Sindee reveals her secret

  • Sindee reveals her secret

    The Chronicles of Sindee

    Volume 6:  Sindee reveals her secret

    By Su Shafer

    The moon was waxing, getting near to full. She could feel it growing in the night sky. The soft fluttering of wings inside, near her heart. Every night they grew more insistent and she knew that tomorrow night or maybe the next, they would take over: she would change.

    The fluttering inside made it hard to sleep. Sindee lay awake in her crib, staring at the patterns in the lace canopy. Stuffy was quiet beside her, but she didn’t think he was asleep.

    “Stuffy, are you asleep?”

    “No. Are you?”

    “Obviously not,” Sindee replied, annoyed. She sighed. Stuffy wasn’t the brightest sometimes, but given his tiny dinosaur brain, what could she expect?

    “I guess I should tell you something,” Sindee went on. “Something important, that I’ve been keeping secret.”

    “Oh boy, a secret!” Stuffy chirped, flapping his little flipperesque T-rex arms.

    They both turned on their sides to face each other in the crib. “I want to know all your secrets!” Stuffy said breathlessly. He was very excited.

    “I guess you will since you live here now,” Sindee said. “I hope you won’t be scared.”

    “I’m a T-rex, King of the dinosaurs! Nothing scares me!” Stuffy replied indignantly.  

    “Good. Because tomorrow night, when the moon gets full, I’m going to change into something …” She paused for dramatic effect, “else.”

    “YOU’RE A WEREWOLF!?” Stuffy cried.

    “Certainly not!” Sindee huffed. “I’m a were-moth.”

    “Oh,” Stuffy said, frowning.  “What’s that?”

    “I’m not sure. I think I’m the only one. One night, when the moon was full, I started feeling really funny. Then I noticed I was getting fuzzy all over and these beautiful green wings popped out and well, I just started flying! I thought it was a dream at first, but it’s happened a few times now, and it’s no dream.”

    Stuffy stared at her gravely. “Gosh. That sounds kind of painful, but also pretty neat.”

    “It is. Not painful, I mean. It happens so fast! One minute I’m just lying here, the next minute I’m flying around.”

    They both fell silent for a moment while Stuffy processed the information. “And this happens every full moon?”

    “Yes. And I can feel it’s going to happen again tomorrow, so I thought I’d better warn you.”

    “Oh.” Stuffy’s eyes went wide as a thought struck his tiny brain. “Do were-moths eat baby dinosaurs!?” he squeaked.

    “Don’t be silly! Moths don’t eat dinosaurs!” she admonished. “Mostly they just seem to flutter about.”

    “Whew!” Stuffy sighed. “Sounds cool.  Can I do it too?”

    “No, you’re a dinosaur. You have to stay here. And be fierce,” she added, seeing Stuffy deflate with disappointment. “And guard the crib.”

    Stuffy perked up again. “OK. I’ll be good at that.”

    Sindee looked at her chubby friend with his stubby arm flippers and plush fabric teeth. “You are very fierce,” she said. “Wanna cuddle?”

    “Always!”

    Su Shafer is a creative writer and sometime poet who lives in the Pacific Northwest, where flannel shirts are acceptable as formal wear and strong coffee is a way of life. There, in a small Baba Yaga house perched near the entrance to The Hidden Forest, odd characters are brewing with the morning cup, and a strange new world is beginning to take shape . . .

  • Hygge . . . Prompt #569

    Hygge: “A quality of coziness and comfortable conviviality that engenders a feeling of contentment or well-being, regarded as a defining characteristic of Danish culture.”

    I bought some pasture-raised eggs the other day and was intrigued by the little information sheet tucked inside the egg carton:

    Naturally Hygge Hens

    “Without ever stockpiling cuddly blankets or chunky candles our hens instinctively practice the Danish art of hygee all winter long. Their pasture-raised lifestyle means crisp days spent together enjoying the simple things – tasty grasses, crunchy critters and warm sunshine. As evening falls, they rest in the safety and comfort of the barn. Days with friends and cozy nights with not a screen in sight!” (Vital Farms)

    Since then, I learned there is a Hygge Facebook page.

    The following is excerpted from the February 2017 issue of Charlotte at Home.

