten times a day, when who cares whether somebody can get into your toon photos account or not?” — February 6, 2014

    Want Adair humor in person? Take her class, information posted on Facebook, May 8, 2014:

    Shouldn’t you finish that book?

    You put a lot of work in on it, and then laid it aside, or got too busy at work, or lost faith in it.

    Before that, though, you put a lot of time and talent into it.

    You might enjoy a day at my house entirely devoted to writers with stalled projects. I’ll help you decide whether to take it up again, and providing you by the end of the day with a specific plan for doing just that –and perhaps a writing partner, or writing group, to boot. You might decide to at least try to carve some sellable essays out of it.

    Also I’ll give you some killer voice exercises I’ve been developing. You will certainly enjoy meeting your fellow writers. For those who have a completed draft, we’ll talk about publishing/self-publishing.

    Get ready for the workshop by: a) assembling your manuscript and reading it b) researching the competition on Amazon.

    Limited to 15. $175 Sunday June 22 9-4:30 45 minutes off for lunch

    Adair.FB.1

     

     

    Contact Adair:
    Adair.lara@gmail.com

  • Details prove it happened. Prompt #71

    In her book, Naked, Drunk and Writing, subtitle: Writing Essays and Memoirs For Love and for Money, Adair Lara talks about details.

    “The terms ‘image’ and ‘detail’ are often used interchangeably. A concrete detail, for example, is said to be one that appeals to one of the five senses.”

    “Details prove it happened. If you say you are late because you hit traffic, the boss may squint at you, but if you say some bozo in a Mini-Cooper tried to drive along the margin of the road on the Waldo Grade and hit a gravel truck, spilling rocks across the road and blocking all the lanes in both directions, you have a shot at being believed.”

    Today’s prompt, from Naked, Drunk and Writing:

    “Write a list of details from your childhood.” Being about the same age as Adair, my list contains items on her list: milk delivered in glass bottles, metal ice cube trays with levers, cap guns, hula-hoops.

    My list also includes hair dryers with hoses attached to giant shower caps, empty and clean orange juice cans used as hair curlers, manual typewriters, carbon paper, white-out for typing errors.

    “Select a memory from your childhood. What did you feel at the time of the event? Go through the senses of touch, smell, sight, hearing, and taste. Describe the colors you remember and how the event made you feel. What impact has this memory had on you? Invent the details you don’t remember.” (One of the things I love about Adair . . . her free spirit . . . her go-for-it attitude.)Adair. gold star

    Prompt: Write about a memory from childhood using detail (detail = things that can be seen, felt, heard, smelled, tasted).   Use information from Prompt #70 for pacing.

  • Want to be a writer? Just write!

    In Naked, Drunk, and Writing, Adair Lara writes “I grew up in the San Geronimo Valley . . . a bookstruck little kid sitting on a stump writing stories.”

    She continues with “Writing was easy then. I used my dad’s square carpenter pencil to cover sheet after sheet with stories of dogs that rescued families from a flood or a fire.”

    Note the details: Can you see the carpenter pencil? I see a yellow pencil and I can see that little girl hunched over, earnestly scribbling.

    Adair began her writing career as copyeditor at San Francisco Focus magazine. Her friend Cynthia, the production editor, also wanted to be a writer. They started partner writing, swapping freewrites and returning them with the good stuff highlighted in yellow. “That first writing club, as we called it, changed my life. It made me a writer by giving me the confidence to be one.”

    Adair has published “some ten books or so, including several collections of columns.” Her work has appeared in many other magazines and newspapers, both in print and online.  She is currently a columnist for Grandparents.com

    Adair teaches writing workshops, which I had the good fortune to attend in the summer of 2009. What a treat!

    How about you? Do you want to write but don’t know how to get started? You can join a writing group in your community, find a partner to exchange writing with, or join an online writing community like this one, The Write Spot Blog.

    LolaJust write!

  • Find the right pace. Prompt #70

    In Adair Lara‘s book, Naked, Drunk, and Writing, she talks about pace.

    “Add more images where you want to slow us [the reader] down, fewer when you want to speed up. This is called pace.”

    In a writing workshop, Adair said, “To slow down, give more detail, give unexpected detail, detail that moves story forward.”

    Today’s writing prompt is either, or, or both.

    Either take one of the story starts below (these are from Adair’s writing class) and keep writing, using detail to slow the story down or minimize detail to speed the story up.

    As Adair writes in her book, “The more important a scene or character, the more image and detail it gets.”

    OR: Have fun writing a scene with too much detail. Tell us way more than we need to know. Write a spoof on how to write too much detail.

    Use any of these lines to get started:

    I had to try something different so I . . .

    All the time I was thinking that . . .

    The turning point came when . . .

    BOTH: Write using too much detail. Rewrite the same scene with much less detail.

    Photo of a collection of aLara.Students books smallish grouping of a partial compendium of a few of the print books using the paper method of publishing that have been produced by proud and able and hard-working students of classes of the writing kind taught by the amazing Adair Lara.

    Books published by Adair Lara’s students.