Corral your best time of day for maximum creativity

  • Corral your best time of day for maximum creativity

    Rebecca Lawton posted “Ring-fence” on her blog in August 2013.  If you are struggling with your writing, or finding a routine that works for you, this might help.

    Ring-fence

    What is this malaise? This lack of focus and ennui combined with a skimming restlessness? My mind won’t settle on anything for more than an instant. The piles of paper around me are growing, escaping my recycle bin. I can’t seem to force myself to get to work on them or anything else. Those short stories I was revising religiously every morning? Not today.

    Today my mind is a cloud pushed by the wind.

    It could have been a regular workday with a schedule I knew from experience to be effective. Usually I rise between 5:30 and 6:30 AM, head for the meditation chair, sit for 20 minutes, then concoct morning chai for the household. Next I’m off to my writing desk. I work for two hours on my latest manuscript (these days, it’s that collection of short stories), after which I stop for breakfast. Later I’m on to returning phone calls, making progress on consulting work, emailing friends and clients, or blogging. Somewhere in the day will be a swim, walk, or bike ride. Then I’ll go back to writing, especially if I’m on deadline.

    Today I broke that pattern. I thought taking a shortcut past the meditation and morning writing and getting directly to business and accounts meant I was being responsible. I could return to the short stories in the evening, I told myself. I’d be efficient and effective, putting important, earning work first.

    How wrong I was. Without that morning ritual, as well as the critical, concentrated creative time, I was like a ship with no compass. The usual landmarks I look to for guidance weren’t there. Not only did I not accomplish my non-writing tasks more efficiently or quickly, I found them curiously evading my prized problem-solving ability.  In short I didn’t get anything done before breakfast and very little after.

    I had missed my most creative time, when my circadian rhythms allow me to sink most deeply into the world of make-believe. By not stopping in at the usual checkpoints, I scuttled the well-honed craft of my general working life.

    Mark McGinnis, poet and business coach, puts it this way: “Ring-fence your most creative time.” He advises that we pick our rich, creative time of day and separate it from the rest for our lives.

    Apart from the lack of external interruptions, I write first thing in the morning because (once I’m up) that’s the time of day when I’m most focused and alert. I experience a greater mental clarity in the first couple of hours of the working day than any other time. As a writer, that quality of attention is my most valuable asset, so I’ve learned to guard it carefully. If I start plowing into emails, reading blog feeds, or doing mundane tasks such as accounts, then I’m squandering my most precious resource.

    Mark admits that, for him, finding extra hours in the morning means rising earlier than he would if writing weren’t his heart’s desire. It’s the same for me. Without those morning hours I carve out (which might be afternoon hours for you, or after dinner, whatever you can “ring-fence”) I wouldn’t have a writing practice, which is the core of my work. I wouldn’t feel authentic passing myself off as a writing instructor or as speaker at a community writer’s night. I wouldn’t rest easy selling copies of my novel or proposing a new book to my agent or filling in a grant application to support a new project. The creative practice makes up the core of my writing identity. From that ring-fenced time also comes, apparently, my ability to do other work.

    It’s true there are other aspects to my life and me, but for that part wearing the author hat, the ring-fence is as mighty as the pen. Mightier.

    Rebecca Lawton’s books and articles are available through her website, www.beccalawton.com

    Note from Marlene: Reading Water is one of my all-time favorite books for writing prompts. I highly recommend it.

  • Five on the Fifth

    ~ Online literary magazine

    ~ Publishes five short stories on the fifth of each month:

    Horror

    Fantasy/Science Fiction

    General Fiction

    Non-fiction

    Flash Fiction

    Submit.

  • Literary Juice

    Sara Rajan founded Literary Juice as an outlet for authors to share their most honest works without having to conform to conventional narrative guidelines.

    LJ encourages writers to break all ties with convention and free their inner weird-sad-happy-freaky-romantic selves!  

    “We accept all genres of prose, poetry, and, more recently, art. Lately, we’ve done away with all artistic boundaries. There are no rules here. We have no direction. Sometimes we don’t even know where we’re going. We go up. Down. Sideways. All over the place. Welcome to the Mad Hatter’s literary circle.”

    Submit!  

  • Strongly affected. . . Prompt #347

    Today’s writing prompt is a visualization . . . then the prompt. Set yourself up for an uninterrupted twenty minutes. Get comfortable. Have your writing implements nearby . . . paper and pen or computer.

    Settle into your chair. Feet flat on floor. Hands relaxed.

    Rotate shoulders in a circle. Reverse direction.

    Stretch arms out in front. Arms overhead. Arms to the side.

    Take a deep breath in. Hold. Let go.

    Feel your feet connected to the floor. And that connection goes down into the earth, way down, deep down, to the center of the earth.

    Firmly planted, deeply rooted.

    Feel the connection up your legs, through your calves, into your knees.

    Feeling connected up into your thighs.

    Completely relax into your chair, letting go of all tension that might be in your legs and thighs.

    Just let go.

    Deep breath in. Deep breath out.

    Let your hands go limp. Feel the relaxation travel up your arms and into your shoulders.

    Take a nice deep breath in and bring your shoulders up to your ears. And then let them down with a loud hrumph sound. Another deep breath in, shoulders up and down with the outward breath.