    How to achieve hygge at home

    Because simply defining the term with words like “coziness” and “togetherness” does not do hygge justice, it is up to you and how you interpret the pleasantness of good company in an inviting atmosphere. Hygge is a sense of intimacy created in any space at any moment. It makes guests feel welcome and warm. Since Scandinavian winters are known to be bleak, the concept of creating comfortable retreats became paramount to the Danish people and their happiness. Some quintessentially hygge elements are below.

    Texture

    Soft, fur blankets and luscious rugs. Knits and plush items are musts for an inevitably warm, welcoming atmosphere.

    Candles

    Speaking of warmth, there’s nothing quite like a flickering flame to make a place feel like home.

    Note from Marlene: I use battery operated candles that flicker like real candles. I am nervous about real candles due to a house fire caused by a candle (years ago, but still nervous).

    Enjoy the Simple Things

    Delving more into the term’s definition as it relates to “moments” and “feelings,” the act of enjoying the simple things in life is supremely hygge. Take a moment to truly enjoy your morning coffee. Treat yourself to an indulgent bubble bath. Venture outdoors for a long walk with nature. Creating a hygge lifestyle encompasses a variety of areas beyond home design, just as your home’s design can completely improve the way you live.

    Phone Friends

    Gathering with people is another important aspect of this Danish concept. Invite friends over for a weekend lunch, and create an atmosphere that allows for visitors. Simple changes such as ensuring there are enough chairs around a table make a big difference. To hygge with friends is also a way to bond and uplift others as you connect over wholesome food and feel-good drinks.

     Note from Marlene: Zoom works, too, Invite friends to a Zoom party, or a singalong with Diane Dupuis.

    Take Time

    Life is fast, and hygge reminds you that it doesn’t always have to be so fleeting. Slow down. Enjoy the moment. Take the time to indulge in the time you’re given, and be present.

    Note from Marlene: Be present. Re-consider multi-tasking . . . rather, consider being mindful and focusing on one thing at a time.

    Writing Prompt: What is your hygge?

    Or: What can you do to create hygge?

  • Letting Cancer Change Me

    By Carol Harvey

    Eight years ago, I lay in an icy cold medical room, convinced that my presence there was a case of mistaken identity. I’d had a routine mammogram a week before and thought nothing of it. I was annoyed when I was called back for a second mammogram on the first day of my daughter’s spring break. We had plans to do something fun that day. This was not it.

    Immediately after the inconvenient mammogram I was steered into a biopsy room. I chatted with the doctor and radiology tech during the procedure and they answered my naive questions. I then explained that I couldn’t possibly have cancer because I was a self-employed single mom. In just a few months I was going to be an empty nester. Cancer or any life-threatening illness was just not part of that plan. Besides I felt fine.

    Right after I said I can’t have cancer, I noticed a teeny glint in the doctor’s eye and the tech mentioned that her mother was a 25-year breast cancer survivor. That’s when I knew. I had cancer. News flash. Cancer does not care about your other plans. Cancer does not follow social etiquette and wait for the best time to interrupt your life. Cancer made its own plans for me.

    When I was diagnosed with cancer on that otherwise lovely spring day in 2013, I could not have been more unprepared. I was not in an at-risk group and lived a relatively healthy life. I never thought about statistics as personally relevant. Yet here I was, about to become one of the 1,660,290 people who would be diagnosed with cancer in 2013. A daunting stat and a startling reality.

    There was a seismic shift in my world that day and in the months that followed. I knew cancer would change me, if I was lucky enough to survive it. I knew I didn’t have much of a choice in the “live or die” part, but I wanted to have a lot to say about living in the meantime. I knew surgery, chemotherapy, radiation and additional treatments to address the side effects of the original treatments would be tough. At best, there would be a new normal. I was determined that my new normal reflect my values in a more substantial way than my pre-cancer life did.

    I didn’t quit my job and move to a foreign country. However, I also didn’t quickly rule it out. Later when my brain resurfaced, I thought about what made me happy and gave me purpose. I considered how I wanted to spend the unspecified, but now strikingly finite amount of time that was the rest of my life.

    During active treatment, there were very real physical and emotional constraints as to what I had the time and energy to do. For a while, walking to my mailbox was effort. Naps were a given. I prioritized mindful relaxation. I focused on my breath and let my mind embrace peace. My to-do list became simple: take the best care possible of myself every day. Surprisingly, I didn’t stress about what else needed to be done. The get-stuff-done part of my personality gave way to a focus on healing. I had to heal in order to get stuff done. Further into treatment, as I regained energy, I thought about what I valued most. I made sure I was giving my limited energy to those things first, whether it was time with loved ones, being in nature, or expressing my creativity.

