Your greatest fear. Prompt #300

  • Your greatest fear. Prompt #300

    Write about your greatest fear.

    Scary thought?  Well, yeah . . .  But, you know that writing about your greatest fear doesn’t make it come true.

    Take a deep breath and write.  Take many deep, nourishing breaths as you write.

    Emotional Freedom Technique tapping can help calm your fears and worries.

    Tap With Brad Yates   — hundreds of youtube videos, with an amazing array of topics for tapping.

    http://www.tapwithbrad.com/brad-yates-videos/

  • “Move to a position of wisdom and power . . . ” DeSalvo

    ledger.ink well

     

    “If we write about our pain, we heal gradually, instead of feeling powerless and confused, and we move to a position of wisdom and power.” — Writing As A Way of Healing by Louise DeSalvo

  • Use your writing to heal.

    bookshawlUse the difficulties in your life and represent them in your writing.  Describe the difficulties as if writing a scene in a novel. Look at your situation from a different point of view – from that of a character in a story.

    Take A Break

    When your writing becomes too difficult, stop. Take a break. Take a walk. Treat yourself to a glass of iced tea or hot apple cider. Wash your hands with special scented soap. Do something physical to relax your mind.

    Use a focal point as a reminder to relax and breathe deeply. A focal point is anything you like to look at: in your home, your writing environment, or outside.

    Have A Plan

    Have a plan for when you are feeling overwhelmed and need relief from emotional tension while you are writing.

    Prepare a healthy snack before you begin to write. When the writing gets difficult, take a few minutes to nurture yourself, whether it’s food, or a visual treat – look at a pleasant picture or a memento that has good memories for you, or being physical  – Go for a walk, a run, move around.

    Empowering

    This type of self -care can be very empowering and gives you some control in your present situation where you didn’t have control in a past experience.

    Use your writing to heal, being careful to not re-traumatize yourself.  This way, you can benefit from the healing potential of telling your story.

    Practice writing about your past without it overwhelming you.

    “If we write about our pain, we heal gradually, instead of feeling powerless and confused, and we move to a position of wisdom and power.” — Writing As A Way of Healing by Louise DeSalvo 

    How to write without adding trauma.

    The Healing Power of Images Prompt #139

    Transforming Depression Into My Writer’s Muse — by Teresa LeYung-Ryan

    Does your heart hurt? Prompt #269

  • Five Points is ready for your writing.

    five-pointsFive Points: A Journal of Literature and Art welcomes unsolicited submissions of fiction, poetry, and literary non-fiction.

    Deadline:  All categories have a December 1 deadline.  Entry fees range from $2.50 to $25.

    The James Dickey Prize for Poetry

    Send three previously unpublished poems no more than fifty lines each.

    Simultaneously submitted manuscripts are accepted.

    $25 Entry fee includes a one-year subscription.

    Winner receives $1000 and will be featured in an upcoming issue of Five Points.

    Essay

    Each essay should be no longer than 7500 words.

    Reading Period 2 is: Jan. 11 through March 31

    Fiction   

    Each story should be no longer than 7500 words. Reading Period 2 is: Jan. 3 through March 31.

    Poetry

    Each poem should be no longer than fifty lines.  Reading Period 2 is: Jan. 3 through March 31.

    Very Short Prose (Fiction or Nonfiction)   

    Up to 500 words maximum.

    SPECIAL ISSUE – Flash Fiction

    Maximum 250 words.

    Note from Marlene:  Good Luck!

  • Difficult Time Part 2 Prompt #299

    Hand writing in journalPrompt 298  on The Write Spot Blog suggests that you write about a difficult time.

    Thinking about a difficult time:

    Take the role of counselor . . . If you could step out of the box that contains The Difficult Event and look at it from the point of view of a counselor:

    What would you advise this person, or these persons, to do?

    Then:

    Take the side of one of the persons involved. Write from his/her point of view.

    And then:

    Write about the situation from another person’s point of view.

    For a good read about an interesting point of view: Fire Angels by Elizabeth Kern.