    Relax deeper into your chair. Let your stomach muscles relax. Let your shoulder relax.

    Feeling completely supported in your chair, feel the connection to the earth. Feeling connected to the center . . . the core of the earth. Your connection goes deep.

    Relax your neck muscles. Loosen your jaw. Just hang loose.

    Let your head drop forward on your chest. Just rest there a moment.

    Rotate your head in a circle. Opposite direction.

    Deep breath in. And deep breath out.

    We’re going to do a bit of exploration now . . . scanning memories.

    Sitting comfortably in your chair, scan your relatives for the person who affected you the least.

    Next, a relative who affected you the most.

    Now, a friend who strongly affected you.

    What are some of the emotions that came up for you?

    Go a level deeper.

    Which friend or relative affected you in a way that surprised you?

    Prompt: Write about that time.

  • Family Motto . . . Prompt #346

    If you had a family motto, what would it be?

     

     

     

     

     

     

     

     

  • Flyway Magazine

    Flyway: Journal of Writing & Environment is an online journal publishing poetry, fiction, nonfiction, and visual art that explores the many complicated facets of the word environment – whether rural, urban, or suburban; whether built or wild – and all its social and political implications.

    Submission Period: October 1 to May 1.  Visual art: year-round.

    In addition to publishing issues on a rolling schedule, Flyway sponsors a yearly Sweet Corn Prize in Poetry and Fiction and a Notes from the Field Nonfiction Award.

    “We are interested in work that explores the intersection of human experience and the environment, broadly interpreted: work that focuses on ecology, science and the environmental imagination, certainly, but also work that focuses on place, on natural and built environments, and on the ways that people interact with their environments. We are looking for work that surprises, moves, haunts, or affects the reader in some significant way.”

    Authors of all walks of life should feel encouraged to send us stories, poems, essays, and art celebrating the diverse characters and settings all around us.

    Submit!

  • Un-do, un-see, un-know. Prompt #345

     

    Write about something you wish you could un-do or un-see or un-know.

    You can use this prompt to write about yourself, someone you know, or write how your fictional character would respond.

    Just write!

  • Revision: When the really big ideas show up.

    Today’s Guest Blogger Rachael Herron has this to say about revision.

    I’m back in the middle of revision of a book, and I’m finally swimming in the water I love.

    What I adore about revision is this: I know the world. I invented it, after all! When I open the document, I’m right in the middle of something I understand. It’s much easier, for me, to drop in for hours and rest on the page. It’s also easier to come out of, to shake off.

    First drafts remain torture for me. So many of you love the first drafts, and I can admit that sometimes, the writing of new words is glorious. You surprise yourself with a turn of phrase that you’re pretty sure is genius and has probably never been said before. The plot bends and a tree you wrote about comes to life and points a branched finger in a direction you never saw coming. Inspiration flows, hot and heavy.

    But maybe I’m just more of a down-to-earth gal. I love falling in love, but I love remaining in love more. Give me a passionate kiss before you take the trash out—that’s happiness to me. I like the comfort of What I Know. I like to tuck my feet under the thighs of my manuscript as we cuddle on the couch. I love knowing my manuscript likes the lights on till sleep-time, even though I prefer to read in the dark.

    Revision is both comfortable and exciting, like a sturdy marriage. Oh, I love the word sturdy. It’s prosaic, but it’s so me. My legs are sturdy. My emotions are, too. I love my books to be sturdy enough to lean on.

    And lean on them, I do. I fall into them, really. Revisions are getting in the bed you made of out words and pulling up the covers. Then you roll around, making those words better, cleaner, more focused.

    Revision is when the REALLY big ideas show up. Then you have to move parts around, like those flat puzzle toys you slid pieces around on to make a picture, to make those new ideas fit. You might have to pry out some pieces and manufacture new ones. But then you click one piece left, and another one right, and suddenly, you’re looking at it. The whole picture. Your book.

    Ahhh. I’m reveling.

    Note from Marlene:  Yes! I also love revising. Moving parts around, like a puzzle = Exactly! And the euphoria when the pieces fit = Joy!

    Rachael Herron is the bestselling author of the novels The Ones Who Matter Most (named a 2016 Editor’s Pick by Library Journal), Splinters of Light and Pack Up the Moon (all from Penguin), the Darling Bay and the Cypress Hollow series, and the memoir, A Life in Stitches (Chronicle). She received her MFA in writing from Mills College, Oakland and she teaches writing in the extension programs at both UC Berkeley and Stanford. She’s proud to be a New Zealander as well as a US citizen, though her Kiwi accent only comes out when she’s very tired. She’s honored to be a member of the NaNoWriMo Writers Board. She is currently a Writer in Residence at Mills College.

  • Epoch Magazine

    EPOCH is an open forum for literary fiction, poetry, essays, screenplays, cartoons, graphic art, and graphic fiction.

    Reading Period: September 15 to April 15

    Guidelines: Submissions by mail only, addressed to the appropriate editor: e.g. Fiction Editor, Poetry Editor, Essay Editor. Screenplays, cartoons, graphic art, and graphic fiction should be so labeled on the envelope.

    Good Luck