    In addition to numerous choices about treatment and how best to nurture myself, I had to consider the overarching question of how I was going to “do cancer.” Was I going to isolate, connect with others or find someplace in between. The quandary was obvious in basic questions such as: Who do I tell? How much do I say? Who do I ask for help? How much help do I accept? It seemed there were no decisions that didn’t loop back to the same question. I had to choose how much to allow my family, friends and community to care for me.

    Ouch! As an introvert, it was uncomfortable, even painful, to be open about my cancer and need for help. However, I decided that the introvert in me was going to have to suck it up. Out of necessity, I ultimately made my situation known. I was overwhelmed with support and kindness. I am convinced that the love I received, and my gratitude for it, were deeply healing. I return to that gratitude often; it continues to be a salve for my soul.

    Beyond my circle of friends and family, I pondered how visible to be in the larger community as I underwent treatment. Wig or no wig, was one such question. I felt passionately about not hiding as a patient and later as a survivor.

    When I was newly diagnosed, I needed to know there were others. I wished I could have walked into my neighborhood grocery store and known that among those picking out organic produce, were others recently diagnosed and survivors of one, five and thirty years. I needed to know there were others who had transitioned from emotional paralysis to living with cancer or after cancer. The presence of those dear ones and strangers gave me hope. I knew hope to be healing and that fact would later compel me to be a visible survivor to others newly diagnosed. I allowed cancer to push me out of my comfort zone and to be an advocate for all survivors. I started by writing about it and offered to talk with others, newly diagnosed. I learned the power of saying the words “I had cancer” in front of friends and strangers.

    Not everyone is comfortable talking about cancer. However, there is a growing openness. I have benefited from this candor and want to add to the conversation. I am grateful for those, who when told of my diagnosis, disclosed their own long-ago diagnoses. Survivors are out there. More than I knew. They gave me hope by merely existing and telling me they were there. I believe I empower others and pay that hope forward by sharing my story and being a visible cancer survivor.

    Over the past eight years, I’ve come to realize that even though cancer forced me to make many decisions, they all came down to one. How much space was I going to give fear in my life? Just saying the word cancer out loud can be scary. I have developed a deep respect for the damage cancer can do on so many levels. However, respect doesn’t mean I will allow cancer to scare me into silence, inaction or avoidance. At the start of my cancer journey, I decided if I was going to be roughed up by cancer, then I wanted to choose how it changed me. I didn’t want to be the same person I was before cancer, but not because I was dissatisfied with who I had been. That wasn’t it. I wanted something to show for having walked through the fire. I wanted a sticker! For me, that sticker is the ability to choose to be an extrovert (at times) in service of an issue for which I am passionate.

    The changes I made continue. I don’t assume that time will always be on my side. Since my diagnosis, I endeavor to pull myself off autopilot whenever I find myself there. I pause and listen to my heart and then act with intention. Or at least that is what I aim to do.

    I am now eight years out from my diagnosis and treatment. The traditional five-year post-cancer mark was both precious and meaningless. Much of cancer research only tracks five-year survival rates. It is simply a line in the sand. There is little evidence about six or twelve years, so as a cancer survivor, you take what you can get. Statistically the chance of recurrence after five years is less, but the risk is lifelong. That is why I enthusiastically celebrate every “cancerversary” as another year I can choose to live with less fear, more intention and a curiosity about how life might further change me.

    Carol Harvey is a marriage and family therapist in Northern California and a retired Sonoma State University lecturer. She began writing a few years after her cancer diagnosis and hasn’t stopped. She loves making blankets out of old jeans and wool sweaters and yard art out of found objects. She facilitates a free weekly online cancer support group that uses reflective writing techniques. She can be reached at carolharveymft@gmail.com

  • The Inner Critic Tar Pit of Doom and Despair

    By Su Shafer

    Beware the trap that writers often fall into: The Inner Critic Tar Pit of Doom and Despair—the black hole of fear in your head that says you have nothing new or exciting to say or that even if you are personally excited by what you’ve written, it’s not good enough for someone else to read or hear. 

    The Tar Pit of Doom and Despair is a creative quicksand that will sink the soul right out of your writing, further feeding the fear of mediocrity. The only way to escape this pit is to get out of your head. 