  • When Tough Love becomes True Love

    stop-treat-to-do-list-as

    This past year has been difficult for me (Marlene), not just during the long month of November.

    I have been playing catch up all year, trying to whittle down my never-ending to-do list. Susan Bono’s guest blog post reminds me to stop, notice, and savor the moment.

    Susan writes:

    Even those of us who start the day with a list know what it’s like when unplanned-for events start coming our way. In spite of our intentions, we start tackling the unscheduled instead of working on what we had planned. Emergencies come up, of course; we can’t control everything. No one can plan for bad news or times we are suddenly needed. But the list of unanticipated tasks is endless, and after a while, we just start doing what comes to us, instead of what we had intended.

    You should have days when you follow your bliss. In fact, have them as often as you like, but the trick is in telling yourself right from the start, “Today I’m going to do whatever I feel like.” But a plan that’s been ignored is a sign of defeat, and most of us have long range goals—I  mean, who doesn’t? So whenever you miss an opportunity to complete an intended task, you are altering the look of your Big Picture.

    Whether you regularly schedule too much for yourself or sell yourself short, you’ll benefit from the TL list. TL stands for “Tough Luck,” because that’s what you say to anything that’s not on it. If you can complete your assigned tasks, then let the spirit of que sera, sera take over.

    So tomorrow, do whatever is in your power to follow your list. The more in control you become in this area of your life, the fewer details your list will need to contain, but for tomorrow, make a schedule of what you think will cover every hour of your day. Include meals, personal care, regular errands, like carpooling, time sinks like phone calls, TV, or email. Now fit your to-do list into that existing framework. How much time do you really have?

    Once you’ve made your list, do your best to stick to it. Each time you say, “Tough luck” to extraneous chores, you are giving yourself a big helping of Tough Love. You are proving to yourself and the world that the work you set out to do is important, and so are you.

    See if you can love yourself enough to use the TL list until you discover what your true desires and capabilities are. As you plan your list for each tomorrow, note any substitutions you made earlier that day. Did you trade a trip to the grocery store for a surprise phone call from an old friend? Did you not get the ironing done because you couldn’t  put down that exciting book you were reading at lunchtime? Were your “failures” or trade-offs satisfying, or did they leave you wishing you could have a do-over?

    It’s important not to beat yourself up, because maybe what you really need is to make room for more fun. You can start scheduling that in, too, as you transfer whatever’s undone from the day’s list onto tomorrow’s. And if you’ve really missed the boat on some assignment you’ve given yourself, give it a decent burial. If what you failed to accomplish alters the Big Picture, accept this change with grace and trust that you were meant to change course anyway. As you learn to work with the TL list, you will internalize its rhythms and you won’t need to write everything down. But when you feel yourself getting out of control, you can always use this method to get yourself on track again.

    We can’t control what life does to mess up our plans. But we can eliminate our own tendencies to sabotage  ourselves. You’ll know when the TL list is working when you stop being so mad at yourself and start building a list of your accomplishments. That’s when Tough Luck goes beyond Tough Love and becomes True Love.

    susan-bonoSusan Bono, author of What Have We Here: Essays about Keeping House and Finding Home, was once a high school English teacher, is now a freelance editor, and has been facilitating workshops, critique groups and free-writing classes for more than 25 years. She was the editor and publisher of Tiny Lights: A Journal of Personal Narrative from 1995—2014.

     

  • Difficult Time Part 1 Prompt # 298

    ArgueWrite about a difficult time . . . something that happened to you or something you witnessed that made your stomach churn. Perhaps a crisis, or an argument, a disagreement.

    Write about an event that got you hot under the collar.

    Write as if you were a reporter narrating the facts. This happened and then that happened.

    See your story and tell it.

    How to write without adding trauma. 

  • What do Contest Judges Look for?

    Notepaper.make a listRecently I was one of three judges for a writing contest. We didn’t agree during the first round of reading on the winners. It took re-reading and much discussion to select the three winners. So that got me to thinking. What do contest judges look for when choosing winning entries?