    I’ve found doing timed free writes is a great way to do this. When your time is restricted, you don’t have time to obsess over a word or a phrase and there simply isn’t enough time to polish. There is something freeing and reassuring about that. 

    And having a time limit ensures that you can’t get too invested and that what goes on the paper is raw, organic, and unraveled from the sinister inner critic with its conformist ideals.

    Play, don’t be afraid to experiment. Use creative prompts to catapult you out of your comfort zone. Don’t try to control or stop what wants to come out. It’s surprising and delightful what valuable nuggets and insights show up. 

    Be brave and share your work with others. Other people come to your writing with their own perspectives and will often pull things from your writing that wouldn’t otherwise occur to you. Sharing your work is the only way to get over your fear of sharing your writing. And when you’re not too invested, you can accept both complements and criticism and learn to use them constructively.  

    Most importantly, just keep writing.  Do whatever it takes—invent ways to keep your pen scribbling on paper. 

    Just keep writing. 

    Su Shafer is a creative writer and sometime poet who lives in the Pacific Northwest, where flannel shirts are acceptable as formal wear and strong coffee is a way of life. There, in a small Baba Yaga house perched near the entrance to The Hidden Forest, odd characters are brewing with the morning cup, and a strange new world is beginning to take shape . . .

    Note from Marlene: There are over 568 writing prompts on The Write Spot Blog.

    Choose one and Just Write!

  • Tiny Love Stories

    Modern Love is a weekly New York Times column, a book, a podcast — and now, in its 16th year, a television show — about relationships, feelings, betrayals and revelations.

    What kind of love story can you share in two tweets, an Instagram caption or a Facebook post? Tell us a love story from your own life — happy or sad, capturing a moment or a lifetime — in no more than 100 words. Include a picture taken by you that complements your narrative, whether a selfie, screenshot or snapshot. We seek to publish the most funny and heart-wrenching entries we receive. We call them Tiny Love Stories. They are about as long as this paragraph. They must be true and unpublished.

    Love may be universal, but individual experiences can differ immensely, informed by factors such as race, socio-economic status, gender, disability status, nationality, sexuality, age, religion and culture. As in the main Modern Love column, we are committed to publishing a range of experiences and perspectives in Tiny Love Stories. We especially encourage Black and Indigenous people and other people of color to submit, as well as writers outside of the United States and those who identify as members of L.G.B.T.Q. communities.

    Share your story today.

    To read past Tiny Love Stories, go to nytimes.com/modernlove. There is also a book of some of our favorite Tiny Love Stories.

    Click here to read our reader submission terms.

  • Real Names in Memoir?

    When writing memoir, the question often comes up, should you use real names?

    There are no cookie-cutter answers. No one-size-fits-all.

    In “Between Two Kingdoms” Suleika Jaouad handled the situation by stating in the front of the book, “To preserve the anonymity of certain individuals, I modified identifying details and changed the following names, listed in alphabetical order: Dennis, Estelle, Jake, Joanie, Karen, Sean, and Will.”

    Tara Westover, author of “Educated,” changed the first name of her parents and siblings.

    Phuc Tran, author of “Sigh, Gone: A Misfit’s Memoir of Great Books, Punk Rock, and the Fight to Fit In” decided to keep “the real names of all adults and changed the names of minors not related to him and adult names he forgot. He said his ‘tenuous’ relationship with his parents meant he didn’t care about their opinions and made his book easier to write, noting, ‘I wrote without worrying about trying to preserve the relationship, and wasn’t sure if they’d read it. I felt unencumbered and free to be incredibly truthful.’” —March/April 2021 Writer’s Digest magazine

    Write whatever you want to write. Later, if you publish your memoir, you can decide what to do about names. But before that, free yourself to write your truth. Write your story without worries about what anyone else might think.

    Tell what happened. Write Your Story.

    Just Write.

  • But Why . . . Prompt #568

    I’m working on a short piece of writing about a childhood tradition to submit to an anthology. It’s done, except I feel I’m not conveying the heart of it. This afternoon, I asked myself “Why was this so special?” After this blog post, I’m going to look at my story again, and try to dig up the “but why” that made this tradition so meaningful.

    Writing Prompt: Using something you have written, pull out an excerpt, and answer the question, “But why?”

    Just write and see where this takes you.

    But, why?

  • Scene Checklist

    Photo by Deborah Diem

    Every scene should be told through a character’s point of view. You can have more than one pov character in a book, (but no more than you need).

    One reason for this type of focusing is so that we feel the character struggle with a scene goal. The struggle takes place through action and dialogue with little internalization/exposition.

    A scene is a dramatic unit that includes scene goal, conflict (through action and dialogue) and resolution.

    What does your protagonist want in the story? This is the external plot.

    The external plot could be as simple as: Will Jane find the killer?? It is not something like: Will Jane find true happiness? This is internal conflict and may even be a subplot.

    What does your pov character want in this scene (scene goal)? Without a clear scene goal, you will not have a scene; you will have an event.

    What’s at stake? What will happen if the character doesn’t reach the desired scene goal?

    Where is the scene taking place?

    Scenes in most coffee shops and bars are weak. Take that scene in the bar and put it on a ski slope, on a sailboat, or in a factory that manufactures frozen enchiladas.

    What time is the scene taking place and what month? This will determine how the characters dress.

    Antagonist in this scene?

    What does character want in this scene?

    What does character do to get his/her way in this scene?

    Have you incorporated action in the scene?

    Have you incorporated dialogue?

    What is the emotional state of the protagonist?

    Resolution: How does scene end? Does character achieve scene goal?

    Adapted from outline by Bonnie Hearn Hill from a lecture by Cindy Wathen.

  • Clichés

    By Camille Sherman

    What is the scientific process

    Of transforming a thing

    Out of reverence and relevance

    And into cliché

       

    Is it a simple question of quantity

    The stomach ache that follows

    Empty candy wrappers

    Fanned out before tiny costumed bodies

     

    Is it great expectation

    A push for originality

    An inner motor disdained

    By what’s been done before

     

    Perhaps boredom or impatience

    A haughty bristle at the suggestion

    That there is something new to gain

     

    We’ve seen it all before

    Said it all before

    Thought it all before

     

    But when no one is looking

    And we sneak a furtive glance at the stars

    Or steal the scent of a passing flower

    Or well at the first notes of a love song

    Our sweet clichés will rise again

    Unoffended that we were too cool

    To remember why they were worthy

    Of perpetual repetition

    To begin with

    Camille Sherman is a professional opera singer from the Bay Area. She trained at The Boston Conservatory and the San Francisco Conservatory of music, and served as an Artist in Residence at Pensacola Opera and Portland Opera. She currently lives in Portland, where she continues to sing and develop artistic projects with local artists.

  • Goodbyes

    By Julie Wilder-Sherman

    Goodbyes can come in so many forms. 

    There’s the long goodbye. The short goodbye. The swollen goodbye and the thin goodbye. The brittle goodbye and the overwrought goodbye.

    Short goodbyes can be quick for so many reasons. You don’t like someone, so you want to get away. You love someone too much and each moment of your parting makes you feel worse. Short goodbyes can occur because you’re ready to move on. Or you’re afraid. Or you’re late for an appointment. Or you just don’t like situations that drag on and on. Short goodbyes can be a brisk hug, a handshake, or even dropping someone off at the curb at the airport.

    Long goodbyes can be swollen with tears. They can get wet and messy and sweaty. Long goodbyes can leave puffy eyes and red noses. Long goodbyes can have kids tugging at their parents’ coats, rolling their eyes because the adults are taking too long. Or they can be kids grasping at their parents’ coat, clinging, begging and screaming to not be let go.

    Goodbyes to friends as we move away. Goodbye to children as they grow up and step away from you and into adulthood. Goodbye to parents as their souls complete their journey on earth and leave the dimensions we understand to go on to the ones we don’t.

    Goodbye to dishes and dining room sets that were purchased for weddings then sold after divorce.

    Goodbyes to pets who trusted their lives to you, then went over the rainbow bridge to dog heaven. Or the kitty ranch. Or the goldfish ocean. Or hamster haven.

    Goodbyes to what we know, what we want and can no longer keep. To what we no longer love or use or need. Goodbyes are realizing that when it was with you, it served its purpose and its work is done.

    San Francisco native Julie Wilder- Sherman is a long-time resident of Petaluma, California. She began reading books at an early age, encouraged by her mother, who would allow her to take books to bed when she was as young as two-years- old. Julie would “read” them until she was ready to go to sleep. To this day, Julie reads every night before turning out the lights.