    My fellow judges and I came up with:

    Make sure to follow the guidelines. They aren’t arbitrary. The guidelines are specific for a reason.

    Make sure to follow the criteria of what genre the contest is. Don’t submit memoir if the contest is fiction. Even though the judges may not be able to tell for sure if something is fiction or memoir . . . if it feels like memoir, it probably is. And that won’t work in a fiction contest.

    The winning entries that stood out excelled in creative writing and well-crafted stories. The writing and stories were compelling, keeping reader engaged to the end.

    Proofread. I know this is obvious, but many of the entries had typos or punctuation errors.

    Have someone read your entry – both for feedback and to proofread.

    If it’s a fiction contest, make sure your entry is a story. Many of the entries were anecdotes, rather than full pieces (beginning, middle, end with a definable plot and fleshed out characters).

    Avoid clichés – in words, phrases and story line. This goes back to the unique story. Tell us something new, or write something old with an interesting twist.

    Understand and use correct point of view. Many entries jumped around with point of view, sometimes it was hard to tell who “he” and “she” referred to.

    Stay with the same verb tense, except when appropriate to use past or future tense. Stories got extra points from me when using present tense (because that’s harder to do than using past tense).

    Susan Bono shares her views on contests in her essay, A Thought or Two on Writing Contests, originally published in Tiny Lights, A Journal of Personal Narrative, 2/9/2007.

    More thoughts on entering writing contests:

    “Don’t assume the winners of a writing contest were the only ones to submit excellent work. There are only so many prizes available in any given contest. Winning may equal good, but losing does not always equal bad. Your turn will come.” —Susan Bono, author of What Have We Here: Essays about Keeping House and Finding Home, has judged many, many contest entries.

    “Make us see something about the world in a fresh way or remind us of something important that has an arguable public dimension.” — Dan Lehman, River Teeth, A Journal of Nonfiction Narrative

    “There is a difference between experience and meaning-making. If we are reading along and this happens and this happens, and we still don’t know why it is important, then we know the writer might not be up to it . . . just writing about something that has happened to you is never enough. It’s what the writer does with her own experience, what she makes of it that counts.” —Joe Mackall, River Teeth, A Journal of Nonfiction Narrative, (paraphrased from original quote by Judith Kitchen).

    River Teeth Journal, Editor’s Notes, Volume 17, Number 2, May 31, 2016

    Are you motivated? Ready? Enter!

    River Teeth Submissions

    Redwood Writers, a branch of The California Writers Club sponsors contests year-round.

    The Writer Magazine regularly calls for contest submissions.

    Writer’s Digest Magazine lists contests.

    Links to writing contests.

  • It’s tradition . . . Prompt #297

    nutcracker-balletWrite about something you traditionally go to . . . The Nutcracker, a sports event, a debate, a poetry slam, Grandma’s house, Japanese Tea Garden, Golden Gate Park, the beach, the mountains, skiing, Hawaii, the movies on Christmas Eve, out to dinner on an anniversary, watching fireworks at . . . , Disneyland, Friday night movies, family dinner on Sunday, the flea market, farmer’s market, bowling on New Year’s Eve.

    Write about something you traditionally go to.

  • Are Writing Contests For You?

    writing-contest-and-penDo you enter writing contests?  If you do, please share your experience here or on the Writers Forum Facebook page.

    If you don’t enter writing contests, why not?  Share your reasons here or on the Writers Forum Facebook Page.

    “Writing contests give me short pieces to concentrate on, in between my bigger works. Contests allow me to write in genres that I never would have otherwise, causing me to do research, which helps me to grow as a writer.

    Contests motivate me to write and challenge me to meet a certain word quota. This forces me to pare down my story to its essentials, choosing my adjectives very carefully, and paying close attention to my word choices.” — Jeanne Jusaitis, First Place Winner of The 2016 Steampunk Contest, sponsored by Redwood Writers, a branch of the California Writers Club.

    Links to Writing Contests:

    Fan Story

    Writer’s Digest

    The Writer

    Poets & Writers

    Freelance Writing, including: “7 Tips For Winning A Writing Contest”